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'A Japanese Constellation' showcases a group of contemporary architects who work in Japan but whose influence extends throughout the world. This book, published in conjunction with the first exhibition to feature three generations of practitioners orbiting Pritzker Architecture Prize laureates Toyo Ito and SANAA, moves beyond the limited framework of the architectural "star system" to illuminate how shared themes may spawn cross-generational lines of descent and influence. Highlighting forty-four designs realized since the year 2001, the volume reveals how structural invention, ceaseless experimentation, nonhierarchical thinking, and novel uses of transparency and lightness inform and strengthen the identity of linked local practices, even as their impact is global. With 336 illustrations as well as essays by Perdo Gadanho, Terunobu Fujimori, Taro Igarashi, and Julian Worrall.

Architecture --- History --- Exhibitions. --- Histoire --- Expositions --- Architecture, Japanese --- 72.071 --- architecten --- Japan --- architectuur --- Toyo Ito --- Kazuyo Sejima --- SANAA --- Ryue Nishizawa --- Sou Fujimoto --- Akihisa Hirata --- Junya Ishigami --- Japanese architecture --- buitenlandse architecten --- Itō, Toyoo, --- Sejima, Kazuyo, --- Nishizawa, Ryūe, --- Fujimoto, Sōsuke, --- Hirata, Akihisa, --- Ishigami, Junʾya, --- 平田晃久, --- 藤本壮介, --- Fujimoto, Sou, --- 西沢立衛, --- 妹島和世, --- 妺島和世, --- Ito, Toyo, --- Yidong, Fengxiong, --- 伊東豊雄, --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Exhibitions --- Sejima and Nishizawa and Associates Ltd. --- Nishizawa, Ryūe --- Sejima, Kazuyo --- Kazuyo Sejima and Associates --- Sejima, Kazuyo. --- Nishizawa, Ryūe. --- Fujimoto, Sōsuke --- 藤本壮介 --- 石上純也, --- Ishigami, Junya

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"Claude Cahun, Maya Deren, and Cindy Sherman were born in different countries, in different generations - Cahun in France in 1894, Deren in Russia in 1917, and Sherman in the United States in 1954. Yet they share a deeply theatrical obsession that shatters any notion of a unified self. All three try out identities from different social classes and geographic environments, extend their temporal range into the past and future, and transform themselves into heroes and villains, mythological creatures, and sex goddesses. The premise of Inverted Odysseys is that this expanded concept of the self - this playful urge to "try on" other roles - is more than a feminist or psychological issue. It is central to our global culture, to our definition of human identity in a world where the individual exists in a multicultural and multemporal environment. This book is an "odyssey" through historical, theoretical, critical, and literary perspectives on the three artists viewed in the context of these issues."--Jacket.

Photography, Artistic --- Visual Arts --- Art, Architecture & Applied Arts --- Photography --- Cahun, Claude, --- Deren, Maya --- Sherman, Cindy --- Derenkowsky, Elenora --- Derenkowsky, Eleanora --- Deren, Elenora --- Deren, Eleanora --- Bardacke, Elenora --- Bardacke, Eleanora --- Hammid, Elenora --- Hammid, Eleanora --- Hammid, Maya --- Ito, Maya --- Courlis, Claude, --- Schwob, Lucy,

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Architecture contemporaine, par pays. Cette nouvelle collection Taschen ouvre de nouvelles perspectives sur le monde de l'architecture en mettant le projecteur sur les tendances actuelles par pays. Chaque ouvrage présente de 15 à 20 architectes et agences, des plus établis aux tout nouveaux venus, et met l'accent sur leur contribution à l'évolution très récente de l'architecture dans leur pays. Aux descriptions de leurs derniers projets s'ajoutent de courtes biographies et des informations pratiques utiles. En sillonnant le globe, cette nouvelle collection se propose de célébrer les nuances variées de la personnalité architecturale des pays choisis.

Architecture --- History --- Histoire --- Architecture contemporaine --- Abe, Hitoshi --- Ando, Tadao --- Aoki, Jun --- Ban, Shigeru --- Endo, Shuhei --- Endoh, Masaki --- Hara, Hiroshi --- Ikeda, Masahiro --- Isozaki, Arata --- Itô, Toyô, --- Kishi, Waro --- Kuma, Kengo --- Maki, Fumihiko --- Nishizawa, Ryue --- Sejima, Kazuyo --- Taniguchi, Yoshio --- Tezuka, Takaharu, --- Tezuka, Yui, --- Watanabe, Makoto Sei --- Yokomizo, Makoto --- Tanguchi, Yoshio --- Japon --- 72.037 --- 72.032.12 --- Japan --- architectuur 21e eeuw --- Hitoshe Abe --- Tadao Ando --- Jun Aoki --- Shigeru Ban --- Shuhei Endo --- Endoh & Ikeda --- Hiroshi Hara --- Arata Isozaki --- Toyo Ito --- Waro Kishi --- Kengo Kuma --- Fumihiko Maki --- Kazuyo Sejima --- Ruey Nishizawa/Sanaa --- Yoshio Taniguchi --- Tezuka Architects --- Makoto Sei Watanabe --- Makoto Yokomizo --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Japanse architectuur --- Ando, Tadao, --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Kuma, Kengo, --- Architecture, Primitive --- Architecture - Japan - 21st century. --- Ando, Tadao, 1941 --- -Aoki, Jun --- Itô, Toyô, 1941 --- -Kishi, Waro --- Kuma, Kengo, 1954 --- -Maki, Fumihiko --- Tezuka, Takaharu, 1964 --- -Tezuka, Yui, 1969 --- -Watanabe, Makoto Sei

