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The historical tragedy Octauia focuses on Nero's divorce from the princess Octavia and subsequent marriage to Poppaea Sabina. The book includes a full length introduction, a new edition of the text based on a fresh examination of the manuscripts, and a detailed commentary dealing with textual, linguistic, and literary points.
Latin drama (Tragedy) --- History and criticism. --- Octavia, --- Rome --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- History
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Nur wenige Tragödien Senecas lassen sich bisher mit einiger Sicherheit datieren: Hercules furens und Troades sind sehr wahrscheinlich vor Kaiser Claudius' Tod geschrieben, denn die paratragodischen Elemente der Apocolocyntosis verweisen auf diese Stücke, Thyestes und Phoenissae bilden, wie sprachliche und andere Indizien nahelegen, die letzten der dramatischen Werke. Die hier vorgelegte Untersuchung gelangt zu einer relativen Chronologie sämtlicher Tragödien, indem sie - eine Methode, die bislang nur sporadisch angewandt wurde - sprachlich-motivische Parallelen, die sich in zwei (oder mehr) Tragödien finden, mit dem Ziel analysiert, die jeweils frühere bzw. spätere Fassung zu ermitteln. Das Kriterium ist die je größere oder geringere "Erwartbarkeit" einer Formulierung. Auf diesem Weg wird die Vermutung bestätigt, dass Thyestes und Phoenissae am Ende der Reihe stehen, wird aber auch eine neue Reihenfolge der sechs älteren Stücke begründet, nämlich: Hercules furens, Oedipus, Phaedra, Medea, Troades, Agamemnon. Also sind - zumindest - auch Oedipus, Phaedra und Medea vor dem Regierungsantritt Neros verfasst. Dies hat erhebliche Konsequenzen für die Versuche, in den Tragödien Anspielungen auf zeitgenössische Ereignisse zu finden.
Latin drama (Tragedy) --- History and criticism. --- Seneca, Lucius Annaeus, --- Ancient Tragedy. --- History of Motifs. --- History of the Early Roman Empire. --- Seneca.
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In Brill's Companion to the Reception of Senecan Tragedy, Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national literatures into a subtle narrative tracing the diverse scholarly, literary and theatrical receptions of Seneca's tragedies. The tragedies, influential throughout the Roman world well beyond Seneca's time, plunge into obscurity in Late Antiquity and nearly disappear during the Middle Ages. Profound consequences follow from the rediscovery of a dusty manuscript containing nine plays attributed to Seneca: it is seminal to both the renaissance of tragedy and the birth of Humanism. Canonical Western writers from Antiquity to the present have revisited, transformed, and eviscerated Senecan precedents to develop, in Dodson-Robinson's words, "competing tragic visions of agency and the human place in the universe.
Comparative literature --- Seneca [Younger] --- Latin drama (Tragedy) --- History and criticism --- Seneca, Lucius Annaeus, --- Appreciation --- Art appreciation --- Latin drama (Tragedy) - History and criticism --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. - Tragedies --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. - Appreciation --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. --- History and criticism. --- Appreciation.
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"Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas"--
European drama --- European drama (Tragedy) --- Latin drama (Tragedy) --- Politics in literature --- Aesthetics in literature --- History and criticism --- Classical influences --- Political science in literature --- Drama, Modern --- Comparative literature --- Thematology --- Drama --- anno 1600-1699 --- Europe --- European literature --- Politics in literature. --- Aesthetics in literature. --- History and criticism. --- Classical influences. --- European drama - 17th century - History and criticism --- European drama (Tragedy) - Classical influences --- Latin drama (Tragedy) - History and criticism --- History
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Die Römische Tragödie der archaischen Epoche, der augusteischen Klassik und der frühen Kaiserzeit ist mit Ausnahme der Tragödien Senecas nur in zahlreichen Fragmenten erhalten. In über 30 Aufsätzen aus den Jahren 1972 bis 2014, von denen eine Reihe unpubliziert ist, zeigt der Verfasser, dass die politische Grundierung ein durchgehendes Charakteristikum der Römischen Tragödie ist. Die Sagen von den zahlreichen griechischen Helden, die seit Homers Zeit nach Italien kamen, lieferten dankbare Stoffe, um die römische Frühgeschichte aufzubessern. Diese aitiologischen Tendenzen verliehen der republikanischen und augusteischen Tragödie einen panegyrischen Grundzug. Es ist durch die politischen Verhältnisse der Kaiserzeit bedingt, dass die Panegyrik vielfach in Opposition umschlug. Weiterhin wird herausgestellt, dass aufgrund dieser Entwicklung Seneca aus stoischem Blickwinkel den Einzelnen in den Mittelpunkt rückte und einerseits seine Unfähigkeit zu einer disziplinierten Lebensweise, andererseits seine Fähigkeit, ein widriges Schicksal souverän zu meistern, zur Darstellung brachte. The collected papers in this volume, many of them previously unpublished, demonstrate the politcial character of Roman tragedy and show that, during the Imperial period, panegyrics often shifted to opposition.
