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"Largely focusing on avant-garde composers active in the 1950s and 60s, this book highlights their engagement with records and recording. Combining approaches from music history, cultural studies and sound studies, it shows how contemporary listeners experienced this music through consumer-oriented technology also embraced by popular music creators"--

Music --- Electronic music --- Music and technology --- Avant-garde (Music) --- Music appreciation

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History of civilization --- History of France --- anno 1700-1799 --- anno 1800-1899 --- Paris --- Music appreciation. --- Music --- Social aspects. --- History and criticism. --- Music and society --- Music appreciation --- Musique [Appréciation de la ] --- Musique et société --- Muziek en maatschappij --- Muziekwaardering --- 78.27 --- History and criticism

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Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera; German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol

Music --- liederen --- anno 1800-1899 --- muziekgeschiedenis --- Music and literature --- Music and literature. --- History --- Music appreciation --- History and criticism --- Literature and music --- Literature --- Literature. --- Long Nineteenth Century. --- Music and Words. --- Music. --- Musicians. --- Relationship. --- Words and Notes. --- Writers. --- History and criticism.

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Music --- anno 1900-1999 --- Art and music. --- Music theory --- Musical analysis. --- History --- History and criticism. --- Art and music --- Musical analysis --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music and art --- History and criticism --- Theory --- Analysis, appreciation --- Analytical guides --- Music appreciation --- Instruction and study --- 541 --- Compositie

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Music --- anno 500-1499 --- anno 1500-1599 --- Musical analysis --- Performance practice (Music) --- 78 <082> --- 78 <09> --- 78 <09> Muziekgeschiedenis --- Muziekgeschiedenis --- Criticism --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- 78 <082> Muziek--Feestbundels. Festschriften --- Muziek--Feestbundels. Festschriften --- History --- History and criticism --- Analysis, appreciation --- Analytical guides --- Instruction and study