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This volume presents research on the histories and legacies of the German Expressionist group Blaue Reiter, the founding force behind modernist abstraction. It offers a perspective on familiar aspects of expressionism and abstraction, taking seriously the inheritance of modernism for the twenty-first century.

Blaue Reiter (Group of artists) --- Expressionism (Art) --- Art, German --- August Macke. --- Expressionism. --- Franz Marc. --- Gabriele Münter. --- Germany. --- Paul Klee. --- Wassily Kandinsky. --- abstraction. --- art. --- modern art. --- Blue Rider (Group of artists)

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Das Bauhaus war eine der bedeutsamsten und folgenreichstenkulturellen Erscheinungen des 20. Jahrhunderts. Es wurde alseine Hochschule für Kunst und Gestaltung 1919 in Weimarvon Walter Gropius gegründet. Seine Wirkungsstätten warenWeimar 1919-1925, Dessau 1925-1932 und Berlin 1932/1933.Ihre Gestaltungslehren finden bis heute Beachtung inrenommierten Architektur- und Kunstausbildungsstätten aberauch im allgemeinbildenden Kunsterziehungsunterricht.Produkte des Bauhauses - so die berühmten Stahlrohrmöbelvon Marcel Breuer - avancierten zu wohlfeil angebotenenDesignklassikern. Bauten des Bauhauses h

Art, German --- Art, Modern --- ABR-Stuttgart (Group of artists) --- Bewegung Nurr (Group of artists) --- Blaue Reiter (Group of artists) --- Blaue Vier (Group of artists) --- Die Sieben (Group of artists) --- Ellipse (Group of artists) --- Gruppe Kranich (Group of artists) --- Künstlergruppe Chemnitz --- Neben E1N Ander (Group of artists) --- Pathetiker (Group of artists) --- Bauhaus --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- History. --- Bauhaus.

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No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874-1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.

Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Criticism and interpretation. --- Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- BIOGRAPHY & AUTOBIOGRAPHY --- MUSIC --- Composers & Musicians. --- Individual Composer & Musician. --- Schönberg, Arnold --- Schönberg, Arnold. --- Schönberg, A. --- Schönberg --- Schoenberg --- Šënberg, Arnolʹd --- Šenberg, Arnol'd --- Shenberg, Arnolʹd --- Schönberg, Arnold Franz Walter --- Schoenberg, Arnold --- Komponist --- Maler --- Dirigent --- Musiklehrer --- Künstler --- Lehrbeauftragter am Stern'schen Konservatorium --- Berlin --- Wien --- Los Angeles, Calif. --- USA --- <> Blaue Reiter --- Schönberg, Samuel --- Schönberg, Mathilde --- Schönberg, Gertrud --- Nono, Nuria Schoenberg --- Schoenberg, Randol --- Berg, Alban --- Webern, Anton --- Gronostay, Walter --- Schacht, Peter --- Engel, Carl --- Zemlinsky, Alexander <> --- 13.09.1874-13.07.1951 --- 1874-1951

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Iedereen die wel eens een museum met moderne kunst binnen loopt zal de vraag herkennen: waarom is dit kunst? Dit kan mijn kleine zusje ook! In Dat kan mijn kleine zusje ook prikt de vermaarde Engelse kunstkenner Will Gompertz het pretentieuze kunstidioom door en geeft hij op heldere wijze antwoorden op belangrijke vragen die elke kunstbeschouwer zich wel eens stelt: waarom wordt een onopgemaakt bed als kunst tentoongesteld? Waarom is een uitvergroot roze opblaasbaar varken zo verrekte veel geld waard? En waarom veroorzaakten de impressionisten zo veel opschudding, en wat wilde Marcel Duchamp bereiken met het tentoonstellen van een urinoir? Een bezoek aan een museum of galerie zal na lezing van Dat kan mijn kleine zusje ook niet meer zo intimiderend zijn, maar wel veel interessanter.

kunstgeschiedenis --- Aesthetics of art --- philosophy of art --- art [fine art] --- esthetica --- aesthetics --- moderne kunst --- anno 1900-1999 --- anno 1800-1899 --- Modern [style or period] --- Art styles --- 7.01 --- Kunsttheorie ; Will Gompertz over moderne kunst --- Beeldende kunst ; 20ste en 21ste eeuw --- Kunst --- kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- realisme --- impressionisme --- postimpressionisme --- Cézanne Paul --- primitivisme --- fauvisme --- kubisme --- Kandinsky Wassily --- orfisme --- Der blaue Reiter --- suprematisme --- constructivisme --- De Stijl --- Bauhaus --- dadaïsme --- surrealisme --- abstract expressionisme --- pop art --- concept art --- conceptuele kunst --- minimalisme --- minimal art --- postmodernisme --- kunstmarkt --- 7.036/039 --- Kunst ; theorie, filosofie, esthetica --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Moderne Kunst --- Kunst; 19de eeuw --- Kunst; 20ste eeuw --- MAD-faculty 12 --- hedendaagse kunst --- kunstkritiek --- Kunstfilosofie --- Actuele kunst --- 20e eeuw --- 21e eeuw --- 700.6 --- modernisme --- theorie --- filosofie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- 456.7 --- kunstbeschouwing --- kunsteducatie --- didactiek algemeen - expressievakken, lichamelijke opvoeding --- art [discipline]