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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Constructivism (Philosophy) --- Constructivism (Psychology) --- Constructivisme (Philosophie) --- Constructivisme (Psychologie) --- Psychology --- Philosophy --- Constructivism (Philosophy). --- Constructivism (Psychology). --- Teacher training. --- LITERARY CRITICISM --- Semiotics & Theory --- Philosophy & Religion
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The book is a comparative study of the constructivist avant-garde artists in Central Europe, the Hungarian MA group in exile in Vienna, the Blok group in Warsaw, and the Czech Devětsil association of artists in Prague. The author examines the similarities and significant differences among them. Contrary to often-repeated theses, the study reveals that the artists unremittingly sought new formulations for an initial set of formal and theoretical issues. It also demonstrates that they persistently believed that their works of art prefigured a future socialist society. The long-awaited socialist states that came into being after World War II betrayed the artists.
Constructivism (Art) --- Constructivisme (Art) --- Central Europe. --- Art, Modern --- Concrete art --- Painting, Abstract
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À la 61e minute, 25e seconde de la Mort d'Empédocle, un lézard fait irruption en bas du champ et disparaît d'emblée. Il faut s’exercer, la perception aux aguets, pour qu’il ne passe pas inaperçu. Mais une fois qu’on l’a vu, on ne regarde et on ne pense plus le monde comme avant. Car pour Danièle Huillet et Jean-Marie Straub (et pour Rosa Luxembourg) le sort d’un petit reptile a autant d’importance que le sort de la révolution. Ce livre va ainsi à la rencontre d’une œuvre au pluriel de ses textes, de ses musiques (la têtue géométrie cézannienne comme aplat géologique de l’image), et sans auteur fixe : le nom propre est « l’appréhension instantanée d’une multiplicité » (Deleuze) et celle-ci un événement qui continue aujourd’hui pour les Straubs. Chaque chapitre compose une carte mouvante, qui se répète et se modifie. Il s’agit d’une cartographie tout d’abord italienne, depuis les constellations des films-Pavese et Vittorini et d’un autre Dante exilé au paradis. Dès lors, on dérivera de l’ailleurs-dehors de l’Italie fasciste et « démocratique », post-fasciste (Fortini), à l’Allemagne nazie et « démocratique », post-nazie (Brecht), à l’Égypte nomadisée, mosaïque de Schœnberg, à ses révoltes trop tôt trop tard d’hier et d’aujourd’hui, à la Palestine hallucinatoire de Kafka… D’où l’interférence avec les visions de Godard ou encore avec le regard-désert d’Antonioni. Donc, un livre-carte, dont les Straubs ne sont pas les sujets mais les passeurs, jusqu’aux derniers films en numérique qui extériorisent un réalisme psychique terrifiant et vivant… Image roche, sur roche, contre le saccage du capitalisme planétaire. Un lézard.
Music, Dance, Drama & Film --- Film --- Straub, Jean-Marie --- Huillet, Danièle --- Criticism and interpretation. --- non style --- littérature --- constructivisme --- cinéma --- style
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This book presents a collection of interrelated essays that analyze the theoretical foundations of semiotic-cultural constructivism in psychology written by one of the pioneers in this field of research: Dr. Lívia Mathias Simão, senior professor at the Institute of Psychology of the University of São Paulo, Brazil. In each of the five essays included in this book, the author establishes a dialogue with key thinkers and intellectual traditions of dialogical approaches arriving at core points of I-other relationships according to the perspective of semiotic-cultural constructivism in psychology. The first essay establishes a dialogue with Greek philosophers such as Parmenides and Aristotle. In the second essay this dialogue is established with semiotic-constructivist psychologists such as Jaan Valsiner, Ragnar Rommetveit and Ivana Marková. The third essay is a dialogue with the contributions of Ernst Boesch’s symbolic action theory. The fourth essay proposes a dialogue between semiotic-cultural constructivists and Hans-Georg Gadamer’s hermeneutics. Finally, the fifth essay proposes how the philosophy of Emmanuel Levinas contributes to dialogical studies of I-other in the context of semiotic-cultural constructivism. Originally published in Portuguese for the Brazilian market, Dialogical Essays: From Difference to Sharing in I-Other Relationships is now published in English in an international edition that will be of interest to psychologists, philosophers, historians and other human and social scientists interested in epistemological, ontological and ethical aspects of I-other relationships from the perspective of semiotic-cultural constructivism and cultural psychology. .