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Le pavillon de la Serpentine Gallery est un pavillon provisoire construit pour le musée d'art contemporain de Kensington Gardens à Londres, chaque année depuis 2000. La commission de la Serpentine invite un architecte renommé (le prix Pritzker) qui n'a jamais bâti en Angleterre pour concevoir un pavillon d'été. Le pavillon abrite les manifestations culturelles et pédagogiques de la galerie, comme des colloques, performances, concerts, cafés.

Architecture --- Vieira, Alvaro Siza --- Souto de Moura, Eduardo --- Niemeyer, Oscar --- Gehry, Frank --- Thorsen, Kjetil --- Ito, Toyo --- Libeskind, Daniel --- Hadid, Zaha --- Nouvel, Jean --- Eliasson, Olafur --- MVRDV [Rotterdam] --- Serpentine Gallery [London] --- Architecture, Modern --- Arts, Modern --- Pavilions --- Buildings, Temporary --- Serpentine Gallery --- Hadid, Zaha, --- Libeskind, Daniel, --- Itō, Toyoo, --- Niemeyer, Oscar, --- Siza, Álvaro, --- Moura, Eduardo Souto de, --- Koolhaas, Rem, --- Balmond, Cecil --- Olafur Eliasson, --- Thorsen, Kjetil Trædal, --- Gehry, Frank Owen, --- Nouvel, Jean, --- Serpentine Gallery. --- MVRDV --- Sejima and Nishizawa and associates --- 728.7 --- tijdelijke architectuur --- mobiele architectuur --- Serpentine Gallery Pavilions --- Zaha Hadid --- Daniel Libeskind --- Toyo Ito --- Oscar Niemeyer --- Alvaro Siza --- Eduardo Souto de Moura --- Rem Koolhaas --- Cecil Balmond --- Olafur Eliasson --- Kjetil Thorsen --- Frank O. Gehry --- SANAA --- Jean Nouvel --- 721.7 --- 725.91 --- 72.037 --- London --- Londen --- Serpentine Gallery pavilions --- 727.7 --- 72.039 --- Paviljoenen ; Londen ; Serpentine Galery ; 2000-2012 --- Tijdelijke architectuur ; zomerpaviljoenen ; 21ste eeuw --- Siza, Alvaro & Eduardo Souto de Moura --- Koolhaas, Rem & Cecil Balmond --- Eliasson, Olafur & Kjetil Thorsen --- Gehry, Frank O. --- gelegenheidswoningen, mobiele en veranderbare gebouwen --- Tijdelijke architectuur --- Paviljoenen (architectuur) --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Openbare gebouwen ; tentoonstellingsgebouwen --- Gebouwen voor opleiding en wetenschap ; kunstmusea, kunstgalerijen --- Architectuurgeschiedenis ; 2000 - 2050 --- Architectuur --- Bouwkunst --- Architectuur. --- Bouwkunst. --- Gehry, Frank O --- Kiosks --- Kiosques --- Buildings --- Buildings, Demountable --- Demountable buildings --- Temporary buildings --- History --- MVRDV. --- Thorsen, Kjetil Trædal --- Koolhaas, Rem --- Siza, Álvaro --- Moura, Eduardo Souto de --- Ólafur Elíasson --- Architecture, Modern - 21st century --- Arts, Modern - 21st century --- Pavilions - England - London --- Buildings, Temporary - England - London --- Itō, Toyo, --- Siza, Álvaro, --- Ólafur Elíasson --- Serpentine gallery (Londres, GB) --- Constructions --- Constructions provisoires --- Grande-Bretagne --- Londres (GB) --- 1990-.... --- Expositions

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Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940's and 1950's. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.

Experimental films --- Independent filmmakers --- Film --- PERFORMING ARTS / Film & Video / History & Criticism. --- Kino --- Spielfilm --- Filmaufnahme --- Filme --- Spielfilme --- Audiovisuelles Material --- Videokassette --- Independent moviemakers --- Motion picture producers and directors --- History and criticism. --- Deren, Maya --- Derenkowsky, Elenora --- Derenkowsky, Eleanora --- Deren, Elenora --- Deren, Eleanora --- Bardacke, Elenora --- Bardacke, Eleanora --- Hammid, Elenora --- Hammid, Eleanora --- Hammid, Maya --- Ito, Maya --- Criticism and interpretation.