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This collection of essays offers an insight into the work of a leading woman dramatist of the Romantic era. It provides contextual material, a discussion of Baillie's theatrical methods & extended interpretations of individual plays.
Women and literature --- Romanticism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Literature --- History --- Baillie, Joanna, --- Bailie, Johanna, --- Criticism and interpretation.
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Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson, addresses the transformation of historical tales in the creative hands of Baillie and Hodson.
Women and literature --- Scottish drama --- Literature and history --- Romanticism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- History and literature --- History and poetry --- Poetry and history --- History --- Scottish literature --- Literature --- History and criticism. --- Baillie, Joanna, --- Holford, --- Hodson, Margaret Holford, --- Hodson, --- Holford, Margaret, --- Bailie, Johanna, --- Criticism and interpretation. --- History and criticism --- Baillie, Joanna --- Hodson, Margaret Holford
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This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
English literature --- Gothic revival (Literature) --- Romanticism --- Canon (Literature) --- Literary form. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- History and criticism. --- History and criticism --- Wordsworth, William, --- Baillie, Joanna, --- Scott, Walter, --- Author of "Waverley," "Ivanhoe," &c., --- Cleishbotham, Jedediah, --- Layman, --- Malagrowther, Malachi, --- Paul, --- S., W. --- Scott, W. --- Skott, Valʹter, --- Skott, Walter, --- Somnambulus, --- Ssu-ko-tʻe, --- Ssu-ko-tʻe, Wa-erh-tʻe, --- Sukotsu, --- Sukotto, --- Templeton, Laurence, --- W. S. --- Wa-erh-tʻe Ssu-ko-tʻe, --- "Waverley," "Ivanhoe," &c., Author of, --- סקאט, וואלטער, --- סקוט, וולטר, --- Bailie, Johanna, --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Literary form --- 82-312.9 --- 82-392 --- 82-312.9 Fantastische literatuur --- Fantastische literatuur --- History --- Literatuur. Gotische roman(ce) --- Scott, Walter --- Author of "Waverley," "Ivanhoe," &c. --- Cleishbotham, Jedediah --- Malagrowther, Malachi --- Paul --- Skott, Valʹter --- Skott, Walter --- Somnambulus --- Ssu-ko-tʻe --- Ssu-ko-tʻe, Wa-erh-tʻe --- Sukotsu --- Sukotto --- Templeton, Laurence --- Wa-erh-tʻe Ssu-ko-tʻe --- "Waverley," "Ivanhoe," &c., Author of --- Canon (Literature). --- Arts and Humanities --- 18th century --- Great Britain --- 19th century --- Baillie, Joanna --- Criticism and interpretation --- Scott, Walter, Sir --- Wordsworth, William
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