Listing 1 - 8 of 8 |
Sort by
|
Choose an application
This volume explores the narrative, genre, nostalgia and fandoms of the phenomenally successful Netflix original series Stranger Things. It considers the different ways in which the show both challenges and confirms our pre-conceived notions of cult media texts by examining the series textual features, contextual criticism and forms of audience engagement. The chapters examine all aspects of the shows presence in popular culture, engaging with debates surrounding cult horror, teen drama and contemporary anxieties in the age of Trump. It also touches upon relatively neglected areas of scholarship in the realm of cult media, such as set design, fashion and the textual complexities of the secret cinema experience.
Choose an application
This book examines the transformation of the figure of the stranger in the literature of the modern age in terms of liminality. As a ‘spectral monster’ that has a paradoxical and liminal relationship to both the sacred and the secular, the figure of the modern stranger has played a role in both adapting and shaping a culturally determined understanding of the self and the other. With the advent of modernity, the stranger, the monster, and the spectre became interconnected. Haunting the edges of reason while also being absorbed into ‘normal’ society, all three, together with the cyborg, manifest the vulnerability of an age that is fearful of the return of the repressed. Yet these figures can also become re-appropriated as positive symbols, able to navigate between the dangerous and chaotic elements that threaten society while serving as precarious and ironic symbols of hope or sustainability. The book shows the explanatory potential of focusing on the resacralizing – in a paradoxical and liminal manner – of traditionally sacred concepts such as ‘messianic’ time and the ‘utopian,’ and the conflicts that emerged as a result of secularized modernity’s denial of its own hybridization. This approach to modern literature shows how the modern stranger, a figure that is both paradoxically immersed and removed from society, deals with the dangers of failing to be re-assimilated into mainstream society and is caught in a fixed or permanent state of liminality, a state that can ultimately lead to boredom, alienation, nihilism, and failure. These ‘monstrous’ aspects of liminality can also be rewarding in that traversing difficult and paradoxical avenues they confront both traditional and contemporary viewpoints, enabling new and fresh perspectives suspended between imagination and reality, past and future, nature and artificial. In many ways, the modern stranger as a figure of literature and the cultural imagination has become more complicated and challenging in the (post)modern contemporary age, both clashing with and encompassing people who go beyond simply the psychological or even spiritual inability to blend in and out of society. However, while the stranger may be altering once again the defining or essentializing the figure could result in the creation of other sets of binaries, and thereby dissolve the purpose and productiveness of both strangeness and liminality. The intention of “Monstrous Liminality” is to trace the liminal sphere located between the secular and sacred that has characterized modernity itself. This space has consequently altered the makeup of the stranger from something external, into a figure far more liminal, which is forced to traverse this uncanny space in an attempt to find new meanings for an age that is struggling to maintain any.
Strangers in literature. --- Secularism --- Monstrous --- Modernity --- Resacralization --- Liminality --- Modern Stranger
Choose an application
All over the world secular rationalist governments and judicial authorities have been challenged by increasingly forceful claims made on behalf of divine law. For those who believe that reason—not faith—should be the basis of politics and the law, proponents of divine law raise theoretical and practical concerns that must be addressed seriously and respectfully. As Mark J. Lutz makes plain in this illuminating book, they have an important ally in Plato, whose long neglected Laws provides an eye-opening analysis of the relation between political philosophy and religion and a powerful defense of political rationalism.Plato mounts his case, Lutz reveals, through a productive dialogue between his Athenian Stranger and various devout citizens that begins by exploring the common ground between them, but ultimately establishes the authority of rational political philosophy to guide the law. The result will fascinate not only political theorists but also scholars at all levels with an interest in the intersection of religion and politics or in the questions that surround ethics and civic education.
Choose an application
This study explores the consequences of being marked an outsider in the Russian-speaking world through a close study of several seminal works of Russian literature. The author combines the fields of literary studies, linguistics, and sociology to interpret these works for both the specialist and the general reader.
Russian literature --- Outsiders in literature. --- Svoe (The Russian word) in literature. --- Chuzhoe (The Russian word) in literature. --- History and criticism. --- Demons. --- Dostoevsky. --- Fitting In. --- Griboedov. --- Groups. --- Outsider. --- Russia. --- Society. --- Stranger. --- Woe from Wit.
Choose an application
The chapters in this book reflect on the practice of using narratives to understand individual and social reality. They all reveal dimensions of the same concrete reality: contemporary society of Central South Africa. Except for two, all the chapters originated from research in the program The Narrative Study of Lives, situated in the Department of Sociology at the University of the Free State in Bloemfontein, South Africa. Each chapter opens a window on an aspect of everyday life in Central South Africa. Each window displays the capacity of the narrative as a methodological tool in qualitative research to open up better understandings of everyday experience. The chapters also reflect on the epistemological journey towards unwrapping and breaking open of meaning. Narratives are one of many tools available to sociologists in their quest to understand and interpret meaning. But, when it comes to deep understanding, narratives are particularly effective in opening up more intricate levels of meaning associated with emotions, feelings, and subjective experiences.
Sociology --- Emotions --- Belonging --- Enslavement --- Liberation --- Transformation --- Female Beauty --- Hair Discourses --- Creative Process --- Social Networking --- Interactions --- Relationships --- Online Gamers --- Lived Experiences --- Overcoming the Divide --- Group Identity --- Groupness --- Sangoma --- Healthcare Center --- Physical Disability --- Mother-Daughter Communication --- Intimate Relationships --- Stranger --- Experiencing Boundaries --- Insurgent Citizenship --- Sustained Resistance --- Local Taxi Association --- South Africa --- Social conditions.
