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Church music --- Musical criticism --- Sources --- History --- Music --- History of France --- Christian church history --- History of civilization --- anno 1700-1799 --- anno 1600-1699 --- Public opinion --- Press coverage --- Philosophy and aesthetics --- Public opinion - Europe - History --- Church music - France - Public opinion --- Church music - France - 18th century --- Church music - France - 17th century --- Church music - Press coverage - France --- Church music - France - Philosophy and aesthetics --- Musique religieuse

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La 4ème de couverture indique : "Le projet MUSEFREM (La création des musiques d'Église en France aux XVIIe et XVIIIe siècles) a été conclu à Montpellier en 2013 par un colloque ayant pour objet la circulation de la musique et des musiciens d'église sous l'Ancien Régime. Hormis l'itinérance des hommes, c'est également celle des sources, des répertoires et des pratiques liées à des institutions particulières qui fut interrogée. Les contributions réunies dans ces actes abordent donc ce phénomène selon des angles variés : ceux offerts par l'observation de partitions, de livres liturgiques et de récits personnels ; par l'analyse des oeuvres musicales elles-mêmes ; par la reconstitution des conditions de recrutement et d'exercice des musiciens ; et, enfin, par l'étude de cas inscrits dans un environnement spécifique."

History of France --- anno 1500-1799 --- Church musicians --- Church music --- Job descriptions --- Social conditions --- Musicians --- Congresses --- Church music - France - 16th century --- Church music - France - 17th century --- Church music - France - 18th century --- Musicians - France --- Musique chrétienne --- Musiciens d'église --- Sociologie de la musique

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How did Catholicism sound in the early modern period? What kinds of sonic cultures developed within the diverse and dynamic matrix of Early Modern Catholicism? What do we learn about Early Modern Catholicism itself by attending to its sonic manifestations? Whether the focus is urban processional culture in Bavaria, Roman confraternities, or catechetical praxis in popular missions, these are some of the questions that this book, addressed to a wide and interdisciplinary audience, explores. The seemingly disparate topics gathered together by editors Daniele V. Filippi and Michael Noone share a common emphasis on the experience of sound and music on the many and varied modalities and meanings of sonic experience in Early Modern Catholic life.

Church music --- Catholic Church. --- Catholic Church --- History and criticism --- Katholizismus --- Geistliche Musik --- Kirchenmusik --- Geschichte 1500-1700 --- Music --- Christian church history --- anno 1600-1699 --- anno 1500-1599 --- Social aspects. --- Church music - Catholic Church

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Hymns, German --- Lutheran Church --- Pietism and church music --- History and criticism. --- Hymns --- History. --- Liturgy --- Halle [Germany] --- History and criticism --- History

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Church music --- Musique d'église --- Protestant churches. --- Eglises protestantes --- Protestant churches --- -520 --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Algemene muziekgeschiedenis --- History and criticism --- Religious aspects --- Christianity --- Musique d'église --- -Protestant churches --- Old French literature --- 520 --- Church music - Germany --- Church music - Protestant churches --- Littérature française --- Théâtre français --- Vie quotidienne --- XIIIe s., 1201-1300