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This is an in-depth, original survey of religion in the modern Arabic novel. Tracing the relationship from the genesis of the form in the early twentieth century to present, Phillips provides a thematic exploration of the push and pull between religion and secularism as it played out on the pages of the Egyptian novel.
Arabic fiction --- Religion in literature. --- Themes, motives. --- Egypt.
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Examining how playwrights from Shakespeare to Marlowe represented religious dissimulation on stage, Kilian Schindler argues that debates about the legitimacy of dissembling one's faith were closely bound up with early modern conceptions of theatricality.
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Focusing particularly on literary texts, but including biographical and intellectual background, this study examines numinous feeling as it is recorded by a number of seventeenth and eighteenth-century writers: Browne, Drydcn, Pascal; Pope and Swift; Hume and Johnson; eight other poets, including Watts, Smart, Cowper, and Blake; and four novelists, including Richardson, Radcliffe, and Monk" Lewis. Professor Stock demonstrates that the Enlightenment was far more complicated than can be grasped by an exclusive focus on its rationalism and skepticism.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Religion in literature. --- English literature --- Religion in drama --- Religion in poetry --- History and criticism.
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Der vorliegende Band ist das Ergebnis eines Projektes, dessen Ziel es war zu überprüfen, wie die christliche Botschaft in der deutschsprachigen Literatur seit dem Zweiten Weltkrieg vermittelt wird. Ausgangspunkt war die offenkundige Tatsache, dass sich Literatur und Religion nahe stehen und daher wechselseitig beeinflussen. Bei der Untersuchung dieser Wechselbeziehung werden unterschiedliche Zugänge zum Christentum sichtbar, wie in den Beiträ-gen dieses Sammelbandes, die sich mit Werken der unmittelbaren Nachkriegszeit bis zu denen der jüngsten Gegenwartsliteratur auseinander setzen, deutlich
German literature --- Religion in literature. --- Religion in drama --- Religion in poetry --- History and criticism.
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This collection of research explores the interaction of religious awareness and literary expression in English poetry in the late nineteenth and twentieth centuries. Many different types of poetics may be seen to be at work in the period 1875 to 2005, along with various kinds of religious awareness and poetic expression. Religious experience has a crucial influence on literary language, and the latter is renewed by religious culture. The religious dimension has been a decisive factor of modern English poetic expression of the last hundred years or so. The religious and mystical dimension of poetry of the period is borne out by the focus on, among other things, grace and purgation, the tension between time and eternity, redemption and the demands of eschatology, immanence and transcendence, and conversion and martyrdom. Chapters also explore how church practice and ritual, architecture and liturgy, play into the poetry of the period. This volume offers a comprehensive discussion of this important but often overlooked aspect of modern English poetry.
English poetry --- Religion in literature. --- Religion in drama --- Religion in poetry --- History and criticism.
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"The Gospel According to David Foster Wallace is the first book to explore key religious themes -- from boredom to addiction, and distraction -- in the work of one of America's most celebrated contemporary novelists. In a series of short, topic-focussed chapters, the book joins a selection of key scenes from Wallace's novels Infinite Jest and The Pale King with clear explanations of how they contribute to his overall account of what it means to be a human being in the 21st century. Adam Miller explores how Wallace's work masterfully investigates the nature of first-world boredom and shows, in the process, how easy it is to get addicted to distraction (chemical, electronic, or otherwise). Implicitly critiquing, excising, and repurposing elements of AA's Twelve Step program, Wallace suggests that the practice of prayer (regardless of belief in God), the patient application of attention to things that seem ordinary and boring, and the internalization of cliché may be the antidote to much of what ails us in the 21st century."--Bloomsbury Publishing.
Wallace, David Foster --- Criticism and interpretation. --- Religion in literature. --- Religion in drama --- Religion in poetry
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"Excursions with Thoreau is a major new exploration of Thoreau's writing and thought that is philosophical yet sensitive to the literary and religious. Edward F. Mooney's excursions through passages from Walden, Cape Cod, and his late essay "Walking" reveal Thoreau as a miraculous writer, artist, and religious adept. Of course Thoreau remains the familiar political activist and environmental philosopher, but in these fifteen excursions we discover new terrain. Among the notable themes that emerge are Thoreau's grappling with underlying affliction; his pursuit of wonder as ameliorating affliction; his use of the enigmatic image of "a child of the mist"; his exalting "sympathy with intelligence" over plain knowledge; and his preferring "befitting reverie"-not argument-as the way to be carried to better, cleaner perceptions of reality. Mooney's aim is bring alive Thoreau's moments of reverie and insight, and to frame his philosophy as poetic and episodic rather than discursive and systematic."--Bloomsbury Publishing. "A literary and philosophical exploration of Thoreau as a prose-poet and religious adept who carries us into fresh and unexpected communion with landscape, seascape, open sky, and what he calls "the unfathomable."--Bloomsbury Publishing.
Insight. --- Nature in literature. --- Poetry --- Religion in literature. --- Suffering in literature. --- Influence. --- Thoreau, Henry David, --- Philosophy.
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Illuminating the religious and existential themes in Stephen King’s horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.
Religion in literature. --- Theology in literature. --- King, Stephen, --- Criticism and interpretation.
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Modernist thinkers once presumed a progressive secularity, with the novel replacing religious texts as society's moral epics. Yet religion-beginning with the Iranian revolution of 1979, through the collapse of communism, and culminating in the singular rupture of September 11, 2001- has not retreated quietly out of sight.In Fiction Beyond Secularism,Justin Neuman argues that contemporary novelists who are most commonly identified as antireligious-among them Orhan Pamuk, Salman Rushdie, Ian McEwan, Margaret Atwood, Nadine Gordimer, Haruki Murakami, and J. M. Coetzee-have defied assumptions and have instead written some of the most trenchant critiques of secular ideologies, as well as the most exciting and rigorous inquiries into the legacies of the religious imagination. As a result, many readers (or nonreaders) on either side of the religious divide neglect the insights of works likeThe Satanic Verses, Disgrace,and Snow. Fiction Beyond Secularismserves as a timely corrective.--
Postsecularism. --- Religion in literature. --- Secularism in literature. --- English fiction --- History and criticism.
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As only a seasoned scholar can, Gunn here presents the history of American religion and literature in broad strokes necessary to reveal the seismic philosophical shifts that helped form the American canon.
Religion in literature. --- Enlightenment --- Religion and literature --- American literature --- Influence. --- History and criticism.
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