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This collection on the Standard of Taste offers a much needed resource for students and scholars of philosophical aesthetics, political reflection, value and judgments, economics, and art. The authors include experts in the philosophy of art, aesthetics, history of philosophy as well as the history of science. This much needed volume on David Hume will enrich scholars across all levels of university study and research.
Aesthetics. --- Judgment. --- Geschmack. --- Hume, David. --- Kant, Immanuel. --- Urteil. --- judgement. --- taste. --- Hume, David, --- Hume, David
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For half a century, Martin Heidegger's philosophical thought has been a towering—even revolutionary—presence on the European scene, yet in the United States and England complete understanding of his enormous importance is still limited. The essays in this volume constitute the first systematic effort to relate the applicability of Heidegger's hermeneutic thought and practice to questions concerning the nature and function of language, the interpretation of literary texts, and the "crises of criticism" central to the postmodern situation. Distinguished philosophers and literary critics address themselves to these issues in the context of the poetics of New Criticism—which they collectively call into question—and in light of the spirited dialogue between proponents of the new currents of hermeneutic and critical thinking—phenomenological, structuralist , deconstructionist —that are vying to replace New Criticism. The volume includes Heidegger's essay "The Age of the World View," translated by Mar jorie Grene; a photographic essay by Donald Bell; and contributions by Stanley Corngold, Frances C. Ferguson, Michael Gelven, Karsten Harries, Albert Hofstadter, David Couzens Hoy, David Farrell Krell, Donald G. Marshall, Richard E. Palmer, Joseph N . Riddel, Alvin H. Rosenfeld, Reiner Schiirmann, Armand Schwerner, William V. Spanos, and Gerry Stahl.
Ästhetik --- Hermeneutik --- Postmodernism (Literature) --- Literature --- Hermeneutics. --- Litterature --- Hermeneutique. --- Philosophy. --- Philosophie. --- Heidegger, Martin. --- Heidegger, Martin, --- Heidegger --- Hermeneutik. --- Interpretation, Methodology of --- Criticism --- Literature and philosophy --- Philosophy and literature --- Literary movements --- Literature, Modern --- Theory --- Philosophy --- Auslegung --- Verstehen --- Interpretation --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Theorie --- Ästhetik.
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Woran bindet sich die Emotion des Zuschauers im Kino? Und wie lässt sich eine Geschichte dieser Bindung schreiben? Mit Blick auf diese Fragen konzipiert die Arbeit von Hauke Lehmann die filmhistorische Periode des New Hollywood als einen Moment der Krise, der sich weder auf ökonomisch bedingte Anpassungsprozesse noch auf eine Ansammlung von Meisterwerken reduzieren lässt. Vielmehr gelangt in der detaillierten Analyse repräsentativer Filme die Kraft filmischer Bilder in den Blick, ihre Zuschauer zu affizieren: sie mit dem Neuen zu konfrontieren. Die Filme des New Hollywood vermessen das Feld der alten poetischen Einteilungen - wie es sich im klassischen Genresystem manifestiert - radikal neu und verändern dadurch die Art und Weise, wie die Zuschauer im Kino emotional adressiert werden. Die Arbeit beschreibt ein komplexes Zusammenspiel dreier filmischer Modi von Affektivität - Suspense, Paranoia und Melancholie - welche die Zuschauer auf je besondere Weise in die Widersprüche ihrer emotionalen Weltbezüge verwickeln. Auf dieser theoretischen Grundlage entwirft die Arbeit das Projekt einer Neukonzeption von Filmgeschichte: als eine Geschichte des Fühlens, die sich bis in die Gegenwart neu schreiben lässt.
