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Hypertext/hypermedia : an annoted bibliography
Authors: ---
ISBN: 0313272212 Year: 1990 Volume: vol 5 Publisher: New-York Westport London Greenwood Press

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Hypertext and hypermedia : theory and applications
Author:
ISBN: 0201544423 9780201544428 Year: 1991 Publisher: Wilmslow: Sigma press,

Texte, hypertexte, hypermédia.
Authors: ---
ISBN: 2130444296 9782130444299 Year: 1992 Volume: 2629 Publisher: Paris : Presses universitaires de France,


Book
Story circle : digital storytelling around the world
Authors: ---
ISBN: 9781405180580 9781405180597 1405180587 1405180595 Year: 2009 Publisher: Chichester, U.K.: Wiley-Blackwell,

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"This book is a workshop-based practice in which people are taught to use digital media to create short audio-video stories, usually about their own lives, placing the universal human delight in narrative and self expression into the hands of everyone, bringing a timeless form into the digital age, and giving a voice to the myriad tales of everyday life as experienced by ordinary people."--Global Books in Print.

The digital word : text-based computing in the humanities
Authors: ---
ISBN: 026212176X 0262277905 0585003084 Year: 1993 Volume: vol *3 Publisher: Cambridge, Mass. ; London MIT Press

Making hypermedia work: a user's guide to HyTime
Authors: ---
ISBN: 0792394321 1461361885 1461527546 Year: 1994 Publisher: Boston, Mass. Kluwer Academic


Periodical
Interactive entertainment law review.
ISSN: 25153889 Year: 2018 Publisher: Cheltenham, UK : Edward Elgar Publishing,


Book
On-demand culture : digital delivery and the future of movies
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ISBN: 9780813561103 9780813561097 0813561116 9780813561110 0813561108 Year: 2013 Publisher: New Brunswick, N.J. Rutgers University Press

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The movie industry is changing rapidly, due in part to the adoption of digital technologies. Distributors now send films to theaters electronically. Consumers can purchase or rent movies instantly online and then watch them on their high-definition televisions, their laptops, or even their cell phones. Meanwhile, social media technologies allow independent filmmakers to raise money and sell their movies directly to the public. All of these changes contribute to an "on-demand culture," a shift that is radically altering film culture and contributing to a much more personalized viewing experience. Chuck Tryon offers a compelling introduction to a world in which movies have become digital files. He navigates the complexities of digital delivery to show how new modes of access-online streaming services like YouTube or Netflix, digital downloads at iTunes, the popular Redbox DVD kiosks in grocery stores, and movie theaters offering digital projection of such 3-D movies as Avatar-are redefining how audiences obtain and consume motion picture entertainment. Tryon also tracks the reinvention of independent movies and film festivals by enterprising artists who have built their own fundraising and distribution models online. Unique in its focus on the effects of digital technologies on movie distribution, On-Demand Culture offers a corrective to address the rapid changes in the film industry now that movies are available at the click of a button.

Of two minds: hypertext pedagogy and poetics
Author:
ISBN: 0472065785 0472095781 Year: 1995 Publisher: Ann Arbor, Mich. University of Michigan Press

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