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The Imperial Period Dwelling WE 6 of Terrace House 2 in Ephesus. Living invironment of a family of the town elite.
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Contextual analysis of the architecture, the features and the finds of the Imperial Period dwelling WE 7 of Terrace House 2 in Ephesos.
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Here is a whimsical and captivating collection of odd facts, strange beliefs, outlandish opinions, and other highly amusing trivia of the ancient Romans. We tend to think of the Romans as a pragmatic people with a ruthlessly efficient army, an exemplary legal system, and a precise and elegant language. A Cabinet of Roman Curiosities shows that the Romans were equally capable of bizarre superstitions, logic-defying customs, and often hilariously derisive views of their fellow Romans and non-Romans. Classicist J. C. McKeown has organized the entries in this entertaining volume around major theme
Art, Roman. --- Rome --- Civilization --- History
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The focus of this volume is on the aesthetics, semantics and function of materials in Roman antiquity between the 2nd century B.C. and the 2nd century A.D. It includes contributions on both architectural spaces (and their material design) and objects - types of 'artefacts' that differ greatly in the way they were used, perceived and loaded with cultural significance. With respect to architecture, the analysis of material aesthetics leads to a new understanding of the performance, imitation and transformation of surfaces, including the social meaning of such strategies. In the case of objects, surface treatments are equally important. However, object form (a specific design category), which can enter into tension with materiality, comes into particular focus. Only when materials are shaped do their various qualities emerge, and these qualities are, to a greater or lesser extent, transferred to objects. With a focus primarily on Roman Italy, the papers in this volume underscore the importance of material design and highlight the awareness of this matter in the ancient world.
Architecture, Roman. --- Art, Roman. --- Artists' materials --- History.
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"The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the questions of archaeological findspots and collecting history for newly found objects. When it comes to famous works that have been in major museums for many generations, such questions are rarely asked. Canonical pieces like Barberini Togatus or the Fonseca bust of a Flavian lady appear in virtually every textbook on Roman art. But we have no more certainty about these works' archaeological origins than we do about those that appear in auction catalogues today. This book argues that the question of archaeological origins should be the first asked, not only by museum acquisitions boards, but by scholars as well."--Bloomsbury Publishing The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains
Art, Roman --- Roman art --- Classical antiquities --- Attribution. --- History. --- Rome --- Antiquities.
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Art, Egyptian --- Art, Roman --- Art, Egyptian. --- Art, Roman. --- Roman art --- Classical antiquities --- Egyptian art --- Egyptian influences. --- Italy --- Rome (Empire) --- 709.3 --- Catalogs --- Egyptian influences --- Arts Ancient World --- Catalogs. --- Art égyptien --- Art romain --- Catalogues --- Influence égyptienne --- Art, Egyptian - Catalogs --- Art, Egyptian - Italy - Rome --- Art, Roman - Catalogs --- Art, Roman - Egyptian influences
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John J. Dobbins, Professor of Roman Art and Archaeology, taught at the University of Virginia in the Department of Art from 1978 until his retirement in 2019. His legacy of research and pedagogy is explored in 'A Quaint & Curious Volume: Essays in Honor of John J. Dobbins'. Professor Dobbins? research in the field of Roman art and archaeology spans the geographical and chronological limits of the Roman Empire, from Pompeii to Syria, and Etruria to Spain. This volume demonstrates some of his wide-reaching interests, expressed through the research of his former graduate students. Several essays examine the city of Pompeii and cover the topics of masonry analysis, re-examinations of streets and drains, and analyses of the heating capacity of baths in Pompeii. Beyond Pompeii, the archaeological remains of bakeries are employed to elucidate labor specialization in the Late Roman period across the Mediterranean basin. Collaborations between Professor Dobbins and his former students are also explored, including a pioneering online numismatic database and close examination of sculpture and mosaics, including expressions of identity and patronage through case studies of the Ara Pacis and mosaics at Antioch-on-the-Orontes. A Quaint & Curious Volume not only demonstrates John Dobbins? scholarly legacy, but also presents new readings of archaeological data and art, illustrating the impact that one professor can have on the wider field of Roman art and archaeology through the continuing work of his students.
Art, Roman. --- Roman art --- Classical antiquities --- Dobbins, John Joseph, --- Rome --- Antiquities. --- Antiquités.
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Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.
Mythology, Greek, in art. --- Art, Roman --- Roman art --- Classical antiquities --- Greek influences. --- Themes, motives. --- Rome --- Greece --- Civilization
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This book discusses medieval Rome, adorned as it was by 'Byzantine' art, monuments, and culture, as a city that defined both East and West.
Art, Roman --- Byzantine influences. --- Rome --- Civilization --- Roman art --- Classical antiquities --- Byzantine Empire --- Byzantine Art. --- Byzantium. --- Early Middle Ages. --- Mosaics. --- Rome.
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