Affekt. --- Film history/ in the USA. --- Filmgeschichte/US-amerikanisch. --- Zeitlichkeit. --- affect. --- temporality. --- Melancholie --- Film --- Rezeption --- Zuschauer --- Spannung --- Gefühl --- Ästhetik --- Paranoia --- PERFORMING ARTS / Film & Video / History & Criticism. --- Motiv --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Affektleben --- Emotion --- Emotionalität --- Fühlen --- Gemütsbewegung --- Gefühlsleben --- Gefühle --- Affektivität --- Emotionales Verhalten --- Suspense --- Betrachter --- Publikum --- Fortwirken --- Nachwirkung --- Nachleben --- Wirkungsgeschichte --- Aneignung --- Auswirkung --- Fortleben --- Kino --- Spielfilm --- Filmaufnahme --- Filme --- Spielfilme --- Audiovisuelles Material --- Videokassette --- Saudade --- Ästhetik --- Theorie --- Zuschauerin --- Emotionalität --- Fühlen --- Gemütsbewegung --- Gefühlsleben --- Gefühle --- Affektivität --- Film. --- Rezeption. --- Zuschauer. --- Spannung. --- Gefühl. --- Ästhetik.
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To Ellen Dissanayake, the arts are biologically evolved propensities of human nature: their fundamental features helped early humans adapt to their environment and reproduce themselves successfully over generations. In Art and Intimacy she argues for the joint evolutionary origin of art and intimacy, what we commonly call love.It all begins with the human trait of birthing immature and helpless infants. To ensure that mothers find their demanding babies worth caring for, humans evolved to be lovable and to attune themselves to others from the moment of birth. The ways in which mother and infant respond to each other are rhythmically patterned vocalizations and exaggerated face and body movements that Dissanayake calls rhythms and sensory modes.Rhythms and modes also give rise to the arts. Because humans are born predisposed to respond to and use rhythmic-modal signals, societies everywhere have elaborated them further as music, mime, dance, and display, in rituals which instill and reinforce valued cultural beliefs. Just as rhythms and modes coordinate and unify the mother-infant pair, in ceremonies they coordinate and unify members of a group.Today we humans live in environments very different from those of our ancestors. They used ceremonies (the arts) to address matters of serious concern, such as health, prosperity, and fecundity, that affected their survival. Now we tend to dismiss the arts, to see them as superfluous, only for an elite. But if we are biologically predisposed to participate in artlike behavior, then we actually need the arts. Even -- or perhaps especially -- in our fast-paced, sophisticated modern lives, the arts encourage us to show that we care about important things.
Arts and society. --- Intimacy (Psychology). --- Arts and society --- Arts et société --- Intimacy (Psychology) --- Intimiteit (Psychologie) --- Intimité (Psychologie) --- Kunsten en maatschappij --- Arts et société --- Intimité --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Emotions --- Interpersonal relations --- Love --- Social aspects --- Ästhetik --- Künste --- Kunst --- Intimsphäre --- Gesellschaft --- Entwicklung --- Ursprung --- Entwicklungsstadium --- Fortschritt --- Entstehung --- Evolution --- Sein --- Geheimbereich --- Intimität --- Privatsphäre --- Bildende Kunst --- Kunstdenkmal --- Kunstwerk --- Schöne Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Theorie --- Schöne Künste --- Künste
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Zwei epochale Werke, die beide im Jahre 1932 erschienen, werden in dieser Studie mit Blick auf die Frage nach der Beziehung der Kunst zur gesellschaftlichen Praxis umfassend interpretiert: der Roman »Voyage au bout de la nuit« von Louis-Ferdinand Céline und die Romantrilogie »Die Schlafwandler« von Hermann Broch. Den gemeinsamen Stoff beider Werke bildet die historische Situation Europas nach dem Ersten Weltkrieg, die als Krise dargestellt wird. Das Sendungsbewusstsein beider Autoren legt es nahe, ihre Romane auf die Gestaltung des Verhältnisses ästhetischer, ethischer und kognitiver Komponenten in einem literarischen Werk hin zu untersuchen. Die Spannung zwischen dem Postulat der Kunstautonomie, wie es sich seit der Aufklärung entwickelte, und dem Anspruch auf eine gesellschaftliche Relevanz, den beide Autoren von ihrer kulturkritischen Haltung her entwickeln, führt zu der Frage, inwieweit und auf welche Art das literarische Werk eine 'therapeutische' Sendung in Zeiten der Krise übernehmen kann. Umfassende Textanalysen und Interpretationen zeigen, wie beide Werke unabhängig von den Absichten ihrer Autoren eine eigene Dynamik entwickeln, die auf Strategien der Erschütterung baut.
