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Issu d'un projet pluridisciplinaire mené par les membres de l'équipe CLARESS du laboratoire POLEN, ce volume rassemble les contributions d'historiens, de littéraires et d'historiens de l'art qui, par le biais d'une approche globale, saisissent l'anecdote à l'époque moderne, comme forme littéraire et pratique sociale. Cet ouvrage part du constat de la présence de l'anecdote dans une pluralité de genres et de domaines (l'écriture historique et celle des mémoires, les textes judiciaires, les écrits de polémique, les traités d'éducation, les sermons, les correspondances, les récits de voyages, la presse). Quatre axes organisent la réflexion. Les deux premiers concernent la place de l'anecdote dans la biographie. Loin d'être seulement un élément de divertissement, elle est une composante essentielle du récit et contribue à replacer l'individu dans une figure type. En outre elle apparaît, et c'est la troisième approche, comme constitutive de systèmes de valeurs. Cette problématique est traitée ici au travers des exemples de l'éthique et du politique. Se posant comme exemple incarné, l'anecdote vise à asseoir une morale. Dans le domaine politique, elle contribue à la construction d'une rhétorique spécifique qui permet d'aborder des idées plus générales. Cet aspect ouvre sur une problématique de la circulation, des sociabilités et des usages de l'anecdote entre des genres différents, entre des espaces géographiques, entre des versions successives d'un même texte. Elle suppose des connivences entre les adeptes. Ce faisant, elle apparaît, dans l'optique pluridisciplinaire choisie, non seulement comme une forme littéraire, mais aussi comme un observatoire des évolutions sociales, culturelles et intellectuelles de l'époque moderne.
Literary Theory & Criticism --- Literature, Romance --- anecdote --- biographie --- mémoires --- conte
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Issu d'un projet pluridisciplinaire mené par les membres de l'équipe CLARESS du laboratoire POLEN, ce volume rassemble les contributions d'historiens, de littéraires et d'historiens de l'art qui, par le biais d'une approche globale, saisissent l'anecdote à l'époque moderne, comme forme littéraire et pratique sociale. Cet ouvrage part du constat de la présence de l'anecdote dans une pluralité de genres et de domaines (l'écriture historique et celle des mémoires, les textes judiciaires, les écrits de polémique, les traités d'éducation, les sermons, les correspondances, les récits de voyages, la presse). Quatre axes organisent la réflexion. Les deux premiers concernent la place de l'anecdote dans la biographie. Loin d'être seulement un élément de divertissement, elle est une composante essentielle du récit et contribue à replacer l'individu dans une figure type. En outre elle apparaît, et c'est la troisième approche, comme constitutive de systèmes de valeurs. Cette problématique est traitée ici au travers des exemples de l'éthique et du politique. Se posant comme exemple incarné, l'anecdote vise à asseoir une morale. Dans le domaine politique, elle contribue à la construction d'une rhétorique spécifique qui permet d'aborder des idées plus générales. Cet aspect ouvre sur une problématique de la circulation, des sociabilités et des usages de l'anecdote entre des genres différents, entre des espaces géographiques, entre des versions successives d'un même texte. Elle suppose des connivences entre les adeptes. Ce faisant, elle apparaît, dans l'optique pluridisciplinaire choisie, non seulement comme une forme littéraire, mais aussi comme un observatoire des évolutions sociales, culturelles et intellectuelles de l'époque moderne.
Literary Theory & Criticism --- Literature, Romance --- anecdote --- biographie --- mémoires --- conte
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Sophisticated Giant presents the life and legacy of tenor saxophonist Dexter Gordon (1923-1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. Reading like a jazz composition, the blend of research, anecdote, and a selection of Dexter's personal letters reflects his colorful life and legendary times. It is clear why the celebrated trumpet genius Dizzy Gillespie said to Dexter, "Man, you ought to leave your karma to science." Dexter Gordon the icon is the Dexter beloved and celebrated on albums, on film, and in jazz lore--even in a street named for him in Copenhagen. But this image of the cool jazzman fails to come to terms with the multidimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. This essential book is an attempt to fill in the gaps created by our misperceptions as well as the gaps left by Dexter himself.