Choose an application
Sex and the Second-Best City deals with the topics of sex and society in the Laws of Plato with recourse to historical context and modern critical theory. It examines reconstructions of ancient "sexuality" with a view to increased clarification. The text of the Laws is considered, along with many of its literary qualities, its influences and the utopian plan that it proposes.
Sex --- Sex role --- Homosexuality --- History --- Plato. --- Same-sex attraction --- Gender role --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Plato --- Sexual orientation --- Bisexuality --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Sexology --- Greece --- Social conditions --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- plato's --- narrator --- athenian --- stranger --- era --- vigilance --- committee --- magnesian --- state --- citizens
Choose an application
Art of Darkness is an ambitious attempt to describe the principles governing Gothic literature. Ranging across five centuries of fiction, drama, and verse-including tales as diverse as Horace Walpole's The Castle of Otranto, Shelley's Frankenstein, Coleridge's The Rime of the Ancient Mariner, and Freud's The Mysteries of Enlightenment-Anne Williams proposes three new premises: that Gothic is "poetic," not novelistic, in nature; that there are two parallel Gothic traditions, Male and Female; and that the Gothic and the Romantic represent a single literary tradition. Building on the psychoanalytic and feminist theory of Julia Kristeva, Williams argues that Gothic conventions such as the haunted castle and the family curse signify the fall of the patriarchal family; Gothic is therefore "poetic" in Kristeva's sense because it reveals those "others" most often identified with the female. Williams identifies distinct Male and Female Gothic traditions: In the Male plot, the protagonist faces a cruel, violent, and supernatural world, without hope of salvation. The Female plot, by contrast, asserts the power of the mind to comprehend a world which, though mysterious, is ultimately sensible. By showing how Coleridge and Keats used both Male and Female Gothic, Williams challenges accepted notions about gender and authorship among the Romantics. Lucidly and gracefully written, Art of Darkness alters our understanding of the Gothic tradition, of Romanticism, and of the relations between gender and genre in literary history.
Fiction --- Thematology --- English literature --- anno 1700-1799 --- anno 1800-1899 --- 82-34 --- Sprookje. Legende. Mythe --- Gothic revival (Literature) --- Horror tales, English --- Poetics --- Romanticism --- History and criticism --- Theory, etc. --- History --- 82-34 Sprookje. Legende. Mythe --- English horror tales --- English fiction --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism&delete& --- Theory, etc --- Poetics. --- Poetry --- Technique --- gothic literature, literary, fiction, drama, verse, poetry, poems, castle of otranto, frankenstein, ancient mariner, enlightenment, poetic, horace walpole, mary shelley, samuel taylor coleridge, sigmund freud, traditions, male, female, gender, romantic, psychoanalysis, feminist theory, haunted, supernatural, family curse, others, 18th century, authorship, genre, great britain, criticism, history, horror, symbolism, dracula, feminine desires, mother, stranger, other. --- LITTERATURE D'EPOUVANTE ANGLAISE --- NEO-GOTHIQUE (LITTERATURE) --- ROMANTISME --- ENGLISH LITERATURE --- HISTOIRE ET CRITIQUE --- GRANDE-BRETAGNE --- 18th CENTURY --- 19th CENTURY
Choose an application
This volume presents selected papers read at the first meeting of the Society for Jewish and Biblical Studies in Central Europe, in Piliscsaba, Hungary, February 2009, but does not publish the proceedings of this meeting (for a clarification see here). The papers investigate various aspects of the concept "Stranger" in Jewish tradition, from the Hebrew Bible to Mediaeval Jewish thought. The bulk of the material focuses on Early Jewish literature, which mirrors an intensive interaction with the Hellenistic system of thought, and the development of concurring Jewish interpretations of traditional values.The papers of the volume provide insightful case studies about the formation of Jewish identity in diverse periods of Israelite and Jewish history, as well as the different attitudes to strangers, being either outsiders, or belonging to opposing sects of Judaism itself. The reader finds essays of historical, literary, and hermeneutical attention; of interest also to scholars of various forms of ancient and mediaeval Judaism.
Strangers in the Bible --- Strangers in rabbinical literature --- Rabbinical literature --- Jewish philosophy --- Philosophy, Medieval --- Hebrew literature --- Jewish literature --- History and criticism --- Bible. --- Dead Sea scrolls --- Jerusalem scrolls --- ʻAin Fashka scrolls --- Jericho scrolls --- Scrolls, Dead Sea --- Qumrân scrolls --- Rękopisy z Qumran --- Shikai bunsho --- Megilot Midbar Yehudah --- Dodezee-rollen --- Kumránské rukopisy --- Documentos de Qumrán --- Textos de Qumrán --- Rollos del Mar Muerto --- Manuscritos del Mar Muerto --- Manuscrits de la mer Morte --- Dödahavsrullarna --- Kumranin kirjoitukset --- Kuolleenmeren kirjoitukset --- Qumranhandskrifterna --- Qumranin kirjoitukset --- Qumran Caves scrolls --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Criticism, interpretation, etc. --- Strangers in Rabbinical literature --- Strangers in the Bible - Congresses. --- Strangers in Rabbinical literature - Congresses. --- Rabbinical literature - History and criticism - Congresses. --- Jewish philosophy - Congresses. --- Philosophy, Medieval - Congresses. --- Biblical Studies. --- Early Judaism. --- Mediaeval Jewish Thought. --- Stranger.
Listing 1 - 8 of 8 |
Sort by
|