Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Maurice Guest comes to Leipzig, the music capital of Europe, to realize his dream of becoming a great pianist. However, in its bohemian and heady atmosphere, he encounters not exaltation and inspiration but coarseness, greed, and ambition. For his muse, he turns to Louise Dufraryer, an exotic and languid pianist. Louise has recently been deserted by her own obsessive love, the resident composer and reigning genius, Schilsky. Now her capricious demands on Maurice's time and energy destroy whatever slight chance he may have had at distinguishing himself. The more he slides in failure, the more striking the contrast between him and the absent Schilsky, who still holds first place in Louise's thoughts and feelings. The degradation of their relationship runs its full course until jealousy and hatred are its only vital forms. Maurice Guest was first published in 1908. Antonia White called it "one of the greatest novels of the twentieth century." As a study of the tragic power of desperate love, it ranks in the great tradition of the European naturalist novel. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction--novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Leipzig (Germany) --- Leipsic (Germany) --- Laĭptsig (Germany) --- Leipsia (Germany) --- Lipsia (Germany) --- Laixich (Germany) --- Lipsk (Germany)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Three Cities after Hitler compares how three prewar German cities shared decades of postwar development under three competing post-Nazi regimes: Frankfurt in capitalist West Germany, Leipzig in communist East Germany, and Wrocław (formerly Breslau) in communist Poland. Each city was rebuilt according to two intertwined modern trends. First, certain local edifices were chosen to be resurrected as "sacred sites" to redeem the national story after Nazism. Second, these tokens of a reimagined past were staged against the hegemony of modernist architecture and planning, which wiped out much of whatever was left of the urban landscape that had survived the war. All three cities thus emerged with simplified architectural narratives, whose historically layered complexities only survived in fragments where this twofold "redemptive reconstruction" after Nazism had proven less vigorous, sometimes because local citizens took action to save and appropriate them. Transcending both the Iron Curtain and freshly homogenized nation-states, three cities under three rival regimes shared a surprisingly common history before, during, and after Hitler-in terms of both top-down planning policies and residents' spontaneous efforts to make home out of their city as its shape shifted around them"--

Urban renewal --- Architecture --- Nationalism and architecture. --- Architecture and state. --- Collective memory. --- Political aspects. --- Citizen participation. --- Social aspects. --- Frankfurt am Main (Germany) --- Leipzig (Germany) --- Wrocław (Poland) --- Buildings, structures, etc. --- History.