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"I build this story like my lair. One willow, / a rib at a time" - "The Crooked Good" Since 1990, Sky Dancer Louise Bernice Halfe's work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe's career, aimed at helping readers move forward from the darkness into a place of healing. Halfe's own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and allowed her to construct her "lair." She also reflects on her relationship with nêhiyawêwin, the Cree language, and the ways in which it informs her relationships and poetics. The introduction by David Gaertner situates Halfe's writing within the history of whiteness and colonialism that works to silence and repress Indigenous voices. Gaertner pays particular attention to the ways in which Halfe addresses, incorporates, and pushes back against silence, and suggests that her work is an act of bearing witness - what Kwagiulth scholar Sarah Hunt identifies as making Indigenous lives visible.
Canadian poetry --- Cree Indians --- Algonquian Indians --- Indians of North America --- Canadian poetry (English) --- Canadian literature --- Cree poetry. --- Cree women's poetry. --- Cree women. --- Indigenous literature. --- Indigenous poetics. --- Indigenous poetry.
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Between the Harlem Renaissance and the end of World War II, a discourse that privileged a representative ideal of brown beauty womanhood emerged as one expression of race, class, and women's status in the modern nation. This discourse on brown beauty accrued great cultural currency across the interwar years as it appeared in diverse and multiple forms. Studying artwork and photography; commercial and consumer-oriented advertising; and literature, poetry, and sociological works, this text analyzes African American print culture with a central interest in women's social history. It explores the diffuse ways that brownness impinged on socially mobile New Negro women in the urban environment during the interwar years and shows how the discourse was constructed as a self-regulating guide directed at an aspiring middle class.
African American women --- Beauty, Personal --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Race identity --- Social conditions --- Social aspects --- African American literature. --- African American womanhood. --- African American women. --- African American youth. --- Brown v Board of Education. --- Charles H Parrish. --- Charles S Johnson. --- Cold War politics. --- Dark Princess A Romance. --- Elise Johnson McDougald. --- Franklin E Frazier. --- Great Depression. --- Harlem Renaissance fiction. --- Harlem educator. --- New Negro woman. --- New Negro. --- The Crisis. --- W E B Du Bois. --- WWII. --- black beauty ideals. --- black middle class. --- brown skin beauty ideals. --- brown skin models. --- brown-skin mulatta. --- consumer advertising. --- consumption. --- cosmetics. --- gender politics. --- interwar years. --- literary journals. --- middle class. --- mixed race. --- new woman. --- print culture. --- race concept. --- racial liberals. --- transnational activism. --- urbanization and race. --- woman’s era. --- women's poetry.
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