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Doris Lessing is a writer for all times; she is a historiographer and a transnational translational mediator between the East and the West. This volume provides a collection of articles analysing Doris Lessing's literature. The first part, entitled "Lessing's World of Words", offers a broad vision of the writer's novels; it introduces her many genres and sheds light on her literary affiliations. This is followed by "Lessing's Other Spaces", which dives into the novelist's imaginary and spiritual universes. The final part, "Intersections: Lessing and Other Writers" establishes an analogy betwee
Ontology in literature. --- Time in literature. --- Lessing, Doris, --- Lessing, Doris --- Criticism and interpretation.
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La poésie d’Ausiàs March est un univers poétique sombre. Écrite à la première personne, elle est habitée par un moi qui, tel un nouvel Adam, s’est révolté contre son Créateur en lui préférant sa dame et l’amour tout charnel qu’il lui porte. Par ce nouveau péché originel, le moi devient « amador » : son être en est profondément modifié, et il mérite le châtiment de ceux qui osent contre- venir à l’ordre divin. Déchu de son humanité, il se sait condamné. Pourtant, chez lui, dans un mouvement d’orgueil stupéfiant, le châtiment sera auto-dispensé et auto-imposé : l’être marchien sera exclu du monde des hommes et ne trouvera plus d’existence que par sa parole, douloureusement lucide et puissante, obsessionnelle et exclusive. La poésie marchienne se révèle ainsi comme le seul lieu d’existence possible pour un moi à l’orgueil hyperbolique, capable par son cri poétique de dresser à travers les siècles, pour l’éternité, son être d’« amador ». Ausiàs March, el poeta más importante en lengua catalana del siglo XV, nos ha legado una obra inmensa cuya aparente heterogeneidad se resuelve en una exploración incesante de la naturaleza humana. La grandeza de su poesía, de una belleza ruda y violenta, consiste en haber mostrado, mediante imágenes sombrías y poderosas, las fallas y las insuficiencias de la antropología medieval y en haber sabido aportar, con esos mismos procedimientos poéticos, una respuesta no teórica sino poética, de una potencia sin igual.
Catalan poetry --- Ontology in literature. --- March, Ausiàs, --- Criticism and interpretation. --- March, Auzias, --- Marc, Ausiàs,
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What is a woman? What is a man? How do they—and how should they—relate to each other? Does our yearning for "wholeness" refer to something real, and if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasingly valorized uniqueness and self-sufficiency. The theoreticians who loom so large within contemporary thought also privilege difference over similarity. Silverman reminds us that this is but half the story, and a dangerous half at that, for if we are all individuals, we are doomed to be rivals and enemies. A much older story, one that prevailed through the early modern era, held that likeness or resemblance was what organized the universe, and that everything emerges out of the same flesh. Silverman shows that analogy, so discredited by much of twentieth-century thought, offers a much more promising view of human relations. In the West, the emblematic story of turning away is that of Orpheus and Eurydice, and the heroes of Silverman's sweeping new reading of nineteenth- and twentieth-century culture, the modern heirs to the old, analogical view of the world, also gravitate to this myth. They embrace the correspondences that bind Orpheus to Eurydice and acknowledge their kinship with others past and present. The first half of this book assembles a cast of characters not usually brought together: Friedrich Nietzsche, Sigmund Freud, Marcel Proust, Lou-Andréas Salomé, Romain Rolland, Rainer Maria Rilke, Wilhelm Jensen, and Paula Modersohn-Becker. The second half is devoted to three contemporary artists, whose works we see in a moving new light:Terrence Malick, James Coleman, and Gerhard Richter.
Analogy in literature. --- Resemblance (Philosophy) in literature. --- Ontology in literature. --- Art, Modern --- Philosophy. --- Orpheus --- In literature. --- Analogy in literature --- Ontology in literature --- Orpheus (Greek mythology) in literature --- Resemblance (Philosophy) in literature --- Philosophy --- Orpheus (Greek mythology) in literature.
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'Being of Two Minds' examines the place that early modern literature held in Modernist literary criticism. For T.S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality. Goldberg reads the readings that these modernists performed on texts that Eliot claimed for the canon like the metaphysical poets and Jacobean dramatists, but also Shakespeare, Milton, Montaigne, and Margaret Cavendish.
English literature --- Criticism (Philosophy) --- Ontology in literature. --- History and criticism. --- Influence. --- Eliot, T. S. --- Woolf, Virginia, --- Empson, William,
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As it happens with other early-Modern corpora, the descriptive texts from 16th-century encounters of the Portuguese colonizers in Brazil are well-known for their strangeness. In them we find references to entities like monsters and demons, bizarre descriptions, and odd classification systems of plants and animals. For the most part, these elements are dismissed as mere eccentricities by modern scholars studying these texts. Instead, this book takes these elements seriously. They are focused on and tackled with a theoretical tool-styles of thinking-not yet used in Luso-Brazilian studies, and co
Portuguese prose literature --- Ontology in literature. --- Colonies in literature. --- Neoplatonism --- Ontology --- Portuguese literature --- Being --- Philosophy --- Metaphysics --- Necessity (Philosophy) --- Substance (Philosophy) --- Alexandrian school --- Church history --- Hellenism --- Philosophy, Ancient --- Platonists --- Theosophy --- History and criticism. --- History --- Brazil --- al-Barāzīl --- Barāzīl --- Brasil --- Brasile --- Brasilia --- Brasilië --- Brasilien --- Brazili --- Brazili Federativlă Respubliki --- Brazilia --- Brazilië --- Brazilii︠a︡ --- Brazilii︠a︡ Federativ Respublikaḣy --- Braziliya --- Braziliya Federativ Respublikası --- Brazilská federativní republika --- Brazylia --- Brésil --- Burajiru --- Federale Republiek van Brasilië --- Federative Republic of Brazil --- Federativna republika Brazil --- Federativna republika Brazilii︠a︡ --- Federat︠s︡iėm Respublikė Brazil --- Fedėratyŭnai︠a︡ Rėspublika Brazilii︠a︡ --- Gweriniaeth Ffederal Brasil --- Pa-hsi --- Pa-se --- Pa-se Liân-pang Kiōng-hô-kok --- Pederatibong Republika sa Brasil --- Pindorama --- República Federal del Brasil --- Republica Federale di u Brasile --- Republica Federativa del Brazil --- República Federativa do Brasil --- Rèpublica fèdèrativa du Brèsil --- Republik Kevreel Brazil --- République fédérative du Brésil --- Tantasqa Republika Wrasil --- Tetã Pindorama --- Wrasil --- Федэратыўная Рэспубліка Бразілія --- Федеративна република Бразилия --- Федерациэм Республикэ Бразил --- Бразил --- Бразили --- Бразили Федеративлă Республики --- Бразилия --- Бразилия Федератив Республикаhы --- Бразілія --- البرازيل --- برازيل --- ブラジル --- Discovery and exploration --- In literature. --- Historiography.
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