Saxophonists --- Jazz musicians --- Gordon, Dexter, --- anecdote. --- celebrated trumpet genius. --- colorful life. --- cool jazzman. --- copenhagen. --- creative outsider. --- dexter gordon. --- dizzy gillespie. --- father. --- humor and wisdom. --- husband. --- iconic. --- innovator of modern jazz. --- jazz composition. --- jazz lore. --- jazz music. --- legacy. --- legendary times. --- multidimensional man. --- personal letters. --- research. --- son. --- tenor saxophone. --- world citizen.
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Guy Sircello's analysis of the varieties of expression and his use of them to justify a particular view of the human mind clarify a number of controversial topics in contemporary philosophy, among them the notion of "artistic acts," language as expression, the expression of ideas, expressions as "natural signs," and the nature of the causal relationship between an expression and what is expressed.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Art --- Philosophy. --- Psychology. --- Philosophie --- Psychologie --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation --- Absurdity. --- Adjective. --- Aesthetics. --- Allegory. --- Analogy. --- Anecdote. --- Anger. --- Anthropomorphism. --- Art. --- BDSM. --- Book. --- Boredom. --- Category mistake. --- Causality. --- Circumlocution. --- Classicism. --- Cognate. --- Connotation. --- Consciousness. --- Constant conjunction. --- Copying. --- Criticism. --- Defamation. --- Disgust. --- Distrust. --- El Greco. --- Emotionalism. --- Equanimity. --- Explanation. --- Externalization. --- Falsity. --- Feeling. --- Fine art. --- Greatness. --- Hallucination. --- Hostility. --- Illocutionary act. --- Imagination. --- Indication (medicine). --- Inferiority complex. --- Informality. --- Inseparability. --- Irony. --- Jargon. --- Laziness. --- Literature. --- Lytton Strachey. --- Magnanimity. --- Metaphor. --- Modern philosophy. --- Modesty. --- Moral character. --- Music criticism. --- Narcissism. --- Non-fiction. --- Nonsense. --- Nonverbal communication. --- Obscurantism. --- Originality. --- Paradox. --- Personal identity. --- Phenomenon. --- Philosopher. --- Philosophy of language. --- Phrase (music). --- Pity. --- Poetry. --- Politeness. --- Praxiteles. --- Prose. --- Respect. --- Result. --- Romanticism. --- Sadness. --- Sanity. --- Sarcasm. --- Science. --- Scientist. --- Selfishness. --- Sentimentality. --- Sophistication. --- Spirituality. --- Suggestion. --- Sympathy. --- Symptom. --- The Concept of Mind. --- The Other Hand. --- The Philosopher. --- Theory of Forms. --- Theory of art. --- Theory of mind. --- Theory. --- Thought. --- Understanding. --- Uniqueness. --- Vagueness. --- Verb. --- Work of art. --- Writing.
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An original and beautifully written book on changing perspectives in the art of theater. Through a study of nine plays-Oedipus Rex, Bérénice, Tristan und Isolde, Hamlet, Ghosts, The Cherry Orchard, Six Characters in Search of an Author, Noah, Murder in the Cathedral-the author shows how all playwrights seek to "hold the mirror up to nature" and how in this respect the art of drama is always the same, varying only with the philosophical and aesthetic concepts of each age. The Idea of a Theater will delight both readers with a special interest in drama and those who read drama as a source of insight into man's nature and man's changing ideas of himself. Originally published in 1949.