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English language --- Style, Literary --- Anglais (Langue) --- Style littéraire --- Style --- Stylistique --- -Style, Literary --- Literary style --- Literature --- Criticism --- Diction --- Language and languages --- Rhetoric --- Germanic languages --- Aesthetics --- Literary style. --- Style littéraire --- English literature --- Metrics and rhythmics --- Style, Literary. --- Style. --- English language - Style
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Molecular biology --- Genetics --- Genetics.
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Molecular biology --- Genetics --- Genetics. --- Basic Sciences. Genetics --- Genetics (General) --- Genetics (General).
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The purpose of this book is to provide a general introduction to Systemic Linguistics in the form of essays written by leading figures in the field. These are, with one exception, not previously published, and taken together they constitute a comprehensive coverage of the diverse interests of current systemic theory. The volume contains bibliographies and an index.
Systemic grammar. --- Grammaire systemique --- Systemic grammar --- Systemische spraakkunst --- Linguistics --- 801.56 --- 800 --- Neo-Firthian linguistics --- Scale-and-category grammar --- System-structure grammar --- Systemic linguistics --- Grammar, Comparative and general --- Linguistic analysis (Linguistics) --- Structural linguistics --- 800 Taalwetenschap. Taalkunde. Linguistiek --- Taalwetenschap. Taalkunde. Linguistiek --- 801.56 Syntaxis. Semantiek --- Syntaxis. Semantiek
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The protagonists of the ancient novels wandered or were carried off to distant lands, from Italy in the west to Persia in the east and Ethiopia in the south; the authors themselves came, or pretended to come, from remote places such as Aphrodisia and Phoenicia; and the novelistic form had antecedents in a host of classical genres. These intersections are explored in this volume. Papers in the first section discuss ?mapping the world in the novels.? The second part looks at the dialogical imagination, and the conversation between fiction and history in the novels. Section 3 looks at the way ancient fiction has been transmitted and received. Space, as the locus of cultural interaction and exchange, is the topic of the fourth part. The fifth and final section is devoted to character and emotion, and how these are perceived or constructed in ancient fiction. Overall, a rich picture is offered of the many spatial and cultural dimensions in a variety of ancient fictional genres.
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