Latin drama (Tragedy) --- Latin drama (Tragedy). --- History and criticism. --- Plautus, Titus Maccius. --- Terence. --- Terence --- Terenz --- Terenzio Afro, Publio --- Plaute --- Plauto, Tito Maccio --- Plautus, Titus Maccius --- Terentius, P. --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Terentius Afer, Publius --- Komödie. --- Latein. --- Lucius Annaeus Seneca. --- Roman literature. --- Römische Literatur. --- LITERARY CRITICISM / Ancient & Classical. --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Terentius
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In four separate studies, Andreas Heil shows that Seneca, in his tragedies Thyestes , Hercules furens , Troas ( Troades ) and Medea , handles dramatic time less experimentally than has been assumed before. In all of these plays, taking into consideration the accompanying action on the stage and the characters' respective points of view, a gradually developing plot can be reconstructed. Thus, the survey considerably deepens our understanding of Seneca's dramatic technique. In vier Einzelstudien zeigt Andreas Heil, daß Seneca mit der dramatischen Zeit in seinen Tragödien Thyestes , Hercules furens , Troas ( Troades ) und Medea weniger experimentell verfährt, als bislang angenommen wurde. In allen untersuchten Stücken läßt sich – berücksichtigt man die begleitende Bühnenhandlung und die jeweilige Figurenperspektive – eine sukzessive sich entwickelnde Handlung rekonstruieren. Die Untersuchung leistet somit einen wichtigen Beitrag zum besseren Verständnis der dramatischen Technik Senecas.
Seneca [Younger] --- Latin drama (Tragedy) --- Time in literature --- Tragédie latine --- Temps dans la littérature --- History and criticism. --- Histoire et critique --- Seneca, Lucius Annaeus, --- History and criticism --- Criticism and interpretation --- Tragédie latine --- Temps dans la littérature --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. --- Criticism and interpretation.
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"The 1st-century Roman tragedies of Seneca, like all ancient drama, do not contain the sort of external stage directions that we are accustomed to today; nevertheless, a careful reading of the plays reveals such stage business as entrances, exits, setting, sound effects, emotions of the characters, etc. The Dramaturgy of Senecan Tragedy teases out these dramaturgical elements in Seneca's work and uses them both to aid in the interpretation of the plays and to show the playwright's artistry. Thomas D. Kohn provides a detailed overview of the corpus, laying the groundwork for appreciating Seneca's techniques in the individual dramas. Each of the chapters explores an individual tragedy in detail, discussing the dramatis personae and examining how the roles would be distributed among a limited number of actors, as well as the identity of the Chorus. The Dramaturgy of Senecan Tragedy makes a compelling argument for Seneca as an artist and a dramaturg in the true sense of the word: "a maker of drama." While other scholars have applied this type of performance criticism to individual tragedies or scenes, this is the first comprehensive study of all the plays in 25 years, and the first ever to consider not just stagecraft, but also metatheatrical issues such as the significant distribution of roles among a limited number of actors, as well as emotional states of the characters. Scholars of classics and theater, as well as those looking to stage the plays, will find much of interest in this study"--
Latin drama (Tragedy) --- History and criticism. --- Seneca, Lucius Annaeus, --- Criticism and interpretation. --- Tragedies. --- Seneca, Lucius Annaeus --- Seneca --- Annaeus Seneca, Lucius, --- Seneca, Annaeus, --- Seneca, --- Seneca, L. A. --- Seneca, Lucio Anneo, --- Seneka, --- Seneka, L. Annėĭ, --- Sénèque, --- סנקא, לוציוס אנאוס --- Pseudo-Seneca
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This monograph is devoted to the most important of Seneca's tragedies, Thyestes, which has had a notable influence on Western drama from Shakespeare to Antonin Artaud. Thyestes emerges as the mastertext of 'Silver' Latin poetry, and as an original reflection on the nature of theatre comparable to Euripides' Bacchae. The book analyses the complex structure of the play, its main themes, the relationship between Seneca's vibrant style and his obsession with dark issues of revenge and regression. Substantial discussion of other plays - especially Trojan Women, Oedipus and Medea - permits a comprehensive re-evaluation of Seneca's poetics and its pivotal role in post-Virgilian literature. Topics explored include the relationship between Seneca's plays and his theory of the emotions, the connection between poetic inspiration and the Underworld, and Seneca's treatment of time, which, in a perspective informed by psychoanalysis, is seen as a central preoccupation of Senecan tragedy.
Thyestes (Greek mythology) in literature. --- Tragedy. --- Latin drama (Tragedy) --- History and criticism --- Seneca, Lucius Annaeus, --- Euripides --- Greek drama (Tragedy) --- Tragédie grecque --- Tragedies. --- Tragédie grecque --- Euripides. --- Thyestes (Greek mythology) in literature --- Tragedy --- Drama --- History and criticism. --- Histoire et critique --- Tragédie grecque. --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Arts and Humanities --- History --- Thyestes, --- In literature. --- Tragédie grecque.
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Tragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition.
European drama --- Latin drama (Tragedy) --- European drama (Tragedy) --- Mythology, Greek, in literature. --- History and criticism. --- Roman influences. --- Seneca, Lucius Annaeus, --- Seneca, Lucius Annaeus --- Seneca --- Annaeus Seneca, Lucius, --- Seneca, Annaeus, --- Seneca, --- Seneca, L. A. --- Seneca, Lucio Anneo, --- Seneka, --- Seneka, L. Annėĭ, --- Sénèque, --- סנקא, לוציוס אנאוס --- Pseudo-Seneca --- Influence. --- Mythology, Classical, in literature --- Tragedy --- Roman influences --- History and criticism --- Appreciation --- Tragedies. --- Drama --- Mythology, Classical, in literature. --- Tragedy. --- Tragedies --- 1450-1600 (Renaissance) --- Influence --- Mythology [Greek ] in literature --- European drama - Renaissance, 1450-1600 - History and criticism. --- European drama (Tragedy) - Roman influences.
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