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This book addresses the philosophical reception of early German Romanticism and offers the first in-depth study in English of the movement's most important philosopher, Friedrich Schlegel, presenting his philosophy against the background of the controversies that shaped its emergence. Elizabeth Millán-Zaibert begins by distinguishing early German Romanticism from classical German Idealism, under which it has all too often been subsumed, and then explores Schlegel's romantic philosophy (and his rejection of first principles) by showing how he responded to three central figures of the post-Kantian period in Germany—Jacobi, Reinhold, and Fichte—as well as to Kant himself. She concludes with a comprehensive critique of the aesthetic and epistemological consequences of Schlegel's thought, with special attention paid to his use of irony.

Romanticism --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Romanticism - Germany. --- Schlegel, Friedrich von, - 1772-1829.

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"Einer weit verbreiteten, auch und gerade in den Poetik-Vorlesungen unserer Tage emphatisch vertretenen Vorstellung zufolge ist der poeta doctus eine historisch versunkene Figur. Seit den letzten Jahrzehnten des achtzehnten Jahrhunderts wird als selbstevident vorausgesetzt, dass man nicht aus dem gelehrten Wissen heraus dichte, sondern aus der unmittelbaren Erfahrung, aus dem sich zum Wort und Bewusstsein drängenden Gefühl. Die hier versammelten Studien Christoph Königs verabschieden diesen Gemeinplatz. Königs Kunst der eindringlich-spekulativen Lektüre erschließt die Intensität der Imagination, die sich dort entzündet, wo Poesie und Philologie eine ebenso innige wie reflektierte Verbindung eingehen. Moderne Dichtung in ihren höchsten Erscheinungsformen erweist sich als sublimierte Hermeneutik, moderne Philologie in ihren bedeutendsten Leistungen als poetisches Leseexperiment. Anhand von exemplarischen Fallstudien (unter anderem zu Wilhelm von Humboldt, Schiller, Goethe, Friedrich Schlegel, Lönnrot, Hofmannsthal, Gadamer, Szondi und Bollack) entwirft Christoph König ein überzeugendes Bild der spannungsvollen Zweiheit von Poesie und Philologie, das unser Verständnis der literarischen Moderne grundlegend modifiziert." David E. WellberyUniversity of Chicago

German poetry --- German philology. --- Germanic philology --- History and criticism. --- Aesthetics. --- Goethe, Johann W. von. --- Humboldt, Wilhelm von. --- Schiller, Friedrich von. --- Schlegel, Friedrich von.

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Uses the concept of the poetic fragment to draw connections between romantic poetry and modern literature and literary theory.

European poetry --- Romanticism --- History and criticism. --- Schlegel, Friedrich von, --- Blanchot, Maurice. --- Knowledge --- Literature. --- European literature --- モーリス・ブランショ --- Бланшо, Морис, --- Blansho, Moris, --- Blanshoy, Moris, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von

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English fiction --- Fiction --- Femininity in literature. --- Aesthetics, German --- Sublime, The, in literature. --- Modernism (Literature) --- Romanticism --- Femininity (Psychology) in literature --- English literature --- Irish authors --- German influences. --- History and criticism --- Theory, etc. --- Joyce, James, --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Joyce, James Augustine Aloysius --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Aesthetics.

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The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics' concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics-Novalis, Friedrich Schlegel, and Friedrich Schelling-Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.

History of philosophy --- Novalis --- Schelling, von, Friedrich W.J. --- Schlegel, Friedrich --- Germany --- Absolute, The --- Philosophy, German --- German philosophy --- Metaphysics --- Ontology --- One (The One in philosophy) --- History --- Novalis, --- von Schelling, Friedrich Wilhelm Joseph --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Schelling, Friedrich Wilhelm Joseph von --- Schelling, F. W. J. --- Schelling, Friedrich Wilhelm Joseph --- Schelling, Federico Guillermo José --- Novalis, Friedrich --- von Hardenberg, Friedrich Ludwig, --- Hardenberg, Friedrich, --- Hardenberg, Georg Friedrich Philipp, --- Hardenberg, Georg Philipp Friedrich von, --- Absolute, The. --- Schelling, Friedrich Wilhelm Joseph von, --- the absolute, germany, romanticism, philosophy, being, knowing, kant, hegel, epistemology, metaphysics, friedrich schelling, schlegel, novalis, subjectivity, self, hemsterhuis, whole, nature, idealism, ontology, transcendentalism, becoming, freedom, romantic novel, spinoza, fichte, art, identity, nonfiction, goethe, jacobi, von hardenberg, mind, spirit.