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Modernism (Literature)

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Modernism (Literature) --- Philology --- Italy.

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Scholarly edition of the correspondence between Hermann Bahr and Arthur Schnitzler, including further documents.

Modernism (Literature) --- Crepuscolarismo --- Literary movements

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"This book is the first in-depth exploration of the relationship between Latin American and European modernisms during the long twentieth century. Drawing on comparative, historical, and postcolonial reading strategies (including archival research), it seeks to reenergize the study of modernism by putting the spotlight on the cultural networks and aesthetic dialogues that developed between European and non-European writers, including Pablo Neruda, James Joyce, Leonard Woolf, Virginia Woolf, Jorge Luis Borges, Victoria Ocampo, Roberto Bolaño, Julio Cortazar, Samuel Beckett, Octavio Paz, Carlos Fuentes, and Malcolm Lowry. The book explores a wide range of texts that reflect these writers' complex concerns with questions of exile, space, empire, colonization, reception, translation, human subjectivity, and modernist experimentation. By rethinking modernism comparatively and by placing this intricate web of cultural interconnections within an expansive transnational (and transcontinental) framework, this unique study opens up new perspectives that delineate the construction of a polycentric geography of modernism. It will be of interest to those studying global modernisms, as well as Latin American literature, transatlantic studies, comparative literature, world literature, translation studies, and the global south. "--Provided by publisher.

Modernism (Literature) --- Postcolonialism in literature.

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Brings ideas and animals together to shed new light on modernist magazine cultureTests the concept of ‘primordial’ modernism as a tributary of primitivism, Jungian thought, and fraught nationalismsProvides readings of Eugene Jolas’s creative and critical works that place him centre-stage in modernist studiesMoves between unpublished archival material, reception studies, and readings of overlooked authorsConsiders a wide range of modernist authors and artists as befitting to such a rich documentTouches on contemporary scientific discourse as an aspect of animal studiesThis adventurous study focuses on experimental animal writing in the major interwar journal transition (1927–1938), which contains a striking recurrence of metaphors around the most basic forms of life. Amoebas, fish, lizards, birds – some of the ‘lowest’ and ‘oldest’ creatures on earth often emerge at the very places authors seek expressions for the ‘newest’ and the ‘highest’ in art. Discussing works by James Joyce, Henry Miller, Gottfried Benn, Eugene Jolas, Kay Boyle, Bryher, Paul Éluard and more, Cathryn Setz investigates this paradox and provides a new understanding of transition’s contribution to twentieth-century periodical culture.

Modernism (Literature) --- History and criticism.