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"In the first collection to be devoted to this subject, a distinguished cast of contributors explores expurgation in both Greek and Latin authors in ancient and modern times. The major focus is on the period from the seventeenth to the twentieth century, with chapters ranging from early Greek lyric and Aristophanes through Lucretius, Horace, Martial and Catullus to the expurgation of schoolboy texts, the Loeb Classical Library and the Penguin Classics. The contributors draw on evidence from the papers of editors, and on material in publishing archives. The introduction discusses both the different types of expurgation, and how it differs from related phenomena such as censorship."--Bloomsbury Publishing In the first collection to be devoted to this subject, a distinguished cast of contributors explores expurgation in both Greek and Latin authors in ancient and modern times. The major focus is on the period from the seventeenth to the twentieth century, with chapters ranging from early Greek lyric and Aristophanes through Lucretius, Horace, Martial and Catullus to the expurgation of schoolboy texts, the Loeb Classical Library and the Penguin Classics. The contributors draw on evidence from the papers of editors, and on material in publishing archives. The introduction discusses both the different types of expurgation, and how it differs from related phenomena such as censorship
Classical literature --- Expurgated books. --- Books, Expurgated --- Books and reading --- Censorship --- Printing --- History and criticism --- Theory, etc. --- Cancels --- History and criticism.
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Censorship in South Asia offers an expansive and comparative exploration of cultural regulation in contemporary and colonial South Asia. These provocative essays by leading scholars broaden our understanding of what censorship might mean -- beyond the simple restriction and silencing of public communication -- by considering censorship's productive potential and its intimate relation to its apparent opposite, "publicity." The contributors investigate a wide range of public cultural phenomena, from the cinema to advertising, from street politics to political communication, and from the adjudication of blasphemy to the management of obscenity.
Censorship --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- Law and legislation --- Censure
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Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives brings together a wide range of current work on literary, cultural and linguistic censorship by a team of fifteen contributors working in Italy, Britain and continental Europe. Censorship can take hold of a written text before or after its public appearance; it can strike the cultural item, as well as the very individual/s who created it; it can also catch in its net the agents responsible for its publication and diffus...
Censorship --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- History. --- Law and legislation --- History --- E-books
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Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. Both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.
Censorship --- Nationalism --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- History --- Law and legislation --- Germany
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Presenting a comprehensive discussion of the censorship of books, newspapers, carricutures, theatre and film, this volume provides an analytical introductory survey and six chapters that summarize the 19th-century censorship practices in the six major countries of continental Europe.
Censorship --- Communication in politics --- Political communication --- Political science --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- History --- Law and legislation --- Europe --- Politics and government --- CENSURE --- HISTOIRE --- 19E-20E SIECLES
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In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up until the present. He covers the various forms of American media-books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. In each of the areas, Semonche explains via abundant examples how and why censorship took place. He also details how the cultural territory contested by those advoca
Censorship --- Sex in popular culture --- History. --- Book censorship --- Books --- Literature --- Law and legislation --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- United States --- History
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María José Falcón y Tella invites us on a fascinating journey through the world of law and literature, travelling through the different eras and exploring eternal and as such current issues such as justice, power, resistance, vengeance, rights, and duties. This is an unending conversation, which brings us back to Sophocles and Dickens, Cervantes and Kafka, Dostoyevsky and Melville, among many others. There are many ways to approach the concept of “Law and Literature”. In the classical manner, the author distinguishes three paths: the Law of Literature, involving a technical approach to the literary theme; Law as Literature, a hermeneutical and rhetorical approach to examining legal texts; and finally, Law in Literature, which is undoubtedly the most fertile and documented perspective (the fundamental part of the work focusses on this direction). This timely volume offers an introduction to this enormous field of study, which was born in the United States over a century ago and is currently taking root in the European continent.
Law and literature. --- Law in literature. --- Intellectual property in literature. --- Censorship. --- Book censorship --- Books --- Censorship --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- Literature and law --- Law and legislation
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Cohen critiques Timothy Findley's broad anti-censorship position; he traces Margaret Atwood's evolution from implicit support for the censorship of pornography in Bodily Harm to the rejection of censorship in The Handmaid's Tale; and he provides the first detailed study of the draft of Margaret Laurence's unfinished novel, showing the degree to which her final silence was a result of her censorship ordeal. Finally, an analysis of the writing of Beatrice Culleton and Marlene Nourbese Philip shows how different kinds of socio-cultural censorship - from gate-keepers to self-censorship - silence Native and black Canadian voices. Cohen's re-definition of censorship as essentially a practice of judgment takes us beyond the traditional Enlightenment delineation of censorship as an oppressive government practice and the consequent neutralist liberal condemnation of censorship on principle. Since judgment is enmeshed in the fabric of human endeavour, censorship is inevitable; since censorship is inevitable, Cohen concludes, debate over whether censorship itself is desirable should give way to a search for censorship practices that are more just. Censorship in Canadian Literature is an essential text for scholars of Canadian literature as well as for anyone concerned with contemporary debates about censorship and civil rights.
Censorship --- Censorship in literature. --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- Law and legislation --- Canadian fiction --- History and criticism.
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Captivated at a young age by Russia, Marianna Tax Choldin immersed herself as a student at the University of Chicago in that country's language and culture. In her book she describes the tension between her strong commitment to freedom of expression and her growing understanding of Russian and Soviet censorship. Fluent in Russian, she travels widely in post-Soviet Russia, speaking with hundreds of Russians about their own censorship history. She writes of the close friendships she formed in Russia, and reflects on her Jewish roots in the country her family had left behind 100 years earlier.
Censorship --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- History --- Law and legislation --- Choldin, Marianna Tax --- Travel --- Choldin, Marianna T.
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"Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive. On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. On the other, especially after the opening of the USSR's spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorship's formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final (failed) version of national control?"--
Censorship --- Literature, Modern --- Literature and state. --- Censure --- Littérature moderne --- Littérature --- History. --- Case studies --- History and criticism. --- Histoire --- Etudes de cas --- Histoire et critique --- Politique gouvernementale --- Littérature moderne --- Littérature --- State and literature --- Authors and patrons --- Cultural policy --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- Law and legislation
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