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"Yoshimasa may have been the worst shogun ever to rule Japan. He was a failure as a soldier, incompetent at dealing with state business, and dominated by his wife. But his influence on the cultural life of Japan was unparalleled. According to Donald Keene, Yoshimasa was the only shogun to leave a lasting heritage for the entire Japanese people." "Today Yoshimasa is remembered primarily as the builder of the Temple of the Silver Pavilion and as the ruler at the time of the Onin War (1467-1477), after which the authority of the shogun all but disappeared. Unable to control the daimyos - provincial military governors - he abandoned politics and devoted himself to the quest for beauty. It was then, after Yoshimasa resigned as shogun and made his home in the mountain retreat now known as the Silver Pavilion, that his aesthetic taste came to define that of the Japanese: the no theater flourished, Japanese gardens were developed, and the tea ceremony had its origins in a small room at the Silver Pavilion. Flower arrangement, ink painting, and shoin-zukua-i architecture began or became of major importance under Yoshimasa. Poets introduced their often barely literate warlord-hosts to the literary masterpieces of the past and taught them how to compose poetry. Even the most barbarous warlord came to want the trappings of culture that would enable him to feel like a civilized man." "Yoshimasa and the Silver Pavilion gives this long-neglected but critical period in Japanese history the thorough treatment it deserves."--Jacket.
Shoguns --- Ashikaga, Yoshimasa, --- Yoshimasa, --- Higashiyama, Yoshimasa, --- 足利義政, --- Ginkakuji (Kyoto, Japan) --- Jishōji (Kyoto, Japan) --- 慈照寺 (Kyoto, Japan) --- 銀閣寺 (Kyoto, Japan) --- Japan --- History --- J2284.50 --- J3350 --- J6561 --- J1810.42 --- Japan: Genealogy and biography -- biographies -- Muromachi, Ashikaga, Sengoku and Azuchi-Momoyama periods (1392-1615) --- Japan: History -- Chūsei -- Muromachi period, Ashikaga bakufu (1392-1573) --- Japan: Art and antiquities -- architecture -- religious buildings --- Japan: Religion -- Buddhism -- temples and monasteries, pilgrimage -- Kyōto city --- Ginkakuji (Kyoto, Japan).
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The last project of the late Robert H. Brower, Conversations with Shotetsu provides a translation of the complete Nihon koten bungaku taikei text, as edited by Hisamatsu Sen'ichi. Steven D. Carter has annotated the translation and provided an introduction.
J2284.50 --- J5500.50 --- J5710 --- Japan: Genealogy and biography -- biographies -- Muromachi, Ashikaga, Sengoku and Azuchi-Momoyama periods (1392-1615) --- Japan: Literature -- history and criticism -- Muromachi, Ashikaga, Sengoku and Azuchi-Momoyama periods (1392-1615) --- Japan: Literature -- poetry -- Waka, tanka, chōka --- Japan --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Poetry. --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Shōtetsu
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Karl Friday, an internationally recognised authority on Japanese warriors, provides the first comprehensive study of the topic to be published in English. This work incorporates nearly twenty years of on-going research and draws on both new readings of primary sources and the most recent secondary scholarship. It overturns many of the stereotypes that have dominated views of the period. Friday analyses Heian -, Kamakura- and Nambokucho-period warfare from five thematic angles. He examines the principles that justified armed conflict, the mechanisms used to raise and deploy armed forces, the weapons available to early medieval warriors, the means by which they obtained them, and the techniques and customs of battle. A thorough, accessible and informative review, this study highlights the complex casual relationships among the structures and sources of early medieval political power, technology, and the conduct of war.
Samurai --- History. --- Japan --- History, Military --- J4880.40 --- J4600.40 --- J4202.10 --- J3340 --- History --- Japan: Defense and military -- history -- Kamakura period, Yoshino (1185-1392) and Chūsei in general (1185-1600) --- Japan: Politics and law -- history -- Kamakura period, Yoshino (1185-1392) and Chūsei in general (1185-1600) --- Japan: Sociology and anthropology -- communities -- social classes and groups -- samurai, bushi --- Japan: History -- Chūsei (1185-1600), Kamakura, Muromachi and Momoyama periods
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This study is a theoretical reconsideration of the concept of the “tragic” combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as “the other” of the West. By examining the social backgrounds of artists’ endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment.
