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Idols of perversity : fantasies of feminine evil in fin-de-siècle culture
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ISBN: 0195056523 0195037790 9780195037791 9780195056525 2020136449 Year: 1986 Publisher: New York Oxford University Press

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Abstract

In the years around 1900, an unprecedented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, and philosophic. Many of the anti-feminine platitudes that today still constrain women's potential were first formulated during this period, as intellectuals of every stripe throughout Europe and America banded together to picture women as static beings whose sole function was sexual and reproductive. This text explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including such figures as Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Maurois, Klimt, Darwin, and Spencer, not to mention a host of now-forgotten others.

The hieroglyphics of a new speech : cubism, Stieglitz, and the early poetry of William Carlos Williams
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ISBN: 0691013454 0691061696 0691215065 Year: 1969 Publisher: Princeton Princeton University Press

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Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Dürer on the verso pages of his copy of a Latin translation.

Keywords

Cubism and literature --- Art and literature --- -Literature and cubism --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History --- -Stieglitz, Alfred --- -Williams, William Carlos --- -Influence --- Knowledge --- -Art --- American literature --- Photography --- Painting --- Williams, William Carlos --- Stieglitz, W. --- anno 1910-1919 --- Literature and cubism --- Literature --- Stieglitz, Alfred, --- Williams, William Carlos, --- וויליאמס, וויליאם קרלוס, --- ויליאמס, ויליאם קרלוס, --- O'Keeffe, Georgia, --- Influence. --- Art. --- Cubism and literature. --- Cubism --- Cubisme --- Criticism and interpretation --- Stieglitz, Alfred --- Influence --- Avant-Garde (Aesthetics) --- United States --- Art [Modern ] --- 20th century --- Criticism and interpretation. --- Ṿiliʼams, Ṿiliʼam Ḳarlos, --- Absence of ants. --- Aphrodite. --- Birth, deformed. --- Boundaries. --- Circle. --- Copulation. --- Death. --- Discrimination. --- Distribution of justice. --- Egypt. --- Eternity. --- Filial affection. --- Foreknowledge. --- Gluttony. --- Gratitude. --- Heavens. --- Hephaistus. --- Horoscopist. --- Impurity. --- Infinity. --- Judge. --- Lawlessness. --- Loins. --- Magistrate. --- Measurement. --- Night. --- Pederasty. --- Plunderer. --- Recklessness. --- Sluggishness. --- Sublime. --- Temperance. --- Twilight. --- Unanimity. --- Unstable man. --- Victory. --- Wasp. --- Widow.

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