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Written as a knight between the 14th and 14th centuries and placed on the ridge between the "medium" and "art" prose, the Trojan Istorietta, anonymous and partial version of the third prose editorial of the Roman river Troy de Benoît de Sainte-Maure (ca. 1165), narrates, with emotional significance and stylistic conciseness, a part of that story that had been constituted in the Latin Middle Ages by merging the stories of Darete Frigio and Ditti Cretese and revitalizing them, in the French world, in the light of sensitivity of the XII century. The suggestions of the classical myth, filtered by a typical actualizing attitude, let slip the aspiration to ideals of beauty (Elena), of strength (Achille, Ettore) and courtesy (the city of Troia) capable of attracting a municipal public that aspires to an educational and cultural elevation.
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"This book explores what visitors saw at the Trojan exhibition and why its contents, including treasure, plain pottery and human remains captured imaginations and divided opinions. When Schliemann's Trojan collection was first exhibited in 1877, no-one had seen anything like it. Schliemann claimed these objects had been owned by participants in the Trojan War and that they were tangible evidence that Homer's epics were true. Yet, these objects did not reflect the heroic past imagined by Victorians, and a fierce controversy broke out about the collection's value and significance. Schliemann invited Londoners to see the very unclassical objects on display as the roots of classical culture. Artists, poets, historians, race theorists, bankers and humourists took up this challenge, but their conclusions were not always to Schliemann's liking. Troy's appeal lay in its materiality: visitors could apply analytical techniques (from aesthetic appreciation to skull-measuring) to the collection and draw their own conclusions. This book argues for a deep examination of museum exhibitions as a constructed spatial experience, which can transform how the past is seen. This new angle on a famous archaeological discovery shows the museum as a site of controversy, where hard evidence and wild imagination came together to form a lasting image of Troy."--Bloomsbury publishing.
Schliemann, Heinrich, --- Troy (Extinct city) --- Antiquities --- Exhibitions.
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Brilliantly revitalized by James, the Trojan Epic will appeal to a wide range of readers interested in Greek mythology and the legend of Troy.
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A central figure in both classical and ancient near Eastern fields, Trevor Bryce presents the first publication to focus on Troy's neighbours and contemporaries as much as Troy itself. With the help of maps, charts and photographs, he unearths the secrets of this iconic ancient city.Beginning with an account of Troy's involvement in The Iliad and the question of the historicity of the Trojan War, Trevor Bryce reveals how the recently discovered Hittite texts illuminate this question which has fascinated scholars and travellers since the Renaissance.Encom
Troy (Extinct city) --- Middle East --- Arab countries --- History. --- History
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For many years I had wanted to write something about Troy and the Classical Age. Ever since my earlier archaological 'digs' and flint knapping and an early essay on Troy, quite unplanned that had my strict Headmaster quite aghast (even myself). I expect it was something hidden Otherin my psyche who knows a former life, I hesitate to go 'there'. NotOtherstanding that, this 'book' describes not just the story of 'Troy' but theories of whether it did exist, Other recent archaeological 'finds'. T...
Excavations (Archaeology) --- Morritt, John B. S. --- Travel. --- Troy (Extinct city) --- Antiquities.
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Chaucer's masterpiece and one of the greatest narrative poems in English, the story of the lovers Troilus and Criseyde is renowned for its deep humanity and penetrating psychological insight.This new translation into modern English by a major Chaucerian scholar includes an index of the names relating to the Trojan War and an Index of Proverbs. - ;`Now listen with good will, as I go straight to my subject matter, in which you may hear the double sorrows of Troilus in his love for Criseyde, and how she forsook him before she died' Like Romeo and Juliet, or Tristan and Iseult, the names of Troilu
Troilus (Legendary character) --- Cressida (Fictitious character) --- Trojan War --- Troy (Extinct city)
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The aim of the author of this book is to bring around not only to researchers, but to every kind of audience the repercussion of a literary topic that was an essential part of Ancient education and even more, a crucial subject in and outside the academic
Legends in literature. --- Chaucer, Geoffrey, --- Criticism and interpretation. --- Troy (Extinct city) --- In literature.
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Der Krieg um Troja ist Gegenstand von Homers großem Epos Ilias - doch gibt es aus der Antike auch ,alternative Geschichten' dazu: Die lateinischsprachigen Autoren Dictys und Dares nämlich behaupten, Augenzeugenberichte zu bieten und damit authentischer als Homer über Troja zu berichten. Da die griechischsprachige Ilias im Mittelalter und bis zur frühen Neuzeit nicht zugänglich war, haben die beiden lateinischen Werke zudem größte Bedeutung für die Rezeption des Troja-Stoffs bis in die frühe Neuzeit. In den letzten Jahren sind Papyri gefunden worden, die als griechische Vorlagen der lateinischen Werke gelten. Die mit einer ausführlichen Einleitung erschlossene Tusculum-Ausgabe bietet diese Funde erstmals zweisprachig und ermöglicht gemeinsam mit der zweisprachigen Präsentation der Werke von Dictys und Dares einen neuen Zugang zu ,alternativen Geschichten' von Troja. The Trojan War is the subject of Homer's Iliad, but there have also been 'alternative accounts' handed down since Antiquity. The Latin authors Dictys and Dares claimed to offer eyewitness accounts, asserting that they provided an authentic version of history. Since the Iliad was not read during the Middle Ages due to the poor knowledge of Greek, these two works have taken on a major significance for the reception of the events.
Trojan War. --- Troy (Extinct city) --- Turkey --- History --- In literature --- Dares. --- Dictys. --- Homer. --- Troy.
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Quand débute l’Iliade, la guerre de Troie dure depuis vingt ans. Le récit en avait été fait dans une épopée en douze chants, les Chants Cypriens, aujourd’hui perdue, mais dont un sommaire tardif permet de restituer la trame. Cet immense trésor légendaire a fourni aux poètes tragiques d’Athènes une grande partie des sujets de leurs drames. Parmi eux, c’est surtout chez Euripide, grâce à ses pièces conservées et à son théâtre perdu, qu’on peut le mieux se représenter sous quelles formes s’est opérée cette transmutation de l’épopée au théâtre, dans une cité qui n’a cessé de connaître elle aussi les horreurs de la guerre.
Troy (Extinct city) --- Trojan War --- Mythology, Greek, in literature --- Tragedy --- In literature --- Literature and the war --- Euripides --- Knowledge --- Cypria --- Troy (Extinct city) - In literature --- Trojan War - Literature and the war --- Euripides - Knowledge - Troy (Extinct city) --- Classics --- Literature --- guerre --- mythologie --- héros --- tragédie --- Homère --- épopée --- Troie
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A partire dalla metà del Trecento, una gran parte dei temi narrativi della grande letteratura europea, ma anche molti materiali folclorici, storici e religiosi, furono tradotti in versi nelle ottave canterine. Tra i cantari antichi, databili cioè entro il XIV secolo, la Guerra di Troia è un esempio del tutto singolare, per le sue ampie dimensioni e per la sua dipendenza da fonti scritte. Quasi un poema, pur nelle vesti di un cantare, essa è prova del grande impatto che ebbero, non solo presso il pubblico dei mercanti, ma anche presso uditorî piú vasti, materie fortunatissime come quella troiana, che a partire dal Roman de Troie di Benoît de Sainte-Maure (XII secolo) si sono spinte dal centro alla periferia della letteratura romanza medievale.
Italian poetry --- Epic poetry, Italian --- Criticism, Textual. --- Troy (Extinct city) --- Italian epic poetry --- Italian literature --- literature --- Trojan War --- medieval romance literature
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