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Antiques --- Antique collecting --- Dictionaries --- Collectors and collecting --- Art styles --- Applied arts. Arts and crafts --- Antiquities --- Art --- Collectibles --- Decoration and ornament --- Decorative arts --- Art objects
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This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.
Architecture --- Aesthetics --- Ruined buildings --- Antiquities --- aesthetics. --- antiques. --- Antique collecting --- Antiques --- Art --- Collectibles --- Collectors and collecting --- Decoration and ornament --- Decorative arts --- Art objects --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- ruins
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This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.
Art --- Display of collectibles --- Exhibitions --- Museum exhibits --- Exhibition techniques --- History. --- Ephemeral art --- Art, Ephemeral --- Temporary art --- ephemeral exhibition spaces, domestic spaces, empire, nation state, otherness. --- Museology --- History of civilization --- exhibition buildings --- exhibiting --- temporary buildings --- anno 1800-1999 --- anno 1700-1799
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Art, Roman --- Roman art --- Classical antiquities --- Art --- Collectibles --- Objets de collection --- History of Germany and Austria --- collecting --- cabinets of curiosities [rooms] --- art collections --- collecting curiosities --- kunstkamer --- anno 1500-1799 --- Europe
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Collectionneurs et collections --- Collectors and collecting --- Culture matérielle --- Cultuur [Materiële ] --- Material culture --- Materiële cultuur --- Verzamelaars en verzamelingen --- Commercial products --- -Collectors and collecting --- Museums --- -Public institutions --- Cabinets of curiosities --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Commodities --- Economic goods --- Merchandise --- Products, Commercial --- Commodity exchanges --- Manufactures --- Substitute products --- Culture --- Folklore --- Technology --- Social aspects --- Acquisitions --- Contracting out --- -Social aspects --- museology --- tangible cultural heritage --- Economic sociology --- Museology --- Philosophy and psychology of culture --- collecting --- -Collectibles --- Acquisitions (Museums) --- Museum acquisitions --- Collection management --- Commercial products - Social aspects.
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A craze for collecting swept England during the sixteenth and seventeenth centuries. Aristocrats and middling-sort men alike crammed their homes full of a bewildering variety of physical objects: antique coins, scientific instruments, minerals, mummified corpses, zoological specimens, plants, ethnographic objects from Asia and the Americas, statues, portraits. Why were these bizarre jumbles of artifacts so popular?In Curiosities and Texts, Marjorie Swann demonstrates that collections of physical objects were central to early modern English literature and culture. Swann examines the famous collection of rarities assembled by the Tradescant family; the development of English natural history; narrative catalogs of English landscape features that began to appear in the Tudor and Stuart periods; the writings of Ben Jonson and Robert Herrick; and the foundation of the British Museum.Through this wide-ranging series of case studies, Swann addresses two important questions: How was the collection, which was understood as a form of cultural capital, appropriated in early modern England to construct new social selves and modes of subjectivity? And how did literary texts-both as material objects and as vehicles of representation-participate in the process of negotiating the cultural significance of collectors and collecting? Crafting her unique argument with a balance of detail and insight, Swann sheds new light on material culture's relationship to literature, social authority, and personal identity.
History of physics --- English literature --- Philosophy and psychology of culture --- History of civilization --- anno 1600-1699 --- England --- Antiquarians --- Collectors and collecting --- Curiosities and wonders --- Natural history --- Biography. --- History --- History and criticism. --- Civilization --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Enigmas --- Facts, Miscellaneous --- Miscellaneous facts --- Oddities --- Trivia --- Wonders --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Science --- Cultural Studies. --- European History. --- History. --- Literature. --- World History.
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This volume brings together for the first time the most significant papers on the interpretation of objects and collections and examines how people relate to material culture and why they collect things. The first section of the book discusses the interpretation of objects, setting the philosophical and historical context of object interpretation. Papers are included which discuss objects variously as historical documents, functioning material, and as semiotic texts, as well as those which examine the politics of objects and the methodology of object study.The second section,
History --- Sociology of culture --- museums [buildings] --- Civilisation --- Architecture --- Collectors and collecting. --- Collectors and collecting --- Museums --- Social aspects. --- Museology --- collectie --- collectievorming --- Collectionneurs et collections --- Musées --- History. --- Histoire --- Aspect social --- Coleccionistas y colecciones --- Museos --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Aspectos sociales --- #FARO gidsen_collecties --- Social aspects
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Collectors and collecting. --- 069.01 --- -Museum techniques --- 069.01 Museologie --- Muséologie --- Collectors and collecting --- Museums --- Museum techniques --- #SBIB:316.7C324 --- Museology --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Museologie --- Social aspects --- Culturele infrastructuur: musea --- Technique --- sociology --- collectors --- collecting --- museum administration --- Museum techniques. --- Social aspects. --- Collectionneurs et collections --- Musées --- Aspect social --- Applied museology --- Museography --- Museum practices --- Museum studies
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Conservation of artefacts and heritage materials is an increasingly popular and fascinating area, spanning both historical and scientific disciplines. Materials come in many forms ranging from sunken ships to tapestries, from buildings to books. With this wide range of matrices and materials to analyse and preserve, an interdisciplinary approach is needed drawing upon skills from many areas of knowledge. Conservation Science: Heritage Materials links these fields of research together forming a comprehensive text book that discusses analytical aspects, wall paintings, organic and inorganic mate
Museum conservation methods. --- Art objects --- Antiques --- Historic preservation. --- Preservation, Historic --- Preservationism (Historic preservation) --- Cultural property --- Antique collecting --- Antiquities --- Art --- Collectibles --- Collectors and collecting --- Decoration and ornament --- Decorative arts --- Conservation of art objects --- Preservation of art objects --- Restoration of art objects --- Conservation methods, Museum --- Museum techniques --- Conservation and restoration. --- Protection --- Conservation. Restoration --- restoration [process] --- preserving --- restauratie (kunst) --- conservatie
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"How effective are election campaign posters? Providing a unique political history, this book traces the impact that these posters - as well as broadsides, banners, and billboards - have had around the world over the last two centuries. It focuses on the use of this campaign material in the United States, as well as in France, Great Britain, Germany, South Africa, Japan, Mexico, and many other countries." "The book examines how posters evolved and discusses their changing role in the twentieth century and thereafter; how technology, education, legislation, artistic movements, advertising, and political systems effected changes in election posters and other campaign media, and how they were employed around the world." "This comprehensive and original overview of this campaign material includes the first extensive review of the research literature on the topic. Posters, Propaganda, and Persuasion will be useful to scholars and students interested in communications, politics, history, advertising and marketing, art history, and graphic design."--Jacket.
Internal politics --- Advertising. Public relations --- World history --- anno 1900-1999 --- Advertising, Political --- Political campaigns --- Political posters --- J4125 --- Campaign posters --- Political collectibles --- Posters --- Campaigns, Election --- Campaigns, Political --- Election campaigns --- Electioneering --- Electoral politics --- Negative campaigns --- Politics, Practical --- Elections --- Advertising in politics --- Political advertising --- Press and politics --- History --- Japan: Sociology and anthropology -- propaganda
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