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Drama --- Criticism --- History and criticism. --- Acting. --- Anagoge. --- Anecdote. --- Aristotelianism. --- Awareness. --- Before the Revolution. --- Brothel. --- Caricature. --- City Of. --- Classicism. --- Cyclorama (theater). --- Dithyramb. --- Dolce Stil Novo. --- Drama. --- Dramatization. --- Dramaturgy. --- Drawing room. --- Episode. --- Escapism. --- Farce. --- Fine art. --- Fortinbras. --- Genre. --- Gilbert Murray. --- Gilbert and Sullivan. --- Good and evil. --- Hamlet's Father. --- Hamlet. --- Harold Clurman. --- Heartbreak House. --- High Spirits (musical). --- Hubris. --- Illustration. --- Imagery. --- Improvisation. --- In Society. --- In This World. --- In the Life. --- Infatuation. --- Irony. --- Jacques Copeau. --- Jean Cocteau. --- Jeux. --- Kilroy was here. --- Laertes (Hamlet). --- Life Itself. --- Literature. --- Louis Jouvet. --- Luigi Pirandello. --- Macduff (Macbeth). --- Major Barbara. --- Melodrama. --- Metaphysical poets. --- Mimesis. --- Modernity. --- Molière. --- Murder in the Cathedral. --- Narrative thread. --- Narrative. --- Of Human Action. --- Omnipotence. --- Oscar Wilde. --- Parody. --- Plautus. --- Play (theatre). --- Playwright. --- Poetic realism. --- Poetry. --- Polonius. --- Primitivism. --- Purgatorio. --- Realism (arts). --- Reductio ad absurdum. --- Restoration comedy. --- Revenge play. --- Rhetorical device. --- Rosencrantz and Guildenstern (play). --- Rosencrantz and Guildenstern. --- Scaramouche. --- Sensibility. --- Shakespearean tragedy. --- Six Characters in Search of an Author. --- Sophistication. --- Sophocles. --- Sound effect. --- Struggle (TV series). --- Suspension of disbelief. --- Terence. --- The Comic. --- The Infernal Machine (play). --- The Realist. --- The Spirit of the Age. --- The Various. --- The Very Idea. --- Theatre. --- Theatricality. --- Tragedy. --- Valet. --- Ventriloquism. --- William Shakespeare.
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Virtue, as used here, connotes integrity--that living force that issues from persons, societies, or texts in consequence of their accomplishing their distinctive ends. Professor Berthoff outlines the descent of the intuition of virtue from classical times into our own era and examines it as a formative presence in a series of major literary works.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Virtue in literature. --- Ethics in literature. --- Literature --- Didactic literature --- Literature and philosophy --- Philosophy and literature --- Philosophy. --- History and criticism --- Theory, etc. --- Theory --- Ad hominem. --- After Virtue. --- Allegory. --- Analogy. --- Anecdote. --- Antithesis. --- Apologue. --- Assonance. --- Bildungsroman. --- Chivalric romance. --- Consummation. --- Contingency (philosophy). --- Courtly love. --- Criticism. --- D. H. Lawrence. --- Dictionnaire philosophique. --- Eloquence. --- Epigram. --- Epigraph (literature). --- Fabliau. --- Fiction. --- Figure of speech. --- Fine art. --- Flattery. --- Form of life (philosophy). --- Fortinbras. --- French moralists. --- G. (novel). --- Grandiosity. --- Hedonism. --- Hermeticism. --- Heroic couplet. --- Heroic drama. --- Heroic verse. --- Historicism. --- Idealization. --- Indulgence. --- Intentionality. --- Internal rhyme. --- Irony. --- Irving Babbitt. --- Italo Svevo. --- Karl Kraus (writer). --- Libertine. --- Literary nonsense. --- Literature. --- Memoir. --- Modernism. --- Mutability (poem). --- Narcissism. --- Narrative. --- Negative capability. --- Novel. --- Novelist. --- Of Education. --- On Truth. --- Opportunism. --- Originality. --- Phrenology. --- Poetry. --- Polonius. --- Positivism. --- Pragmatism. --- Precaution (novel). --- Pride. --- Prose. --- Proverb. --- Quixotism. --- Robert Musil. --- Romanticism. --- Rosicrucianism. --- Satire. --- Scholasticism. --- Self-Reliance. --- Sensibility. --- Soliloquy. --- Solipsism. --- Stendhal. --- Superiority (short story). --- Symbolism (arts). --- Synecdoche. --- Søren Kierkegaard. --- The Book of Thel. --- The Charterhouse of Parma. --- The Counterfeiters (novel). --- The Man Without Qualities. --- The Philosopher. --- The Sacred Fount. --- Theodore Dreiser. --- Theory of Forms. --- Truism. --- Ulrich. --- V. --- Verbosity. --- Vocation (poem). --- W. B. Yeats. --- What Is Literature?. --- William Shakespeare. --- Writing.
