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Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
Motion pictures --- Cinéma --- Philosophy. --- Philosophie --- Deleuze, Gilles, --- Criticism and interpretation. --- Bild. --- Film. --- Taxonomie. --- Cinéma (Deleuze, Gilles). --- Motion pictures. --- Photography --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Audio-visual materials --- Mass media --- Performing arts --- Feature films --- Moving-pictures --- History and criticism --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل
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Film --- History --- Motion Pictures --- Motion pictures and history --- Motion pictures --- Cinéma et histoire --- Cinéma --- Periodicals --- Périodiques --- Histoire --- Motion pictures and history. --- Arts and Humanities --- Performing Arts, Travel and Leisure --- Literature --- Arts and Humanities. --- Performing Arts, Travel and Leisure. --- Historischer Film --- History. --- Motion Pictures as Topic. --- Umschulungswerkstätten für Siedler und Auswanderer --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Cinemas --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Aspects, Historical --- Historical Aspects --- Aspect, Historical --- Historical Aspect --- Histories --- Geschichtsfilm --- Geschichte --- Historienfilm --- Historische Filme --- History and motion pictures --- Moving-pictures and history --- Umschulungswerkstätte für Siedler und Auswanderer --- USA --- Motion Pictures. --- Photography --- Bitterfeld --- USA. --- Filmkunst. --- Geschiedenis. --- Umschulungswerkstätte für Siedler und Auswanderer --- Movie --- Historischer Film.
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Mass Media --- Behavioral Disciplines and Activities --- Audiovisual Aids --- Communications Media --- Teaching Materials --- Educational Technology --- Information Science --- Technology --- Technology, Industry, and Agriculture --- Psychoanalytic Interpretation --- Motion Pictures. --- Music, Dance, Drama & Film --- Film --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Interpretation, Psychoanalytic --- Psychoanalytical Interpretation --- Interpretation, Psychoanalytical --- Interpretations, Psychoanalytic --- Interpretations, Psychoanalytical --- Psychoanalytic Interpretations --- Psychoanalytical Interpretations --- Arts, Industrial --- Industrial Arts --- Cloud Computing --- Information Sciences --- Science, Information --- Sciences, Information --- Technology, Instructional --- Instructional Technology --- Technology, Educational --- Educational Technologies --- Instructional Technologies --- Technologies, Educational --- Technologies, Instructional --- Material, Teaching --- Materials, Teaching --- Teaching Material --- Media, Communications --- Audio-Visual Aids --- Visual Aids --- Aid, Audio-Visual --- Aid, Audiovisual --- Aid, Visual --- Aids, Audio-Visual --- Aids, Audiovisual --- Aids, Visual --- Audio Visual Aids --- Audio-Visual Aid --- Audiovisual Aid --- Visual Aid --- Broadcast Media --- Folk Media --- Printed Media --- Media, Broadcast --- Media, Folk --- Media, Mass --- Media, Printed --- Motion pictures --- Psychoanalysis and motion pictures. --- Psychological aspects.
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The "endless night" that film theory and psychoanalysis share is the darkness that these two disciplines face in their quest for the logics of intelligibility. This collection emphasizes the history of theory to demonstrate that film theory must be written with a strong sense of historical consciousness, curiosity, and archaeological craft. The volume brings together film theorists and practicing psychoanalysts to encourage an exchange of views between disciplines that encounter each other all too rarely.
Psychoanalysis and motion pictures. --- Motion pictures --- Psychoanalysis and motion pictures --- Psychiatry --- Audiovisual Aids --- Mass Media --- Educational Technology --- Behavioral Sciences --- Communications Media --- Teaching Materials --- Information Science --- Technology --- Behavioral Disciplines and Activities --- Technology, Industry, and Agriculture --- Psychiatry and Psychology --- Technology, Industry, Agriculture --- Motion Pictures as Topic --- Psychoanalysis --- Music, Dance, Drama & Film --- Film --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Arts, Industrial --- Industrial Arts --- Cloud Computing --- Information Sciences --- Science, Information --- Sciences, Information --- Material, Teaching --- Materials, Teaching --- Teaching Material --- Media, Communications --- Proxemics --- Behavioral Science --- Proxemic --- Science, Behavioral --- Sciences, Behavioral --- Technology, Instructional --- Instructional Technology --- Technology, Educational --- Educational Technologies --- Instructional Technologies --- Technologies, Educational --- Technologies, Instructional --- Broadcast Media --- Folk Media --- Printed Media --- Media, Broadcast --- Media, Folk --- Media, Mass --- Media, Printed --- Audio-Visual Aids --- Visual Aids --- Aid, Audio-Visual --- Aid, Audiovisual --- Aid, Visual --- Aids, Audio-Visual --- Aids, Audiovisual --- Aids, Visual --- Audio Visual Aids --- Audio-Visual Aid --- Audiovisual Aid --- Visual Aid --- Psychiatrists --- Psychiatrist --- Feature films --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion pictures and psychoanalysis --- Psychodynamic Analysis --- Analyses, Psychodynamic --- Analysis, Psychodynamic --- Psychodynamic Analyses --- Psychological aspects. --- Philosophy. --- Psychological aspects --- Philosophy --- History and criticism --- 82:159.9 --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Literatuur en psychologie. Literatuur en psychoanalyse --- Psychology --- Motion Pictures. --- Factors, Psychological --- Psychological Factors --- Psychological Side Effects --- Psychologists --- Psychosocial Factors --- Side Effects, Psychological --- Factor, Psychological --- Factor, Psychosocial --- Factors, Psychosocial --- Psychological Factor --- Psychological Side Effect --- Psychologist --- Psychosocial Factor --- Side Effect, Psychological --- Motion pictures. --- Psychiatry. --- Audiovisual Aids. --- Mass Media. --- Educational Technology. --- Behavioral Sciences. --- Communications Media. --- Teaching Materials. --- Information Science. --- Technology. --- Behavioral Disciplines and Activities. --- Technology, Industry, and Agriculture. --- Psychology. --- Psychoanalysis.
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