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L'Art et l'Hybride
Authors: --- --- --- --- --- et al.
ISSN: 12484679 ISBN: 2842921003 2842929101 9782842921002 Year: 2018 Publisher: Saint-Denis : Presses universitaires de Vincennes,

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L'idée esthétique résiste-t-elle à l'existence de formes hétérogènes ? L'attrait de l'hybride, dont témoignent des performances plastiques et théâtrales ou simplement des œuvres de littérature hantées par la peinture et la musique, nous contraint-il à résilier une pensée unitaire du principe d'art ? C'est autour des rapports entre art et pratiques d'œuvres, entre système esthétique et transactions artistiques que tournent les textes rassemblés ici, et les débats auxquels ils ont donné lieu. Hybride et cependant concerté, à l'image même d'un objet non unifiable, ce livre interroge les désaccords qui se sont noués, historiquement et philosophiquement, entre l'art et son concept.

The uses of images : studies in the social function of art visual communication
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ISBN: 0714839698 Year: 2000 Publisher: Oxford : Phaidon Press,

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The lamp of beauty : writing on art.
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ISBN: 0714833584 Year: 1995 Volume: *2 Publisher: London Phaidon

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Art and complexity
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ISBN: 0444509445 9780444509444 9780080527581 0080527582 1281057304 9786611057305 1493302256 Year: 2003 Publisher: Amsterdam ; Boston : Elsevier,

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This title is the result of a one-week workshop sponsored by the Swedish research agency, FRN, on the interface between complexity and art. Among others, it includes discussions on whether ""good"" art is ""complex"" art, how artists see the term ""complex"", and what poets try to convey in word about complex behavior in nature.


Book
Creativiteit : mythen en mechanismen.
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ISBN: 9026962428 Year: 1991 Publisher: Houten De Haan

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Goed bekeken : een weg door kunst en museum
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ISBN: 9021300680 Year: 1985 Publisher: De Bilt Cantecleer

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O.a.: Zienswijze en werkwijze van de kunstenaar - Wat is de rol van het museum - Historisch overzicht van kunstuitingen - Bespreking van een twintigtal kunstwerken uit Nederlandse musea - De veranderende visie op wat kunst is.

Meditations on a hobby horse and other essays on the theory of art
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ISBN: 0714832456 Year: 1985 Publisher: London Phaidon Press

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Book
Faceless : re-inventing privacy through subversive media strategies
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ISBN: 9783110527704 3110527707 3110525135 9783110525137 Year: 2018 Publisher: Boston, MA : De Gruyter,

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Die Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare Öffentlichkeit ausliefern, gar das Gesicht verlieren. Das Buch dokumentiert künstlerische und andere Strategien, die Möglichkeiten aufzeigen, im unendlichen Buch der Gesichter zu erscheinen und sich dabei doch jeglicher Erfassung zu entziehen. Der Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu werden, bleibt dabei nicht bloß ein ästhetisches Unterfangen. Die Beiträge formulieren auch kämpferische wie ironische Ansagen gegen eine digitale Dynamik, die unseren Alltag längst erreicht hat. The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or - even less so - to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives.


Book
Varieties of presence
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ISBN: 0674063015 0674068513 9780674068513 9780674063013 9780674062146 0674062140 Year: 2012 Publisher: Cambridge, Mass.

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The world shows up for us-it is present in our thought and perception. But, as Alva Noë contends in his latest exploration of the problem of consciousness, it doesn't show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning-no presence to be experienced-apart from our able engagement with it. We must show up, too, and bring along what knowledge and skills we've cultivated. This means that education, skills acquisition, and technology can expand the world's availability to us and transform our consciousness. Although deeply philosophical, Varieties of Presence is nurtured by collaboration with scientists and artists. Cognitive science, dance, and performance art as well as Kant and Wittgenstein inform this literary and personal work of scholarship intended no less for artists and art theorists, psychologists, cognitive scientists, and anthropologists than for philosophers. Noë rejects the traditional representational theory of mind and its companion internalism, dismissing outright the notion that conceptual knowledge is radically distinct from other forms of practical ability or know-how. For him, perceptual presence and thought presence are species of the same genus. Both are varieties of exploration through which we achieve contact with the world. Forceful reflections on the nature of understanding, as well as substantial examination of the perceptual experience of pictures and what they depict or model are included in this far-ranging discussion.


Book
The engagement aesthetic
Author:
ISBN: 9781623560409 9781623561345 9781623569280 9781623569617 1623569613 1623569281 1623561345 1623560403 1628928360 Year: 2013 Publisher: London, UK New York, NY

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"Long after painting, sculpture, photography, and film developed along with their materials - canvas and panel, marble and bronze, and celluloid film - a new generation of art has emerged in which digital, electronic, architectural, and performative materials have offered new forms for creative expression and experience. In much of this new art, the medium - no longer composed of passive materials - now embraces and challenges viewers to work as co-creators of aesthetic experience. Starting from the impossibility of understanding this new and complex art solely within the framework of contemporary art history and criticism, The Engagement Aesthetic offers new modes of critique for new media works of art, literature, and performance that operate in complex ways. Blending a range of methodologies from phenomenology, art history, linguistics, and statistical analysis, Ricardo explores how a new kinship between individual participation, electronic media, virtual and actual space, and mediated language results in a new aesthetic of mutual engagement."--Bloomsbury Publishing.

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