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Design has long expressed and established itself as an independent research competence - a fact that also companies, institutions and politicians have come to acknowledge. What is still needed, however, is a stronger public platform for design to confidently reflect upon this process and to establish and communicate the specific innovative and experimental dimension of design research. For this reason, BIRD, the Board of International Research in Design, has developed the New Experimental Research in Design / NERD format. The edited conference contributions of twelve young researchers from all over the world provide an impressive and diverse and insightful range of intelligent and inspiring approaches in design research, giving rise to further debate and action in the rapidly evolving field. Design hat sich lange als unabhängige Forschungskompetenz artikuliert und etabliert - eine Tatsache, die Unternehmen, Institutionen und Politiker inzwischen durchaus anerkennen. Was es noch braucht, ist eine starke öffentliche Plattform, um diesen Prozess selbstbewusst zu reflektieren und so die spezifisch innovative und experimentelle Dimension von Design-Forschung zu etablieren und kommunizieren. BIRD, das Board of International Research in Design, hat deshalb das NERD-Format entwickelt: Die hier veröffentlichten Konferenz-Beiträge von zwölf jungen Forschern aus allen Teilen der Welt geben Einblick in ein beeindruckendes und vielfältiges Spektrum von intelligenten und inspirierenden Ansätzen. Sie rufen auf zu einer Fortsetzung der Debatte in einem sich rasch entwickelnden Forschungsfeld.
Design. --- Creation (Literary, artistic, etc.) --- - Design Research - Designer.
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Design entwickelt sich zu einer anerkannten wissenschaftlichen Disziplin und die Designforschung ist der treibende Bodensatz dieser Transformation. Design Research Now - Essays and Selected Projects vermisst das Feld der Designforschung anhand grundlegender Essays und ausgewählter Forschungsprojekte. Die Autoren der Essays, allesamt international führende Designwissenschaftler, nehmen zu den wichtigsten Fragen der Designforschung Stellung. Sie verorten die Bedeutung der Designforschung an der Schnittstelle zur Technologieentwicklung, beschreiben ihre Notwendigkeit für die methodische Weiterentwicklung der Entwurfsdisziplinen und ordnen ihr für die relevanten Entwicklungen der Gesellschaft eine bedeutende Rolle zu. Ergänzt werden die Essays durch die Darstellung aktueller, abgeschlossener Forschungsprojekte aus Hochschulen in den Niederlanden, Großbritannien und Italien. Design is becoming a recognised academic discipline, and design research is the driving force behind this transformation. Design Research Now - Essays and Selected Projects charts the field of design research with introductory essays and selected research projects. The authors of the essays, all leading international design scholars, stake out positions on the most important issues of design research. They locate the significance of design research at the interface with technological development, describe what makes it a necessary ingredient of the continued development of the design disciplines, and assign it a seminal role in the relevant developments of society. The essays are supplemented by the presentation of recently completed research projects from universities in the Netherlands, the UK and Italy.
Design -- Research. --- Electronic books. -- local. --- Industrial design -- Research. --- Design --- Industrial design --- Research. --- Design, Industrial --- Mechanical drawing --- New products --- Creation (Literary, artistic, etc.)
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Perfekt unperfekt? Auf Hochglanz polierte Gestaltung erscheint uns manchmal distanziert, umgekehrt kann eine rasch hingeworfene Linie oder eine verwackelte Fotografie authentisch wirken. Im Design ist der Ausarbeitungsgrad ein wichtiger Stil- und Wirkungsfaktor. Durch einen rhetorischen Blick verschiebt sich die Frage nach »guter« Gestaltung hin zur Frage nach wirkungsvollem Design: Welcher Elaborationsgrad ist angemessen - relativ zum verfolgten Zweck und Kontext? Annina Schneller entwickelt eine praxisorientierte Rhetorik des Designs, die erstmals Strategien der Elaboration beleuchtet: in der klassischen Rhetorik, in der Grafi kdesigngeschichte und in zwei Anwendungsfeldern der visuellen Kommunikation. Perfektion und Abweichung vom Ideal stehen dabei in einem steten Spannungsverhältnis. The book offers insight into the classical rhetorical strategies of elaboration for researchers interested in rhetoric as well as for designers and artists. The process of elaboration is governed by the tension between the perfect and imperfect, polish and rawness, and by the realization of an ideal or departure from it. The book illustrates this process with regard to the history of graphic design and based on two case studies.