Psychology --- Theory of knowledge --- Social psychology --- Philosophy of language --- psychologie --- taalfilosofie --- kennisleer --- Constructivism (Psychology) --- Assaig --- Constructivisme (Psicologia)
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What emerges is a complex reappraisal of Sophism that reorients criticism of this mode of argumentation, expands understanding of Sophistic contributions to classical rhetoric, and opens avenues for further scholarship.
Sophisme --- Constructivisme (philosophie) --- Raisonnement --- Sophists (Greek philosophy) --- Reasoning. --- Influence --- Raisonnement. --- Influence. --- Argumentation --- Ratiocination --- Reason --- Thought and thinking --- Judgment (Logic) --- Logic --- Philosophy, Ancient
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This volume, evolving from a recent symposium, brings together a group of prominent literary theorists and architects to discuss the entente between postmodernism and architecture.
Deconstructivism (Architecture) --- Deconstructivisme (Architectuur) --- Déconstructivisme (Architecture) --- Architecture, Modern --- Déconstructivisme (Architecture) --- Architecture --- Architecture, Deconstructivist --- Deconstructionism (Architecture) --- Deconstructivist architecture --- History --- Architecture [Modern ] --- 20th century
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Modernist ideas have pervaded every form of design, from graphics to architecture, as well as being a key influence on art, literature and music. In this comprehensive survey, Richard Weston traces the course of Modernism from its beginnings to its contemporary manifestations. He explores the Modernist movements of the early twentieth century - Cubism, Surrealism, Futurism and Purism - and concludes with the 'post-modernist' experiments of the 1980s and 1990s. He shows how the 'tradition of the new' became the creative credo of a small group of progressive artists and how, with the emigration of leading German Modernists to Britain and the USA in the 1930s, the theory and practice of Modernism became widespread. What had begun as a cluster of loosely related artistic movements scattered across Europe emerged as the dominant style of the twentieth century.
Suprématisme --- De stijl --- Constructivisme --- Style international --- Histoire de l'art --- Architecture moderniste --- Modernisme --- 20e siècle --- Panorama mondial --- architectuur 20e eeuw --- modernisme --- 7.037 --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Modernism (Art) --- Architecture, Modern --- Design --- History --- Modernism (Art). --- Mouvement moderne --- Kubisme --- Surrealisme --- Futurisme --- Purisme --- Postmodernisme --- Kunstgeschiedenis ; 1900 - 1950
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Constructivist --- wars --- Futurist --- Dada --- collages [visual works] --- art history --- art [fine art] --- Surrealist --- Art styles --- fantastic architecture --- Neue Sachlichkeit --- architecture [discipline] --- Art --- anno 1920-1929 --- Art, Modern --- Exhibitions --- Expositions --- geschiedenis --- constructivisme --- revoluties --- futurisme --- dadaïsme --- avant-garde --- Wereldoorlog I --- 1910 - 1930 --- 20ste eeuw --- Europa --- kunst --- twintigste eeuw --- geometrisch-abstracte kunst --- concrete kunst --- architectuur --- functionalisme --- Dadaisme --- schilderkunst --- beeldhouwkunst --- meubelkunst --- 7.037 --- surrealisme --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Exhibitions. --- 705.8 --- stedenbouw --- Constructivisme --- neue Sachlichkeit --- Nieuwe Zakelijkheid --- kunstgeschiedenis, 20e eeuw --- revolutie, revolte, opstand --- CDL --- art [discipline] --- constructivisme. --- revolutie, revolte, opstand. --- futurisme. --- dadaïsme. --- avant-garde. --- Wereldoorlog I. --- 1910 - 1930. --- 20ste eeuw. --- Europa. --- geschiedenis. --- Constructivisme(art) --- Art concret --- Futurisme (art) --- Art contemporain --- Fonctionnalisme dans l'art --- Surrealisme(art) --- Nationalegalerie(berlin) --- Europe --- 1900-1945 --- Catalogues
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