Broch, Hermann. --- Broch, Hermann, 1886-1951. Schlafwandler. --- Celine, Louis-Ferdinand. --- Céline, Louis-Ferdinand, 1894-1961. --- Ce ́line, Louis-Ferdinand, 1894-1961. Mort a` cre ́dit. --- Ce ́line, Louis-Ferdinand, 1894-1961. Voyage au bout de la nuit. --- Céline, Louis-Ferdinand. --- French Literature --- Romance Literatures --- Languages & Literatures --- Céline, Louis-Ferdinand, --- Broch, Hermann, --- Ethik. --- Literary Theory, Novel, Ethics, Esthetics. --- Literaturtheorie. --- Roman. --- Ästhetik. --- Ethik --- Ästhetik --- LITERARY CRITICISM / European / French. --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Ethische Theorie --- Moral --- Philosophische Ethik --- Sittenlehre --- Moralphilosophie --- Ethiker --- Praktische Philosophie --- Ästhetik --- Theorie --- Celine, Louis-Ferdinand,
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Künstlerisch-spielerische und medienreflexiv-operierende Interventionen im Radiophonen sind so alt wie das Radio selbst. Die in diesem Buch besprochenen Hörstücke der Radiogeschichte sind von einer intensiven Auseinandersetzung auf den Möglichkeitsraum zwischen dem Radio-Dispositiv und künstlerischen Darstellungs- und Inszenierungsformen geprägt. Gemeinsam ist ihnen eine medienreflexive Anlage sowie eine Ästhetik der Störung, die auf unterschiedlichen Ebenen operiert. Im Zentrum von Bettina Wodiankas Studie steht eine interdisziplinär ausgerichtete Analyse, die medientheoretische wie medienhistorische, ästhetische und technische Überlegungen verschränkt. »Wodiankas Arbeit stellt einen wesentlichen Beitrag zu einer längst fälligen Weiterschreibung der Hörspielgeschichte dar.« Christine Erhardt, [rezens.tfm], 1 (2019) Besprochen in: MEDIENwissenschaft, 3 (2019), Irmela Schneider
Aesthetics of Disturbance. --- Analoge Medien. --- Analogue Media. --- Broadcast. --- Culture. --- Darstellungsform. --- Form of Presentation. --- Inszenierung. --- Intermediality. --- Intermedialität. --- Intervention. --- Kultur. --- Media Aesthetics. --- Media Dispostiv. --- Media History. --- Media Studies. --- Media. --- Medien. --- Mediendispositiv. --- Mediengeschichte. --- Medienwissenschaft. --- Medienästhetik. --- Production Technology. --- Produktionstechnik. --- Radio. --- Staging. --- Ästhetik der Störung. --- Hörspiel --- Hörfunk --- Ästhetik --- Produktionstechnik --- SOCIAL SCIENCE / Media Studies. --- Manufacturing engineering --- Production engineering --- Ingenieurwissenschaften --- Produktionsweise --- Industrial Engineering --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Radio --- Hör-Rundfunk --- Rundfunk --- Hörfunksendung --- Hörspiele --- Radiokunst --- Ästhetik --- Theorie --- Hörspiel; Radio; Medien; Kultur; Intermedialität; Intervention; Mediendispositiv; Darstellungsform; Inszenierung; Ästhetik der Störung; Produktionstechnik; Medienästhetik; Analoge Medien; Mediengeschichte; Medienwissenschaft; Radio Play; Broadcast; Media; Culture; Intermediality; Media Dispostiv; Form of Presentation; Staging; Aesthetics of Disturbance; Production Technology; Media Aesthetics; Analogue Media; Media History; Media Studies
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"Arbitration in the UAE continues to evolve and the number of local and international cases has grown considerably since the first edition of this book was published in 2013. This second edition comprises 43 carefully selected recent judgments (2012-2016) from the Federal Supreme Court, the Abu Dhabi Court of Cassation, Dubai Court of Cassation and the DIFC Courts.0Presented in an easy to read format, a summary is provided for each of the selected judgments allowing the reader to gain insight into the facts of the case, the principles relied upon by the court to render its decision and the reasoning of the court leading to its decision. An indispensable reference book for arbitrators, practitioners and educational institutions who need easy access to UAE jurisprudence focusing on arbitration."--