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Co-Corporeality beruht auf der Hypothese, die gebaute Umwelt als biologische Einheit zu begreifen, die einen Raum der Koexistenz und Interaktion zwischen Menschen und mikrobiellem Leben eröffnet. Ausgehend von designgeleiteter Forschung wird ergründet, wie wir Umgebungen für eine Multispezies-Welt entwickeln können. Im Fokus steht die Handlungsfähigkeit menschlicher wie nicht menschlicher Akteure: Neue Sensortools ermöglichen die Beobachtung von und Interaktion zwischen diesen verschiedenen Akteuren. Co-Corporeality verbindet Mikrobiologie, Materialwissenschaft, künstliche Intelligenz, Architektur. Im Zentrum steht die Frage, wie mikrobielle Aktivität neue protoarchitektonische Materialien schaffen kann, wie lebende Systeme in Architektur integriert werden und innerhalb verschiedener Zeitskalen kooperieren können. The theory of Co-Corporeality is based on a conception of the built environment as a biological entity that opens up a space for coexistence and interaction between humans and microbial life. Based on design-led research, this book explores how we can develop environments for a multispecies world. It focuses on the agency of both human and nonhuman actors. New sensor tools enable observation of and interaction between these different actors. Co-Corporeality links microbiology to material science, artificial intelligence, and architecture. The focus is on how microbial activity can create new protoarchitectural materials, how living systems can be integrated into architecture and cooperate along different time scales.
ARCHITECTURE / Study & Teaching. --- Architecture. --- artificial intelligence. --- artistic research. --- design research. --- microbiology.
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Designing Cultures of Care brings together an international selection of design researchers who, through a variety of design approaches, are exploring the ways in which design intersects with cultures of care. Unique in its focus and disciplinary diversity, this edited collection develops an expanded discourse on the role and contribution of design to our broader social, cultural and material challenges. Based around a unifying critique of the proposition of care as a theoretical framework for undertaking design research in real worldcontexts, each chapter presents a case study of design research in action. This book aims to provide readers - both academics and practitioners - with insights into the possibilities and challenges of designing cultures of care. The disciplines represented in this collection include architecture, visual communication, participatory and social design, service design, critical and speculative design interventions and design ethnography. These case studies will provide real world insights that have relevance and value to design students at both undergraduate and postgraduate levels, and to researchers at all levels within and outside of the academy.
Art and society. --- Design --- Research. --- Social aspects. --- Design Research and Futures --- History and Culture of Design
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mathematics education --- mathematics --- Mathematics --- Study and teaching --- Study and teaching. --- Education --- Instruction and study --- didactics design research --- qualitative research
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"Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom."--
Decoration and ornament. --- Material culture. --- Product design. --- Design Research and Futures --- History and Culture of Design --- Material Culture --- Product Design
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Since the 1990s, the concern to define areas of research in design has dominated academic debates. As a result, we are now facing a multitude of understandings. This is especially true for practice-based design research. Sandra Dittenberger, Hans Stefan Moritsch and Agnes Raschauer discuss how the concept of learning by research can be integrated into product design studio teaching. They show different international approaches for integrating research into teaching and contrast the areas of design research with scientific standards. The book features study results that helped generate both a general orientation for research in design education and guidelines for students of how to integrate research into their project work.
Design --- Research. --- Design Research. --- Design. --- Education. --- Educational Research. --- Practice-Based Design. --- Process Guide. --- Research Standards. --- Science. --- University.
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Das Nachbauen mittelalterlicher Instrumente dank Bildquellen und musiktheoretischer Traktate oder das »Einpflanzen« von Alltagsgegenständen in Landschaften, um so das Begriffspaar Natur-Kultur neu zu verhandeln - diese Beispiele zeigen, wie Kunst als Mittel zur Erkenntnisgewinnung die Wissenschaft bereichert. Die Beiträger*innen experimentieren mit der Verbindung von Kunst und Wissenschaft und richten besonderes Augenmerk auf die noch junge Disziplin der Designforschung sowie deren gesellschaftliches Engagement. Dabei illustrieren sie nicht nur die Bandbreite der Forschung in und mit den Künsten, sondern stellen auch Verbindungen zur Grundlagen-, anwendungsorientierten und aktivistischen Forschung her.
ART / Criticism. --- Art. --- Design Research. --- Fine Arts. --- Image Theory. --- Knowledge. --- Music. --- Research. --- Science. --- Society. --- Theory of Art.
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somaesthetics --- aesthetics --- arts --- philosophy --- design research --- technology studies --- Aesthetics --- Human body (Philosophy) --- Physiological aspects --- Radio broadcasting Aesthetics --- Body, Human (Philosophy) --- Philosophy
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