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Documentary film classics
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ISBN: 0521456819 0521450675 1139172697 9781139172691 Year: 1997 Publisher: Cambridge : Cambridge University Press,

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Abstract

Documentary Film Classics offers close readings on a number of major films, such as Nanook of the North, Land Without Bread, Night and Fog, Chronicle of a Summer and Don't Look Back. Spanning the history of the documentary film tradition, William Rothman analyses the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of a wide range of documentaries, his readings also focus on the achievements of these works as films per se.


Book
The I of the camera : essays in film criticism, history and aesthetics
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ISBN: 0521368286 052136048X Year: 1988 Publisher: Cambridge Cambridge University press


Book
The holiday in his eye : Stanley Cavell's vision of film and philosophy
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ISBN: 9781438486055 9781438486062 9781438486079 1438486073 1438486057 Year: 2021 Publisher: Albany, New York : State University of New York Press,

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Abstract

Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.


Digital
The "I" of the camera : essays in film criticism, history, and aesthetics
Author:
ISBN: 9780511616600 Year: 2004 Publisher: Cambridge Cambridge University Press

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Reading Cavell's The World Viewed : A Philosophical Perspective on Film
Authors: --- ---
ISBN: 0814340105 9780814340103 9780814328958 0814328954 0814328954 0814328962 9780814328965 Year: 2000 Publisher: Detroit : Baltimore, Md. : Wayne State University Press, Project MUSE,


Book
Thinking in the Dark : Cinema, Theory, Practice
Authors: --- --- --- --- --- et al.
ISBN: 9780813566290 9780813566283 9780813566306 9780813575605 0813566304 0813575605 0813566290 0813566282 Year: 2015 Publisher: New Brunswick, NJ : Rutgers University Press,

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Abstract

Today's film scholars draw from a dizzying range of theoretical perspectives-they're just as likely to cite philosopher Gilles Deleuze as they are to "e classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.

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