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Curiosité et Libido sciendi de la Renaissance aux Lumières

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Abstract

Dès l’Antiquité, qu’elle soit païenne ou judéo-chrétienne, la libido sciendi apparaît, dans divers systèmes de représentation, comme l’un des principes constitutifs de l’homme, mais suscite, chez les théologiens comme chez les philosophes, quelque méfiance. Cet ouvrage, travail collectif, issu des curiosités de chercheurs d’horizons divers et publié dans le cadre du Centre de recherche Li Di Sa (Littérature et Discours du Savoir), s’interroge sur les permanences, le devenir et les métamorphoses des diverses conceptions de la curiosité, dans une période qui va essentiellement de la Renaissance aux Lumières, mais sans s’interdire quelques escapades chronologiques. La place et le rôle que lui réservent les théoriciens dans les divers champs du savoir, les mythes et fictions qu’elle suscite, les objets ou figures qui la symbolisent sont donc étudiés. Apparaissent ainsi, dans leur rapport particulier au désir de connaissance, divers personnages : historiens, philosophes, lecteurs, voyageurs, amateurs d’art, scientifiques, voire inquisiteurs, pour ne citer que quelques avatars des « curieux » évoqués.


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Eighteenth-century fiction and the reinvention of wonder
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ISBN: 9780199689101 0199689105 1322222738 0198833784 0191003123 0191802026 9781322222738 9780191003127 9780191802027 Year: 2014 Publisher: Oxford Oxford University Press

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A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to-rather than antithetical to-the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. 'Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey-as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's 'Narrative of His Marvellous Travels'. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.

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