arbitrage --- arbitration --- Systèmes juridiques --- legal system --- Jugements --- ruling --- retssystem --- sistemi ligjor --- igazságszolgáltatási rendszer --- sistema judicial --- δικαστικό σύστημα --- sistema giudiziario --- Gerichtsverfassung --- právní systém --- правосудни систем --- tuomioistuinjärjestelmä --- système judiciaire --- sistem juridic --- õigussüsteem --- organizacija sodstva --- sistema judiciário --- córas dlí --- tiesību sistēma --- правосуден систем --- rättssystem --- съдебна система --- pravni sustav --- súdny systém --- rechtsstelsel --- sistema ġudizzjarja --- teismų sistema --- ustrój sądów --- justice --- Administración de justicia --- организација на судството --- soudní soustava --- soudy --- правда --- soudnictví --- судски систем --- bírósági szervezet --- gerechtelijk systeem --- bíróságok igazgatása --- помирение --- arbitraggio --- arbitraje --- rozhodčí řízení --- választottbíráskodás --- arbitraj --- arbitrazh (proces gjyqësor) --- Streitschlichtung --- arbitragem --- skiljeförfarande --- zmierčie konanie --- vahekohtumenetlus --- arbitraža --- izskatīšana šķīrējtiesā --- arbitražas --- arbitraġġ --- διαιτησία --- arbitraż --- voldgift --- välimiesmenettely --- арбитража --- решавање спорови со арбитража --- scheidsrechterlijke procedure --- arbitráž --- επιδιαιτησία --- решавање спорови по пат на арбитража --- geschillencommissie --- smírčí řízení --- arbitražni postupak --- dohoda v rozhodčím řízení --- választottbírósági eljárás --- tuomioistuimen ratkaisu --- jugement --- kohtuotsus --- пресуда --- presuda --- sentencia --- dom --- wyrok --- teismo nutarimas --- ítélet --- hotărâre judecătorească --- απόφαση δικαστηρίου --- sodna odločba --- rozsudek --- vendim i ndërmjetëm --- vonnis --- присъда --- nolēmums --- судска одлука --- Urteil --- nález --- julgamento --- giudizio --- tiesneša lēmums --- dom fra højere instans --- sudska odluka --- δικαστική απόφαση --- arrêt --- sudsko rješenje --- teismo nutartis --- arrest --- tuomioistuimen tuomio --- súdny rozsudok --- acórdão do Tribunal --- hotărâre a unei instanțe --- nález súdu --- richterliche Verfügung --- sentenza --- Gerichtsurteil --- sentence --- beslut av domstol --- tuomioistuimen päätös --- vendim i ndërmjetëm gjykate --- kohtulahend --- court judgment --- dom i högre rätt --- απόφαση διαιτητικού δικαστηρίου --- tiesas spriedums --- soudní rozhodnutí --- decisión del tribunal --- rechterlijke uitspraak --- mišljenje suda --- sentença --- fallo del tribunal --- rozhodnutie súdu --- court decision --- pravomoćna presuda --- sudska presuda --- sentenza della corte --- verdetto --- bírósági végzés --- arrêt de la Cour --- Urteilsspruch --- uitspraak van het Hof --- tiesas lēmums --- resolución judicial --- tiesas nolēmums --- vendim gjykate --- bírósági határozat --- bírósági ítélet --- domstolsutslag --- aktgjykim i gjykatës --- court ruling --- acórdão --- kohtumäärus --- судско решение --- afgørelse --- teismo sprendimas --- Émirats arabes unis --- eadráin --- rialú --- arbitražo procedūra
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"Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital
