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Countless literary endeavours by ?new Germans? have come into the spotlight of academic research since the turn of the 21st century. Yet ?minority writing? and its distinctive renegotiation of traditional concepts of cultural identity are far from a recent phenomenon in German literature. More than a hundred years ago, German-Jewish writers put a clear stamp on German modernism and were intensely engaged in various cultural and political discourses on Jewish identity. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines similar literary approaches to the thorny issue of cultural identity in either period, while developing an overarching perspective on the ?politics of literature?.
German literature --- Group identity --- Group identity in literature --- History and criticism --- Littérature allemande --- Modernisme (littérature) --- Minorités --- Juifs --- Auteurs juifs --- Oeuvres --- Écrits --- Identité collective --- Écrits. --- Group identity. --- German literature.
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This volume offers seventeen original essays that attest to the extraordinary inventiveness and range of modernist autobiography. It examines the ways modernist writers chose to tell their life stories, with particular attention to forms, venues, modes of address, and degrees of truthfulness. The essays are grouped around a set of rubrics that isolate the distinctive character and shared preoccupations of modernist life-writings: questions of ancestry and tradition that foreground the modernists' troubled relation to their immediate familial as well as cultural past; their emergence as writers whose experiences found expression in untraditional and singular forms; their sense of themselves as survivors of personal and historical traumas; and their burdens as self-chroniclers of loss, especially of self-loss. It will appeal especially to scholars and students of literary modernism and English literature more generally.
Autobiography. --- Modernism (Literature) --- Autobiographie. --- Modernisme (littérature) --- Autobiography --- Crepuscolarismo --- Literary movements --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- History and criticism --- Technique --- E-books --- Modernisme (littérature)
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The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-cen
Modernisme (Litterature) --- Litterature canadienne --- Modernism (Literature) --- Canadian literature --- Crepuscolarismo --- Literary movements --- Histoire et critique. --- History and criticism. --- 820 <71> --- 820 <71> Engelse literatuur--Canada --- Engelse literatuur--Canada
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Wider Boundaries of Daring: The Modernist Impulse in Canadian Women's Poetry announces a bold revision of the genealogy of Canadian literary modernism by foregrounding the originary and exemplary contribution of women poets, critics, cultural activists, and experimental prose writers Dorothy Livesay, P.K. Page, Miriam Waddington, Phyllis Webb, Elizabeth Brewster, Jay Macpherson, Anne Wilkinson, Anne Marriott, and Elizabeth Smart. In the introduction, editor Di Brandt champions particularly the achievements of Livesay, Page, and Webb in setting the visionary parameters of Canadian an
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Transnationalism --- Culture --- Modernism (Literature) --- America --- United States --- America. --- United States. --- Civilization --- Study and teaching --- Transnationalisme --- Modernisme (Littérature) --- Amérique --- États-Unis --- Civilisation --- Étude et enseignement
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Exploring the transnational dimension of literary modernism and its increasing centrality to our understanding of 20th-century literary culture, Modernism in a Global Context surveys the key issues and debates central to the 'global turn' in contemporary Modernist Studies. Topics covered include: - Transnational exchanges between Western and non-Western literary cultures - Imperialism and the Modernism - Cosmopolitanism and postcolonial literatures - Global literary institutions - from the Little Magazine to the Nobel Prize - Mass media - photography, cinema, and radio broadcasting in the modernist age Exploring the work of writers such as T.S. Eliot, Virginia Woolf, Jean Rhys, Wole Soyinka, Salman Rushdie and critics such as Edward Said, Pascale Casanova, Paul Gilroy, and Gayatri Spivak amongst many others, the book also includes a comprehensive annotated guide to further reading and online resources.
