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Para Claude Monet, el que se le considerara "impresionista" fue siempre un motivo de orgullo. A pesar de todas las críticas que se han hecho a su trabajo, siguió siendo un verdadero impresionista hasta el final de su muy larga vida. Lo era por convicción profunda y, por el impresionismo, pudo haber sacrificado muchas otras oportunidades que su inmenso talento le ofrecía. Monet no pintaba composiciones clásicas con figuras y nunca fue retratista, aunque su entrenamiento profesional incluía estas habilidades. Eligió un solo género y lo hizo suyo: el paisajismo, y en él logró un grado de perfecci
Artists --- Monet, Claude, --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד,
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Artists --- Monet, Claude, --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד,
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For Monet, the act of creation was always a painful struggle. His obsession with capturing light effects in nature was much more intense than that of his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones."A beautiful display of Impressionist work, Mega Square Monet explores the extraordinary paintings of one of the masters of the 19th century. Monet's rapid brushstroke style in landscapes and scenes from everyday
Impressionism (Art) --- Monet, Claude, --- Criticism and interpretation.
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For Monet, the act of creation was always a painful struggle. His obsession with capturing light effects in nature was much more intense than that of his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones."A beautiful display of Impressionist work, Great Masters Monet explores the extraordinary paintings of one of the masters of the 19th century. Monet's rapid brushstroke style in landscapes and scenes from everyd
Painters --- Monet, Claude, --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד, --- Criticism and interpretation.
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For Monet, the act of creation was always a painful struggle. His obsession with capturing light effects in nature was much more intense than that of his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones."
Monet, Claude, --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד, --- Criticism and interpretation.
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Monet, Claude, --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד, --- Criticism and interpretation.
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Impressionism (Art) --- Art Institute of Chicago --- Catalogs. --- Monet, Claude, --- Aesthetics --- Art, Modern --- Modernism (Art) --- Painting --- Post-impressionism (Art) --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד,
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Monet, Claude --- Claude Monet --- schilderkunst --- impressionisme --- schilders --- 75.071 --- Schilderkunst --- Frankrijk --- 19e eeuw --- Impressionisme --- Cultuur --- Tekenkunst
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Monet, Claude 1940-1926 (°Parijs, Frankrijk) --- Schilderkunst ; 1860-1926 ; Claude Monet --- Schilderkunst ; Impressionisme --- Schilderkunst ; Frankrijk ; 19de en 20ste eeuw --- 75.07 --- Schilderkunst ; schilders --- Impressionist [style] --- painters [artists] --- impressionisme --- Monet, Claude --- Claude Monet --- schilderkunst --- schilders --- 75.071 --- 737.7 --- Impressionisme --- Schilderkunst : impressionisme --- Monet --- FRAN
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Paul Cézanne, Claude Monet, and Auguste Rodin. The names of these brilliant nineteenth-century artists are known throughout the world. But what is remembered of their wives? What were these unknown women like? What roles did they play in the lives and the art of their famous husbands?In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuret-the models, and later the wives, respectively, of Cézanne, Monet, and Rodin, three of the most famous French artists of their generation. The book tells the stories of three ordinary women who faced issues of a dramatically changing society as well as the challenges of life with a striving genius. Butler illuminates the ways in which these model-wives figured in their husbands' achievements and provides new analyses of familiar works of art. Filled with captivating detail, the book recovers the lives of Hortense, Camille, and Rose, and recognizes with new insight how their unique relationships enriched the quality of their husbands' artistic endeavors.
Artists' spouses --- Artists' models --- Artists --- Persons --- Models, Artists' --- Models (Persons) --- Artists' wives --- Spouses --- History --- Cézanne, Paul, --- Monet, Claude, --- Rodin, Auguste, --- Rodin, François Auguste, --- Roden, Ogi︠u︡st, --- Rodin, --- Lo-tan, --- Rodan, --- רודן, אוגוסט --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד, --- Saishang, Baoluo, --- Sezan, Pol, --- Sezanas, P., --- Sezann, Polʹ, --- סזאן, פאול, --- セザンヌ, --- Saishang, --- Relations with women. --- Cézanne, Paul --- Saishang, Baoluo --- Sezan, Pol --- Sezanas, P. --- Sezann, Polʹ --- Saishang --- Cézanne, Paul, -- 1839-1906 -- Relations with women.. --- Monet, Claude, -- 1840-1926 -- Relations with women.. --- Rodin, Auguste, -- 1840-1917 -- Relations with women.. --- Artists'' spouses -- France -- Biography.. --- Artists'' models -- France -- Biography.. --- Artists -- France -- History -- 19th century.
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