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Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Narration (Rhetoric) --- Chinese fiction --- Chinese literature --- Congresses. --- History and criticism --- #SML: Joseph Spae --- #SML: Nan Huaiyi --- S16/0160 --- S16/0400 --- S16/0440 --- History and criticism&delete& --- Congresses --- China: Literature and theatrical art--General works on traditional literature --- China: Literature and theatrical art--Traditional novels: studies --- China: Literature and theatrical art--Traditional tales and short stories (incl. Zhanguoce; Liaozhai) essays, letters, prose: studies --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Adage. --- Aesthetic Theory. --- Allegory. --- Anatomy of Criticism. --- Anecdote. --- Antithesis. --- Aphorism. --- Apologue. --- Archetype. --- Arthur Waley. --- Biography. --- Book. --- Calligraphy. --- Cao Xueqin. --- Chih. --- Chinese literature. --- Classical language. --- Confucianism. --- Confucius. --- Creative writing. --- Criticism. --- Diary of a Madman (short story). --- Disenchantment. --- Doctrine of the Mean. --- Dream of the Red Chamber. --- Dream vision. --- E. M. Forster. --- Epic poetry. --- Erudition. --- Ezra Pound. --- Fabliau. --- Fang La. --- Fiction. --- Filial piety. --- First appearance. --- Franz Kuhn. --- Genre fiction. --- Genre. --- Good and evil. --- Guan Yu. --- Henri Bergson. --- Historical fiction. --- Historiography. --- Hu Shih. --- I Ching. --- Ian Watt. --- Ibid (short story). --- Irony. --- Jin Ping Mei. --- Journey to the West. --- Juvenal. --- King of Wu. --- Laurence Sterne. --- Lin Yutang. --- Literary fiction. --- Literary theory. --- Literature. --- Liu Bei. --- M. H. Abrams. --- Magic square. --- Memoir. --- Mircea Eliade. --- Narration. --- Narrative history. --- Narrative thread. --- Narrative. --- Non-fiction. --- Novel. --- Novelist. --- Obscurantism. --- Philosophical language. --- Picaresque novel. --- Plato. --- Poetry. --- Political satire. --- Predestination. --- Pseudohistory. --- Quintilian. --- Regulated verse. --- Religion. --- Richard Gregg (social philosopher). --- Robert Scholes. --- Romanticism. --- Satire. --- Scholasticism. --- Shakespearean comedy. --- Six Dynasties. --- Superiority (short story). --- Taoism. --- The Four Books. --- The Other Hand. --- Traditional story. --- Warfare. --- Water Margin. --- Wickedness. --- Writing. --- Xuanzang. --- Yin and yang. --- Zhu Bajie. --- Zhuge Liang.
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Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic tradition-among them, Kleist, Goethe, Melville, Yeats, and Faulkner-and suggests that the tradition of tragedy does continue in genres other than drama, that is, in the novel and even in lyric poetry.The notion of tragedy's migration from one genre to others indicates, however, rather sweeping modifications in the theory of tragedy. Achilles' Choice proposes a structural model for tragic criticism that synthesizes the almost scientific theories predominant since World War II with the irrationalist theories they replaced.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Drama --- Tragedy --- Tragedy. --- Criticism --- History and criticism. --- Absalom. --- Act of Violence. --- Aeschylus. --- Afterword. --- Ahab. --- Analogy. --- Anecdote. --- Anthropomorphism. --- Antinomy. --- Antithesis. --- Apollonian and Dionysian. --- Arthur Schopenhauer. --- Boredom. --- Brute fact. --- Clytemnestra. --- Counterculture. --- Criticism. --- D. H. Lawrence. --- Deal with the Devil. --- Dialectic. --- Dialectician. --- Dichotomy. --- Die Welt. --- Dionysian Mysteries. --- Dithyramb. --- Dudley Fitts. --- Electra complex. --- Emblem. --- Epic poetry. --- Equivalents. --- F. L. Lucas. --- Fairy. --- Falsity. --- Faust. --- Fiction. --- Francis Fergusson. --- Genre. --- George Steiner. --- Good and evil. --- Greek chorus. --- Greek mythology. --- Greek tragedy. --- Hamartia. --- Hedonism. --- Humour. --- Hymn to Proserpine. --- Hypocrisy. --- Ideology. --- Individuation. --- Irony. --- Irresistible force paradox. --- Jacques Derrida. --- Literature. --- Long Day's Journey into Night. --- Lurch (The Addams Family). --- Lyric poetry. --- Michael Robartes and the Dancer. --- Moby-Dick. --- Monomania. --- Mourning Becomes Electra. --- Name-dropping. --- Nihilism. --- Novella. --- On the Eve. --- On the Mountain. --- Only Words (book). --- Oreste. --- Outrageous Fortune (TV series). --- Paradox. --- Parody. --- Pessimism. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Playwright. --- Poetry. --- Prose. --- Pylades. --- Rainer Maria Rilke. --- Romanticism. --- Rosencrantz and Guildenstern. --- Slavery. --- Soliloquy. --- Sophistication. --- Stanza. --- Symptom. --- The Birth of Tragedy. --- The Case of Wagner. --- The Countess Cathleen. --- The Giver. --- The Other Hand. --- Theodore Dreiser. --- Tragic hero. --- Uncle Vanya. --- W. B. Yeats. --- Walter Kaufmann (philosopher). --- William Shakespeare. --- Writing.