Tragic, The, in literature. --- Aristotle. --- Buddhism. --- Christianity. --- Daiichiji sengo-ha. --- Dainiji sengo-ha. --- Daisanji sengo-ha. --- Edo period. --- Hiroshima. --- Japanese literature. --- Kamakura. --- Marxism. --- Meiji period. --- Muromachi. --- Nagasaki. --- Oriental. --- Qin dinasty. --- Shintoism. --- Taisho. --- Taoism. --- Tokugawa period. --- World War II. --- aesthetics. --- allegory. --- ambiguity. --- androgyny. --- anthropology. --- anti-pastoral. --- atomic bomb. --- bunka. --- capitalism. --- catharsis. --- classical Japanese theater. --- colonialism. --- comparative literature. --- critical theory. --- exoticism. --- feminism. --- haiku. --- imperialism. --- industrialization. --- mimesis. --- modernism. --- multiculturalism. --- naturalism. --- othering. --- phenomenology. --- poetry. --- post-structuralism. --- postmodernism. --- postwar. --- realism. --- socialism. --- tragedy. --- trauma. --- universalism.
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This study is a theoretical reconsideration of the concept of the “tragic” combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as “the other” of the West. By examining the social backgrounds of artists’ endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment.
Tragic, The, in literature. --- Aristotle. --- Buddhism. --- Christianity. --- Daiichiji sengo-ha. --- Dainiji sengo-ha. --- Daisanji sengo-ha. --- Edo period. --- Hiroshima. --- Japanese literature. --- Kamakura. --- Marxism. --- Meiji period. --- Muromachi. --- Nagasaki. --- Oriental. --- Qin dinasty. --- Shintoism. --- Taisho. --- Taoism. --- Tokugawa period. --- World War II. --- aesthetics. --- allegory. --- ambiguity. --- androgyny. --- anthropology. --- anti-pastoral. --- atomic bomb. --- bunka. --- capitalism. --- catharsis. --- classical Japanese theater. --- colonialism. --- comparative literature. --- critical theory. --- exoticism. --- feminism. --- haiku. --- imperialism. --- industrialization. --- mimesis. --- modernism. --- multiculturalism. --- naturalism. --- othering. --- phenomenology. --- poetry. --- post-structuralism. --- postmodernism. --- postwar. --- realism. --- socialism. --- tragedy. --- trauma. --- universalism.
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Kendo is the first in-depth historical, cultural, and political account in English of the Japanese martial art of swordsmanship, from its beginnings in military training and arcane medieval schools to its widespread practice as a global sport today. Alexander Bennett shows how kendo evolved through a recurring process of "inventing tradition," which served the changing ideologies and needs of Japanese warriors and governments over the course of history. Kendo follows the development of Japanese swordsmanship from the aristocratic-aesthetic pretensions of medieval warriors in the Muromachi period, to the samurai elitism of the Edo regime, and then to the nostalgic patriotism of the Meiji state. Kendo was later influenced in the 1930's and 1940's by ultranationalist militarists and ultimately by the postwar government, which sought a gentler form of nationalism to rekindle appreciation of traditional culture among Japan's youth and to garner international prestige as an instrument of "soft power." Today kendo is becoming increasingly popular internationally. But even as new organizations and clubs form around the world, cultural exclusiveness continues to play a role in kendo's ongoing evolution, as the sport remains closely linked to Japan's sense of collective identity.
Kendo. --- Swordplay --- J6976 --- Japanese fencing --- Japan: Sports and recreation -- martial arts, fighting sports -- kendō, iaidō, bōjutsu, fencing. --- Fencing --- Hand-to-hand fighting, Oriental --- Stick fighting --- Swordplay. --- Japan. --- Kendo --- Japan: Sports and recreation -- martial arts, fighting sports -- kendō, iaidō, bōjutsu, fencing --- bamboo. --- bogu. --- collective identity. --- combat. --- cultural studies. --- edo period. --- fighting styles. --- fights. --- global sport. --- history of kendo. --- history. --- inventing tradition. --- japan. --- japanese history. --- japanese martial arts. --- japanese studies. --- japanese. --- kendo. --- kenjutsu. --- martial arts. --- medieval schools. --- meiji period. --- military training. --- muromachi period. --- nationalism. --- physical activity. --- practice of honor. --- protective armor. --- samurai. --- shinai. --- soft power. --- sports. --- swordsmanship. --- traditional culture. --- war. --- warriors.
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Ellis provides a groundbreaking expansion of the geographical and cultural contours of Hispanism that bridges the fields of European, Latin American, and Asian Studies.
Spanish literature --- Asians in literature. --- Ethnicity in literature. --- Ethnic groups in literature. --- Ethnic relations in literature. --- History and criticism. --- Asians in literature --- Ethnic groups in literature --- Ethnicity in literature --- Ethnic relations in literature --- S02/0300 --- S09/0510 --- History and criticism --- China: General works--Chinese culture and the West and vice-versa --- China: Foreign relations and world politics--China and Spain --- Ethnology. Cultural anthropology --- World history --- J4813.72 --- J4810.50 --- J4129 --- Japan: International politics and law -- international relations, policy and security -- Europe -- Spain and Andorra --- Japan: International politics and law -- international relations, policy and security -- Muromachi, Sengoku and Azuchi-Momoyama periods (1392-1615) --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization
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