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Widely regarded as one of America's most important cultural theorists, Fredric Jameson has been at the forefront of the field of literary and cultural studies since the early 1970s. Author of The Political Unconscious: Narrative as a Socially Symbolic Act and Postmodernism, or, the Cultural Logic of Late Capitalism, Jameson is without doubt one of the leading intellectuals of our time. Fredric Jameson: Live Theory offers an invaluable and highly accessible introduction to the work of this important thinker. Ian Buchanan explores and illuminates how Jameson forms his concepts and how they operate, providing a fascinating account of Jameson's important and ongiong contributions to Critical Theory. The book provides a clear sense of his overall project and the marvellous productivity of his thinking. Motivated by a desire to inaugurate social change by illuminating the obstacles standing in its way, the aim of Jameson's work is to dishabituate us from the comfortable feeling that modern life is enhanced by the global grip of capitalism. The book concludes with a new interview with Jameson himself, in which he discusses the key themes and issues in his work and future directions for the Jamesonian project. Thematically organised, clear and accessible, Fredric Jameson: Live Theory is a key resource for anyone studying this pioneering thinker.
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Psychedelic rock music. --- Acid rock music --- Psychedelic music --- Rock music --- Jameson, Fredric. --- Jameson, Fredric
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Languages & Literatures --- Literature - General --- Jameson, Fredric --- Criticism and interpretation.
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A comprehensive guide to Jameson's theoretical project and a convincing argument for the power of dialectical criticism to understand the world today.
Marxist criticism. --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism --- Communism and literature --- Communist aesthetics --- Criticism --- Jameson, Fredric. --- Jameson, Fredric
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This book develops a Marxist theory of literary style. The first part explains why Raymond Williams, Terry Eagleton and Fredric Jameson came to see style as central to political criticism. It delineates the historical and conceptual preconditions for the emergence of a ‘politics of style’, and uncovers an underground current of stylistics within the Marxist tradition from Marx to Barthes. The second part sets out precisely what each thinker has written on style and demonstrates how this came to figure in their overall intellectual and political projects, focusing above all on a detailed reconstruction of Williams’s best-known concept, the ‘structure of feeling’. Finally, the third part sets out an independent theory of style and makes an ambitious attempt to establish it as a foundational element of a new Marxist poetics.
Socialism and literature. --- Literature and socialism --- Literature --- Williams, Raymond. --- Eagleton, Terry, --- Jameson, Fredric. --- Jameson, Fredric --- Eagleton, Terence, --- Eagleton, T. F. --- Igŭltŭn, Teri, --- Uilʹi︠a︡ms, R.
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Dialectical materialism. --- Marxian school of sociology. --- Postmodernism (Literature) --- Marxist criticism. --- Jameson, Fredric.
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This is the first book to provide a critical overview of the work and career, as a whole, of the Marxist culture-critic Fredric Jameson, foremost among American intellectuals and a vanguard figure in the "theory movement" of the past three decades. Steven Helmling identifies major themes and traces both continuity and change in Jameson's engagement with the challenges presented by continental theory from the 1950s to the present. Instead of approaching Jameson's work by circumventing his notoriously difficult writing style, as many have chosen to do, Helmling takes at face value Jameson's insistence that the success and failure of critique are conditioned on how it is written. Jameson insists on a "dialectical prose" that not merely analyzes but enacts or performs the contradictions of its subjects, resulting in an agitating, dramatic, and compelling style that questions the very success or failure of critique itself. Style is thus regarded both as a salient feature of the writing, and as a problem for critical practice in general. Besides illuminating an oeuvre that's far from fully understood, the book makes a timely contribution to the current, "What was theory?" discussion.
82.09 --- Literaire kritiek --- Criticism. --- 82.09 Literaire kritiek --- Criticism --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Technique --- Evaluation --- Jameson, Fredric. --- Jameson, Fredric --- Literature - General --- Languages & Literatures --- Criticism and interpretation.
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Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of "suture"-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious.
Politics in motion pictures --- Motion pictures --- Communist aesthetics --- Communists in motion pictures --- Aesthetics --- Political aspects. --- Jameson, Fredric --- Criticism and interpretation. --- Communist aesthetics. --- Communists in motion pictures. --- Politics in motion pictures. --- Aesthetics. --- Political aspetcs. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Film Theory, Aesthetics, Politics, Psychoanalysis, Marxism,.
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