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Drawing Fashion Accessories is a practical guide to illustrating footwear, millinery, bags and purses, cosmetic products, and jewelry, offering a unique resource for students and professional fashion illustrators alike.Beginning with a discussion of the media available for drawing fashion accessories and how best to use them, together with a demonstration of various art styles, Miller then moves on to demonstrate the technicalities of drawing different products, including the specific challenges of perspective, how to draw accessories on the body, and how to render a wealth of different materi
Dress accessories --- Fashion drawing --- Fashion illustration --- Drawing --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Clothing and dress --- Design. --- Technique.
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In Victorian England, women's accessories were always much more than incidental finishing touches to their elaborate dress. Accessories helped women to fashion their identities. Victorian Fashion Accessories explores how women's use of gloves, parasols, fans and vanity sets revealed their class, gender and colonial aspirations. The colour and fit of a pair of gloves could help a middle-class woman indicate her class aspirations.The sun filtering through a rose-colored parasol would provide a woman of a certain age with the glow of youth. The use of a fan was a socially acceptable means of attr
Dress accessories --- Clothing and dress --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- History --- Symbolic aspects
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Graduating from Antwerp’s Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction—a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliquéd details—to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure. This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela’s garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.
Margiela, Martin --- 907.5 --- mode --- mode-ontwerpers --- geschiedenis, klederdrachten, België --- België --- modeontwerpers --- 20e eeuw --- 21e eeuw --- kostuumkunde - België --- mode-ontwerpers (modeontwerpers) --- Avant-garde ; Antwerpen --- Textielkunst ; technieken en vormen --- Modeontwerpers ; België ; Maison Martin Margiela --- Mode ; België --- Belgische mode ; modeontwerpers --- 391.07 --- Mode ; modeontwerpers --- Applied arts. Arts and crafts --- fashion [culture-related concept] --- fashion design --- costume accessories
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Introducing students to the world of wearable technology.
Electronic circuits --- Dress accessories. --- Activity programs in education. --- Activity schools --- Education --- Creative activities and seat work --- Project method in teaching --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Clothing and dress --- Electron-tube circuits --- Electric circuits --- Electron tubes --- Electronics --- Study and teaching (Middle school) --- Activity programs. --- Activity programs --- Experimental methods --- EDUCATION/Instructional Technology --- SOCIAL SCIENCES/Media Studies --- EDUCATION/Digital Media & Learning
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"In this comprehensive study, Daniel Delis Hill offers a rich new resource for students and professionals in fashion and business history, popular culture, advertising, marketing, and women's studies." "The hundreds of American advertising images Hill gathers here document much more than the looks and fashions of the twentieth century. They reveal dramatic transformations in women's roles and self-perception - witness the metamorphosis from alabaster Victorian homemaker to painted flapper in just a generation, from conformist fifties mom to miniskirt-clad iconoclast only a decade later, from the power-suited yuppie of the eighties to the techno self-stylist of the new millennium. And finally, Hill's niche perspective offers a fascinating long view of the interactive roles the fashion industry and media have played in shaping cultural evolution."--Jacket.
Advertising --- Fashion --- Costume --- Dress accessories --- Ads --- Advertisements --- Advertising, Consumer --- Advertising, Retail --- Advertising, Store --- Commercial speech --- Consumer advertising --- Retail advertising --- Speech, Commercial --- Store advertising --- Business --- Communication in marketing --- Industrial publicity --- Retail trade --- Advertisers --- Branding (Marketing) --- Propaganda --- Public relations --- Publicity --- Sales promotion --- Selling --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Clothing and dress --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- History --- Vogue.
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In 'Gold and Gilt, Pots and Pins', David Hinton looks at what possessions meant to people at every level of society in Britain in the Middle Ages, from elaborate gold jewellery to clay pots, and provides a fascinating window into the society of the Middle Ages.
Personal belongings --- Dress accessories --- House furnishings --- Middle Ages. --- Home furnishings --- Household goods --- Home economics --- Interior decoration --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Clothing and dress --- Belongings, Personal --- Bundles of personal belongings --- Effects, Personal --- Paraphernalia, Personal --- Personal effects --- Personal paraphernalia --- Personal possessions --- Possessions, Personal --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- Middle Ages --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- History --- Equipment and supplies --- Great Britain --- Antiquities. --- Social life and customs --- Civilization --- Material culture --- Culture --- Folklore --- Technology
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The exotic and impressive grave goods from burials of the 'Wessex Culture' in Early Bronze Age Britain are well known and have inspired influential social and economic hypotheses, invoking the former existence of chiefs, warriors and merchants and high-ranking pastoralists. Alternative theories have sought to explain the how display of such objects was related to religious and ritual activity rather than to economic status, and that groups of artefacts found in certain graves may have belonged to religious specialists. This volume is the result of a major research that aimed to investigate Cha
Copper age --- Bronze age --- Grave goods --- Rites and ceremonies --- Dress accessories --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Clothing and dress --- Ceremonies --- Cult --- Cultus --- Ecclesiastical rites and ceremonies --- Religious ceremonies --- Religious rites --- Rites of passage --- Traditions --- Ritualism --- Manners and customs --- Mysteries, Religious --- Ritual --- Burial goods --- Burial objects --- Grave objects --- Ceremonial objects --- Funeral rites and ceremonies --- Chalcolithic age --- Copper-stone age --- Cyprolithic age --- Eneolithic age --- Antiquities, Prehistoric --- Civilization --- History --- England --- Antiquities.
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In ancient Rome, the subtlest details in dress helped to distinguish between levels of social and moral hierarchy. Clothes were a key part of the sign systems of Roman civilization - a central aspect of its visual language, for women as well as men.This engaging book collects and examines artistic evidence and literary references to female clothing, cosmetics and ornament in Roman antiquity, deciphering their meaning and revealing what it meant to be an adorned woman in Roman society. Cosmetics, ornaments and fashion were often considered frivolous, wasteful or deceptive, whic
Women's clothing --- Dress accessories --- Beauty, Personal --- Women --- Vêtements de femme --- Vêtements --- Beauté corporelle --- Femmes --- Social aspects --- Social conditions. --- Aspect social --- Accessoires --- Conditions sociales --- Rome --- Social life and customs. --- Moeurs et coutumes --- Vêtements de femme --- Vêtements --- Beauté corporelle --- Developmental psychology --- Hygiene. Public health. Protection --- History of civilization --- Antiquity --- women [female humans] --- costume [mode of fashion] --- Women's apparel --- Women's wear --- Womenswear --- Clothing and dress --- Dressmaking --- Tailoring (Women's) --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Social conditions --- Clothing --- Identity --- Body care --- Power --- Fashion --- Book
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