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Aesthetics, Modern --- Esthetiek. --- Postmodernisme. --- Aesthetics --- anno 1900-1999
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Aesthetics --- Phenomenology and art. --- Aesthetics. --- Art --- Philosophy.
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Despite the wonders of the digital world, people still go in record numbers to view drawings and paintings in galleries. Why? What is the magic that pictures work on us? This book provides a provocative explanation, arguing that some pictures have special kinds of beauty and sublimity that offer aesthetic transcendence. They take us imaginatively beyond our finite limits and even invoke a sense of the divine. Such aesthetic transcendence forges a relationship with the ultimate and completes us psychologically. Philosophers and theologians sometimes account for this as an effect of art, but How Pictures Complete Us distinguishes itself by revealing how this experience is embodied in pictorial structures and styles. Through detailed discussions of artworks from the Renaissance through postmodern times, Paul Crowther reappraises the entire scope of beauty and the sublime in the context of both representational and abstract art, offering unexpected insights into familiar phenomena such as ideal beauty, pictorial perspective, and what pictures are in the first place.
Aesthetics --- Painting --- Art, Modern --- Pictures --- Aesthetics, Modern. --- Art and religion. --- Art --- Arts in the church --- Religion and art --- Religion --- Modern aesthetics --- Iconography --- Pictorial representations --- Visual aids --- Modern art --- Nieuwe Ploeg (Group of artists) --- Philosophy. --- Religious aspects
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Meaning in the visual arts centers on how the physical work makes its content or presence visible. The art object is fundamental. Indeed, the different object forms of each visual medium allows our experience of space-time, and our relations to other people, to be aesthetically embodied in unique ways. Through these embodiments, visual art compensates for what is otherwise existentially lost, and becomes part of what makes life worth living. The present book shows this by discussing a range of visual art forms, namely pictorial representation, abstraction, sculpture and assemblage works, land art, architecture, photography, and varieties of digital art.
Object (Aesthetics) --- Art --- Philosophy --- Aesthetics --- Art - Philosophy --- Philosophy.
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Aesthetics of art --- Theory of knowledge --- Art --- Phenomenology and art --- Art and phenomenology --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy --- Analysis, interpretation, appreciation
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Aesthetics --- Theory of knowledge --- Kant, Immanuel --- Knowledge, Theory of --- Epistemology --- Philosophy --- Psychology --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Kant, Immanuel, --- Kant, Emmanuel --- Kant, Emanuel --- Kant, Emanuele --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel, --- Radio broadcasting Aesthetics
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