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"Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--
ART / History / General. --- HISTORY / Modern / 20th Century. --- PHOTOGRAPHY / History. --- ART / American / General. --- Nineteen forties. --- Collective memory. --- Art and history. --- World War, 1939-1945 --- Historiography and photography. --- 1940s --- 40s (Twentieth century decade) --- Forties (Twentieth century decade) --- Twentieth century --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and art --- History --- History in art --- World War, 1939-1945, in motion pictures --- Photography and historiography --- Photography --- Motion pictures and the war. --- Photography. --- Art and history --- Collective memory --- Historiography and photography --- Nineteen forties --- 77.01 --- 791.43.01 --- Amerikaanse film ; 1936-1948 ; Wereldoorlog II --- Fotografie ; theorie ; beschouwing --- Kunsttheorie ; collectief geheugen --- Thema's in de film ; de oorlog --- Motion pictures and the war --- Fotografie ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Aircraft. --- Alfred Eisenstaedt. --- Andrew Marvell. --- Anecdote. --- Ann Carter. --- Anne Frank. --- Archibald MacLeish. --- Arsenic and Old Lace (play). --- Bertolt Brecht. --- Boeing B-17 Flying Fortress. --- Bomb bay. --- Bomb. --- Bosley Crowther. --- Cary Grant. --- Combat Mission. --- Command Decision (play). --- Confetti. --- Consolidated B-24 Liberator. --- Darryl F. Zanuck. --- Dick Powell. --- Donna Reed. --- Down on His Luck. --- Dr. Strangelove. --- Eddie Muller. --- Eloquence. --- Enola Gay. --- Erskine Caldwell. --- Fan magazine. --- Footage. --- G. (novel). --- Geoffrey de Havilland. --- Getty Images. --- Government Girl. --- Graflex. --- Gregory Peck. --- Henry Fonda. --- Hold Back the Dawn. --- Howard Hawks. --- Howard Hughes. --- I Wanted Wings. --- In the Woods. --- Instant. --- Intercom. --- Jack Warner (actor). --- James Agee. --- Jennifer Jones. --- Joan Fontaine. --- John Hersey. --- John Steinbeck. --- John Swope (photographer). --- Joseph Cornell. --- Lady, Be Good (musical). --- Lightness. --- Linhof. --- Los Angeles Times. --- Margaret Bourke-White. --- Margaret Herrick Library. --- Marx Brothers. --- Max Reinhardt. --- Meal. --- Memphis Belle (aircraft). --- Michelangelo Antonioni. --- Mickey Rooney. --- Mr. --- Nickname. --- North Africa. --- Olivia de Havilland. --- Patchwork. --- Paulette Goddard. --- Phonograph. --- Potion. --- Princess O'Rourke. --- Princeton University Press. --- Priscilla Lane. --- Report from the Aleutians. --- Roland Barthes. --- Rosie the Riveter. --- Seminar. --- Stanley Kubrick. --- Stardom. --- Swoon (artist). --- Sy Bartlett. --- Tamara Toumanova. --- The Adventures of Robin Hood (TV series). --- The Circus Animals' Desertion. --- The Curse of the Cat People. --- The Dark Corner. --- The New York Times. --- To His Coy Mistress. --- Toby Jug. --- Tom Conway. --- Toner. --- Top Gun. --- Twelve O'Clock High. --- Veronica Lake. --- William Wyler. --- Wing and a Prayer. --- Wings of the Navy. --- Writing.
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