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Art --- Philosophy --- Aesthetics, Modern. --- Aesthetics, Modern --- Modern aesthetics
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Aesthetics --- Semiotics --- Aesthetics, Modern --- -Semiotics --- -Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Modern aesthetics --- History --- -Lessing, Gotthold Ephraim --- -History --- -Modern aesthetics --- Semeiotics --- Lessing, Gotthold Ephraim,
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Aesthetics --- Literature --- Aesthetics, Modern --- #SBIB:309H515 --- 82.01 --- Modern aesthetics --- Literatuurwetenschap, literatuursociologie --- Esthetica --- 82.01 Esthetica
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Aesthetics, Modern --- Modern aesthetics --- Philosophy and psychology of culture --- Aesthetics --- Literature
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Aesthetics, Modern --- Literature --- Esthétique moderne --- Littérature --- Aesthetics --- Esthétique --- Esthétique moderne --- Modern aesthetics --- -Esthetica --- -Modern aesthetics --- 82.01 --- Belles-lettres --- Western literature (Western countries) --- World literature --- 82.01 Esthetica --- Esthetica --- Aesthetics. --- ESTHETIQUE --- LITTERATURE
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Du Torse du Belvédère analysé par Winckelmann au décor des métayers de l’Alabama décrit par James Agee, en passant par une visite de Hegel au musée, une conférence d’Emerson à Boston, une soirée de Mallarmé aux Folies-Bergère, une exposition à Paris ou New York, une mise en scène à Moscou ou la construction d’une usine à Berlin, Jacques Rancière examine une quinzaine d’événements ou de moments, célèbres ou obscurs, où l’on se demande ce qui fait l’art et ce qu’il fait. À travers ces épisodes on voit un régime de perception et d’interprétation de l’art se constituer et se transformer en effaçant les spécificités des arts et les frontières qui les séparaient de l’expérience ordinaire. On apprend comment une statue mutilée peut devenir une oeuvre parfaite, une image d’enfants pouilleux une représentation de l’idéal, une culbute de clowns l’envol dans le ciel poétique, un meuble un temple, un escalier un personnage, une salopette rapiécée un habit de prince, les circonvolutions d’un voile une cosmogonie, et un montage accéléré de gestes la réalité sensible du communisme : une histoire de la modernité artistique bien éloignée du dogme moderniste.
Aesthetics --- Esthétique --- Théorie de l'art --- Analyse de l'art --- Aesthetics, Modern --- Art --- Philosophie --- Aspect social --- Modern aesthetics --- Aspect social.
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A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain and the United States in the twentieth.
Aesthetics --- anno 1700-1799 --- anno 1800-1999 --- Aesthetics, Modern --- Aesthetics, Modern. --- PHILOSOPHY --- History. --- History & Surveys --- Modern. --- Modern aesthetics --- History --- Philosophy
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Aesthetics, Modern --- -Modern aesthetics --- Schiller, Friedrich --- -Schiller, Friedrich --- Aesthetics --- History --- Schiller, Friedrich, --- Schiller, Johann Christoph Friedrich von,
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Aesthetics --- Sociology of culture --- Aesthetics, Modern --- Culture --- Fascism and culture --- Culture and fascism --- Cultural sociology --- Civilization --- Modern aesthetics --- Social aspects --- Aesthetics, Modern. --- Culture. --- Fascism and culture. --- Popular culture
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