Narrow your search

Library

LUCA School of Arts (6)

Odisee (6)

Thomas More Kempen (6)

Thomas More Mechelen (6)

UCLL (6)

VIVES (6)

KU Leuven (5)

FARO (3)

UGent (3)

ULB (3)

More...

Resource type

book (6)

digital (1)


Language

English (6)


Year
From To Submit

2024 (2)

2021 (1)

2020 (1)

2019 (2)

Listing 1 - 6 of 6
Sort by

Book
The whole world was watching : sport in the Cold War
Authors: ---
ISBN: 1503611019 9781503611016 9781503610187 1503610187 Year: 2019 Publisher: Stanford, California : Stanford University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

In the Cold War era, the confrontation between capitalism and communism played out not only in military, diplomatic, and political contexts, but also in the realm of culture - and perhaps nowhere more so than the cultural phenomenon of sports, where the symbolic capital of athletic endeavor held up a mirror to the global contest for the sympathies of citizens worldwide. The Whole World Was Watching examines Cold War rivalries through the lens of sporting activities and competitions across Europe, Asia, Africa, Latin America, and the U.S. The essays in this volume consider sport as a vital sphere for understanding the complex geopolitics and cultural politics of the time, not just in terms of commerce and celebrity, but also with respect to shifting notions of race, class, and gender.


Book
Remapping the Cold War in Asian Cinemas.
Authors: ---
ISBN: 9789048555888 9048555884 9463727272 Year: 2024 Publisher: Amsterdam : Amsterdam University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

This book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War. From the popularity of CIA-sponsored espionage films in Hong Kong and South Korea to the enduring Cold War rhetoric of brotherly relations in contemporary Sino-Indian co-production, cinema has always been a focal point of the cultural Cold War in Asia. Historically, both the United States and the Soviet Union viewed cinema as a powerful weapon in the battle to win hearts and minds-not just in Europe, but also in Asia. The Cold War in Asia was, properly speaking, a hot war, with proxy military confrontations between the United States, on one side, and the Soviet Union and China on the other. Amid this political and military turbulence, cataclysmic shifts occurred in the culture and history of Asian cinemas as well as in the latitude of US cultural diplomacy in Asia. The collection of essays in this volume sheds light on the often-forgotten history of the cultural Cold War in Asia. Taken together, the volume's fifteen chapters examine film cultures and industries in Asia to showcase the magnitude and depth of the Cold War's impact on Asian cinemas, societies, and politics. By shifting the lens to Asia, the contributors to this volume re-examine the dominant narratives about the global Cold War and highlight the complex and unique ways in which Asian societies negotiated, contested, and adapted to the politics and cultural manifestations of the Cold War.


Multi
Remapping the Cold War in Asian Cinemas.
Authors: ---
ISBN: 9789463727273 9789048555888 9048555884 Year: 2024 Publisher: Amsterdam : Amsterdam University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

This book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War. From the popularity of CIA-sponsored espionage films in Hong Kong and South Korea to the enduring Cold War rhetoric of brotherly relations in contemporary Sino-Indian co-production, cinema has always been a focal point of the cultural Cold War in Asia. Historically, both the United States and the Soviet Union viewed cinema as a powerful weapon in the battle to win hearts and minds-not just in Europe, but also in Asia. The Cold War in Asia was, properly speaking, a hot war, with proxy military confrontations between the United States, on one side, and the Soviet Union and China on the other. Amid this political and military turbulence, cataclysmic shifts occurred in the culture and history of Asian cinemas as well as in the latitude of US cultural diplomacy in Asia. The collection of essays in this volume sheds light on the often-forgotten history of the cultural Cold War in Asia. Taken together, the volume's fifteen chapters examine film cultures and industries in Asia to showcase the magnitude and depth of the Cold War's impact on Asian cinemas, societies, and politics. By shifting the lens to Asia, the contributors to this volume re-examine the dominant narratives about the global Cold War and highlight the complex and unique ways in which Asian societies negotiated, contested, and adapted to the politics and cultural manifestations of the Cold War.


Book
Meyer Schapiro’s Critical Debates : Art Through a Modern American Mind
Author:
ISBN: 0271085541 0271085568 Year: 2019 Publisher: University Park, Pennsylvania : The Pennsylvania State University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

"Explores the life, career, and intellectual debates of art historian Meyer Schapiro, who worked at the nexus of artistic and intellectual practice and from there confronted some of the twentieth century's most abiding questions"--


Book
Cold War Cosmopolitanism : Period Style in 1950s Korean Cinema
Author:
ISBN: 0520296508 9780520296503 0520968980 Year: 2020 Publisher: Oakland University of California Press

Loading...
Export citation

Choose an application

Bookmark

Abstract

"Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends.Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia."


Book
Cinema and the cultural Cold War : US diplomacy and the origins of the Asian cinema network.
Author:
ISBN: 1501753916 1501752332 1501752324 1501752316 9781501752339 9781501753916 Year: 2021 Publisher: Ithaca : Cornell University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War.Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony.Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.

Keywords

Motion picture industry --- Motion pictures --- Cold War --- Communism and motion pictures --- Motion pictures and transnationalism --- Film festivals --- Communism and moving-pictures --- Motion pictures and communism --- Transnationalism and motion pictures --- Transnationalism --- History --- Political aspects --- Influence. --- Asia Foundation --- Ajia Zaidan --- Yazhou xie hui --- 亚洲协会 --- Ya-chou hsieh hui --- Mūnnithi ʻĒchīa --- TAF --- Asian Foundation --- Mūnnithi ʻĀsīa --- Qaṅgkār Mūlnidhi Qāsí̄ --- Meiguo Yazhou ji jin hui --- 美國亞洲基金會 --- Yazhou ji jin huiыа --- 亞洲基金會 --- Quỹ châu Á --- Bunyād-i Āsiyā --- بنياد آسيا --- Īshiyā Fūndīshan --- ايشيا فونديشن --- Aziĭn San --- Азийн Сан --- Fondation Asie --- Asia --- United States --- Relations --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History and criticism --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- Asian Cinema and the Cultural Cold War, Transnational Film History, The Asia Foundation and US Propaganda, Cinematic Coproduction in Asia, Transnational cinema. --- Cinema: political aspects: Asia. --- Film industry: Asia: history. --- Cold war: influence. --- Communism and cinema: Asia. --- Film festivals: Asia: history.

Listing 1 - 6 of 6
Sort by