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The Light Crust Doughboys are on the air
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ISBN: 1574414305 1433710234 1417514922 9781417514922 9781433710230 9781574411515 1574411519 1574411519 9781574414301 Year: 2002 Publisher: Denton, Tex. University of North Texas Press

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This is the story of the Light Crust Doughboys phenomenon, from their debut broadcast in 1930 to their contemporary live performances.


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Texas jazz singer
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ISBN: 1623499666 9781623499662 9781623499655 1623499658 Year: 2021 Publisher: College Station

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"At 101 years of age, Louise Tobin is one of the last surviving musicians of the Swing Era in American music. She performed with such notables as Benny Goodman, Harry James (who was her first husband), Louis Armstrong, Johnny Mercer, Lionel Hampton, the Glenn Miller Orchestra, and Fletcher Henderson. In this absorbing biography, historian Kevin Mooney offers readers a view of a remarkable life in music, told from the vantage point of the woman who lived it. Born in Aubrey, Texas, in 1918, Mary Louise Tobin says of herself, "I fell out of my cradle singing. I never did proper things; I just sang." She was singing in her Denton County church by age seven, and before she was ten, her voice graced the radio advertisements for Metzger's Milk, airing on WDAG in the Texas Panhandle. By age sixteen, she was singing professionally at the Palace Theatre in Dallas. Based on extensive oral history interviews and archival research, "Texas Jazz Singer: Louise Tobin in the Golden Age of Swing and Beyond" recaptures both the glamour and the challenges of life on the road and onstage during the golden age of swing and beyond. With a trajectory that took her from Denton, Texas, to New York, to Hollywood and back again, Louise Tobin's story traces the major outlines of American music during the twentieth century"--

The definitive guide to Java Swing
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ISBN: 1280700017 9786610700011 1430200332 1590594479 1590590473 Year: 2005 Publisher: Berkeley, CA : New York, NY : Apress ; Distributed to the book trade in the United States by Springer-Verlag New York, Inc.,

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Fully updated for the Java 2 Platform, Standard Edition version 5.0, the third edition of this praised book is a one-stop resource for serious Java developers. This book shows you the parts of Java Swing API that you will use daily to create graphical user interfaces (GUI). You will also learn about the Model-View-Controller architecture that lies behind all Swing components, and about customizing components for specific environments. Author John Zukowski also provides custom editors and renderers for use with tables, trees, and list components. You'll encounter an overview of Swing architecture, and learn about core Swing components, toggelable components, event handling with the Swing Component Set, Swing menus and toolbars, borders, pop-ups, choosers, and more.


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Categorizing sound
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ISBN: 0520965310 9780520965317 9780520248717 Year: 2016 Publisher: Oakland, California

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Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.


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The Amazing Put
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ISBN: 1547401494 1547401478 9781547401475 1547417706 9781547417704 Year: 2019 Publisher: Berlin Boston

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With so much emphasis on calls (especially covered calls) many traders overlook the tremendous hedging and profit potential of the put. The Amazing Put demonstrates the many strategies based on the put option, including the risk hedge, a long put (often a long-term, or LEAPS put) that freezes market risk at the put's strike (minus its premium); and the short uncovered put, which has market risk identical to the covered call. The author methodically lays out the case for using puts wisely, both as a cash generator with low risk, and as a risk hedge to reduce or eliminate market risk in equity positions. Every options trader will benefit from exploring these strategies, and novices will gain a starting point in developing a program to enhance their stock portfolio. Michael C. Thomsett is a market expert, author, speaker, and coach. His many books include Stock Market Math, Candlestick Charting, and Options, Tenth Edition.


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The Miles Davis Lost Quintet
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ISBN: 022630339X 9780226303390 9780226180762 022618076X 9780226527000 022652700X Year: 2016 Publisher: Chicago London

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Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations.

Classic Jazz
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ISBN: 1282356887 9786612356889 0520928989 9780520928985 9781282356887 661235688X 9780520213609 0520213602 Year: 2000 Publisher: Berkeley University of California Press

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Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a gold mine of information on a rich segment of American popular music. This collection of articles begins with Levin's first published piece and includes several new articles that were inspired by his work on this compilation. The articles are organized thematically, beginning with a piece on Kid Ory's early recordings and ending with a newly written article about the campaign to put up a monument to Louis Armstrong in New Orleans. Along the way, Levin gives in-depth profiles of many well-known jazz legends, such as Jelly Roll Morton, Duke Ellington, and Louis Armstrong, and many lesser-known figures who contributed greatly to the development of jazz. Extensively illustrated with previously unpublished photographs from Levin's personal collection, this wonderfully readable and extremely personal book is full of information that is not available elsewhere. Classic Jazz: A Personal View of the Music and the Musicians will be celebrated by jazz scholars and fans everywhere for the overview it provides of the music's evolution, and for the love of jazz it inspires on every page.


Book
American allegory
Author:
ISBN: 022604310X 022604324X 9780226043241 9780226043074 022604307X 9780226043104 Year: 2013 Publisher: Chicago The University of Chicago Press

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"Perhaps," wrote Ralph Ellison more than seventy years ago, "the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power." As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy Hop-the dance that Life magazine once billed as "America's True National Folk Dance"-would spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications? In American Allegory, Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and Steppin', Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.

Tunes for 'toons
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ISBN: 1282360388 1423730402 9786612360381 0520941209 1598757970 9780520941205 9781423730408 9780520236172 0520236173 9781598757972 9781282360389 0520253116 9780520253117 Year: 2005 Publisher: Berkeley University of California Press

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In the first in-depth examination of music written for Hollywood animated cartoons of the 1930's through the 1950's, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischer's. Tunes for 'Toons discusses several well-known cartoons in detail, including What's Opera, Doc?, the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created. Goldmark pays particular attention to the work of Carl Stalling and Scott Bradley, arguably the two most influential composers of music for theatrical cartoons. Though their musical backgrounds and approaches to scoring differed greatly, Stalling and Bradley together established a unique sound for animated comedies that has not changed in more than seventy years. Using a rich range of sources including cue sheets, scores, informal interviews, and articles from hard-to-find journals, the author evaluates how music works in an animated universe. Reminding readers of the larger context in which films are produced and viewed, this book looks at how studios employed culturally charged music to inspire their stories and explores the degree to which composers integrated stylistic elements of jazz and the classics into their scores.

Making the scene
Author:
ISBN: 1282358677 9786612358678 0520940164 9780520940161 9780520249530 0520249534 9780520249547 0520249542 9781282358676 661235867X Year: 2007 Publisher: Berkeley University of California Press

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The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "rehearsal band" scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.

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