Literature --- Modernisme (littérature) --- Littérature --- Histoire et critique --- Modernism (Literature) --- Literature, Modern --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- History and criticism --- Histoire et critique. --- Literature, Modern. --- Modernisme (littérature) --- History and criticism. --- 1900-1999 --- Literature and globalization. --- Globalization and literature --- Globalization --- Modernism (Literature). --- Moderne. --- Literatur. --- Modernisme (littérature). --- Literature. --- 1900 - 1999. --- 1900 - 1999
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Literary semiotics --- Comparative literature --- Autobiografie --- Autobiographie --- Autobiography --- Post-modernisme (Littérature) --- Postmodernism (Literature) --- Postmodernisme (Literatuur) --- Postmodernisme (Littérature) --- 82-94 --- 82-94 Dagboek. Memoires. Autobiografie --- Dagboek. Memoires. Autobiografie --- Illustrations --- Women authors
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"The 'transnational' turn has transformed modernist studies, challenging Western authority over modernism and positioning race and racial theories at the very centre of how we now understand modern literature. Modernism and Race examines relationships between racial typologies and literature in the late nineteenth and early twentieth centuries, drawing on fin de siècle versions of anthropology, sociology, political science, linguistics and biology. Collectively, these essays interrogate the anxieties and desires that are expressed in, or projected onto, racialized figures. They include new outlines of how the critical field has developed, revaluations of canonical modernist figures like James Joyce, T. S. Eliot, Ford Madox Ford and Wyndham Lewis, and accounts of writers often positioned at the margins of modernism, such as Zora Neale Hurston, Claude McKay and the Holocaust writers Solomon Perel and Gisella Perl. This timely collection by leading scholars of modernism will make an important contribution to a growing field"
English literature --- Modernism (Literature) --- Race in literature. --- History and criticism. --- Arts and Humanities --- Literature --- Modernisme (littérature) --- Ethnicité --- Littérature anglophone --- Dans la littérature --- Modernisme (littérature) --- Ethnicité --- Littérature anglophone --- Dans la littérature
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"Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematically, the book offers a comprehensive analysis of the stunningly original formal innovations in novels by Conrad, Joyce, Woolf, Proust, Gide, Faulkner, Dos Passos, Kafka, Musil and others. Kern contextualizes and explains how formal innovations captured the dynamic history of the period, reconstructed as ten master narratives. He also draws briefly on poetry and painting of the first half of the twentieth century. The Modernist Novel is set to become a fundamental source for discussions of the genre and a useful introduction to the subject for students and scholars of modernism and twentieth-century literature"-- "The period 1900-1940 produced revolutionary developments in science and the arts. The rediscovery of Gregor Mendel's laws of heredity in 1900 undercut the popular notion that the values and character traits of parents blend in offspring and are transmitted directly to them. In The Interpretation of Dreams of 1900 Sigmund Freud laid the foundation for his theory of the mind as a network of unconscious processes and the residue of childhood psychosexual experience. Also in 1900, the introduction of Planck's constant to explain the spectra of radiating bodies was the first blow to classical physics, leading to a major elaboration of quantum theory by 1927. Most unsettling was the theory's indeterminacy principle, which put knowledge of subatomic events on a probabilistic basis, thereby limiting the sort of deterministic causal knowledge that classical physics had posited throughout the universe. Albert Einstein's special relativity theory of 1905 maintained that space and time are not absolute and distinct but transform into one another. In 1908 Arnold Schoenberg composed music in no single tonal system, while in 1911 Wassily Kandinsky painted no recognizable objects. No single literary change was as revolutionary as these others. However, the sum of formal innovations in the novel was revolutionary in providing new ways of rendering how people experience personal development, courtship conventions, family relations, urban life, national identification, imperial conquest, capitalist enterprise, liberal institutions, religious faith, and artistic creativity"--
Modernism (Literature) --- Literary criticism --- European --- English, Irish, Scottish, Welsh --- 82-31 --- Roman --- 82-31 Roman --- Modernism (Literature). --- English, Irish, Scottish, Welsh. --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Arts and Humanities --- Literature --- Modernisme (littérature)
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Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called "low" culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly "high" modernists and avant-gardists looked at and represented the "low". As such, this book will appeal to all those wit
Modernism (Art) --- Arts, Modern --- Art and popular culture. --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Popular culture and art --- Popular culture --- Culture populaire. --- Modernisme (art) --- Modernisme (littérature) --- Avant-garde Movements. --- Popular Culture.
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