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Against the backdrop of the revolutionary upheavals that have shaken the region in recent years, the contributors to this volume interrogate a range of case studies from across the region - examining how museums engage inclusion, diversity and the politics of minority identities.
Museums and minorities --- Art museums --- Collection management
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Against the backdrop of the revolutionary upheavals that have shaken the region in recent years, the contributors to this volume interrogate a range of case studies from across the region - examining how museums engage inclusion, diversity and the politics of minority identities.
Museums and minorities --- Museums and minorities --- Art museums --- Art museums --- Collection management --- Collection management
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"As U.S. museums evolve from their role as elite institutions to organizations serving multiple stakeholders, they must adopt new communication practices to meet their social missions and organizational goals. Engaging Diverse Communities, the first book-length study of museum public relations for practitioners since 1983, details how institutions can use communication fundamentals to establish and maintain relationships with a wide range of cultural groups and constituencies. Melissa A. Johnson interviews communicators at cultural heritage museums to understand the challenges of representing communities based on racial and ethnic, generational, immigrant, and language identities. Exploring how communications professionals function as cultural intermediaries by negotiating competing and intersecting identities and mastering linguistic and visual code-switching, she presents an analysis of the communication tactics of more than two hundred art, history, African American, American Indian, and other diverse museums. Engaging Diverse Communities illuminates best public relations practices, especially in media relations, digital press relations, website content production, social media, and event planning. This essential text for museum professionals also addresses visual aesthetics, cultural expression, and counter-stereotypes, and offers guidance on how to communicate cultural attractiveness"--
Museums --- Museums and minorities --- Museums and community --- Communication in museums --- Public relations
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This volume presents sixteen thoughtful essays which address innovative ways to present cultural heritage primarily in ethnographic and social history museums through recent permanent, temporary, and mobile exhibitions. The essays included are taken from the different vantage points; they prompt critical debate about new ways of thinking and working in museums of different sizes, with regard for how we might work collaboratively towards a more equitable future. Essential political issues related to power and the strong influences of the museum are addressed in each section, especially with reg.
Museums and community --- Museum techniques --- Museums --- Museums and minorities --- Community and museums --- Communities --- Minorities and museums --- Minorities --- Public institutions --- Cabinets of curiosities --- Museology --- Political aspects --- Technique --- E-books --- Applied museology --- Museography --- Museum practices --- Museum studies --- Innovations --- History. --- History --- Social aspects.
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"In the 21st century, there are more LGBT information resources than ever before. The challenges that arise both from the explosion of born-digital materials and the transformation of materials from physical to electronic formats has implications for access to these resources for future generations. Along with preservation concerns, making these numerous digital LGBT resources available to users becomes more difficult when they swim in an ocean of websites, EBooks, digitized objects, and other digital resources. Librarians, archivists, and museum curators must engage in a range of new digital practices to preserve and promote these numerous LGBT resources. A "digital practice" in libraries, archives, and museums includes, but is not limited to, the digitization of physical objects; the creation of online resources and services that improve access to these objects; the use of online catalogs, databases, and metadata to categorize such objects; and the online social media and Web 2.0 tools used to connect users to these resources. Information professionals engaged in digital practices must also understand the information needs, online searching behaviors, and online communication styles of their patrons in order to make them aware of the digital resources that may be of use to them. This is the first book to specifically address the digital practices of LGBT librarians, archivists, and museum curators, as well as the digital practices of seekers and users of LGBT resources and services. More broadly, this collection aims to address these issues in the context of the technical, social, economic, legal, and political challenges of creating LGBT-specific digital collections, electronic resources and services." --
Libraries --- Sexual minorities --- Library materials --- Digitalization of library materials --- Digitization of library materials --- Gender minorities --- GLBT people --- GLBTQ people --- Lesbigay people --- LBG people --- LGBT people --- LGBTQ people --- Non-heterosexual people --- Non-heterosexuals --- Sexual dissidents --- Minorities --- Documentation --- Public institutions --- Librarians --- Special collections --- Sexual minorities. --- Computer network resources. --- Digitization. --- Libraries and sexual minorities. --- Archival materials --- Museums and minorities. --- Museum conservation methods. --- Digital preservation.
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Despite the common belief that art galleries will naturally become more gender equitable over time, the fact is that many art institutions in Canada have become even less so over the last decade, with female artists making up less than 25 per cent of the contemporary exhibitions of several major galleries. In the first large-scale overview of gender diversity in Canadian art exhibitions, Anne Dymond makes a persuasive plea for more consciously equitable curating. Drawing on data from nearly one hundred institutions, Diversity Counts reveals that while some galleries are relatively equitable, many continue to marginalize female and racialized artists. The book pursues an interdisciplinary approach, considering the art world's resistance to numeric data, discourses on representation and identity, changing conceptualizations of institutional responsibility over time, and different ways particular institutions manage inclusion and exclusion. A thoughtful examination of the duty of public galleries to represent underserved communities, Dymond's study bravely navigates the unspoken criteria for acceptance in the curatorial world. Demonstrating how important hard data is for inclusivity, Diversity Counts is a timely analysis that brings the art world up to date on progressive movements for social transformation.
Museums and women --- Museums and minorities --- Art museums --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Minorities and museums --- Minorities --- Women and museums --- Women --- Curatorship --- Social aspects --- Galleries and museums
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