Art and society --- Painting, Chinese --- Chinese painting --- Paintings, Chinese --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- China --- Social life and customs --- Anleitung --- Maltechnik --- Ästhetik --- Tuschmalerei --- China. --- Handbuch --- Malerei --- Painting, Chinese. --- Manners and customs. --- Art and society. --- ANTIQUES & COLLECTIBLES --- ART --- Ceremonies --- Customs, Social --- Folkways --- Social customs --- Traditions --- Usages --- Civilization --- Ethnology --- Etiquette --- Rites and ceremonies --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Books. --- General. --- China (Republic : 1949- ) --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- Art, Primitive --- Anleitungen --- Ratgeber --- Einführung --- Holztafelmalerei --- Tafelbild --- Tafelmalerei --- Gemälde --- Malen --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Künstlerische Technik --- Malmaterial --- Theorie --- Technik --- 1949 --- -BNKhAU --- Chung-hua min kuo --- Jhonggu --- Khi͡atad --- Kin --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- National Government --- Republic --- Republic of China --- Zhonghuaminguo --- Rotchina --- Zhongguo-Diguo --- Kaiserreich Zhongguo --- Zhonghua-minguo --- Chung-hua-min-kuo --- Zhonghua-Renmin-Gongheguo --- Kaiserreich China --- Shinkoku --- Chung-hua-jen-min-kung-ho-kuo --- Zhonghua --- Volksrepublik China --- Zhonghua renmin gongheguo --- République populaire de Chine --- Kytajsʹkaja Narodnaja Respublika --- Chinese People’s Republic --- Chinesen --- Taiwan --- Künstlerische Technik
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As scores of death row inmates are exonerated by DNA evidence and innocence commissions are set up across the country, conviction of the innocent has become a well-recognized problem. But our justice system makes both kinds of errors—we acquit the guilty and convict the innocent—and exploring the reasons why people are acquitted can help us to evaluate the efficiency and fairness of our criminal justice system. Not Guilty provides a sustained examination and analysis of the factors that lead juries to find defendants “not guilty,” as well as the connection between those factors and the possibility of factual innocence, examining why some criminal trials result in not guilty verdicts and what those verdicts suggest about the accuracy of our criminal process.
Judicial error --- Criminal procedure --- Criminal justice, Administration of --- Jury --- Judges --- Urteil. --- Geschworenengericht. --- Beeinflussung. --- Jury. --- Judicial error. --- Judges. --- Criminal procedure. --- Criminal justice, Administration of. --- USA. --- United States. --- Administration of criminal justice --- Justice, Administration of --- Crime --- Criminal law --- Criminals --- Courts --- Procedure (Law) --- Public law --- Appellate procedure --- Criminal courts --- Trial practice --- Alcaldes --- Cadis --- Chief justices --- Chief magistrates --- Justices --- Magistrates --- Conviction of the innocent --- Convictions, Erroneous --- Convictions, Mistaken --- Convictions, Wrongful --- Criminal justice, Errors of --- Erroneous convictions --- Errors of criminal justice --- Innocent, Conviction of the --- Justice, Miscarriage of --- Miscarriage of justice --- Mistaken convictions --- Wrongful convictions --- Trials --- Judgments by peers --- Juries --- Trial by jury --- Trial by peers --- Law and fact --- Lay judges --- Law and legislation --- Pleading and practice --- Legal status, laws, etc. --- Officials and employees --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- Spojené obce severoamerické
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