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Winner of the 2012 Best Critical Book Award presented by Wordcraft Circle of Native Writers and Storytellers AssociationThis collection explores the broad range of works by Mohawk writer Maurice Kenny (1929–), a pivotal figure in American Indian literature from the 1950s to the present. Born in Cape Vincent, New York and the author of dozens of books of poetry, fiction, and essays, Kenny portrays the unique experience of Native New York and tells its history with poetic figures who live and breathe in the present. Perhaps his best known work is Tekonwatonti/Molly Brant: Poems of War.Kenny's works have received various accolades and awards. He was recognized by the Wordcraft Circle of Native Writers and Storytellers with the Elder Achievement Award, and two of his collections of poems, Blackrobe and Between Two Rivers, were nominated for the Pulitzer Prize. Kenny has also been honored with the American Book Award for The Mama Poems. His works have been recognized by National Public Radio, and have drawn the attention of famous figures such as Allen Ginsberg, Jerome Rothenberg, and Carolyn Forché.Maurice Kenny: Celebrations of a Mohawk Writer serves as a comprehensive introduction to Kenny's body of work for readers who may be unfamiliar with his writing. Written by prominent scholars in American Indian literature, the book is divided into two parts: the first is devoted to musings on Kenny's influence, and the second to traditional critical essays using historical, nationalist, Two Spirit, creative, memoir, and tribal-theoretical approaches.
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"A revised and expanded, comprehensive guide to the novels of Native American author Louise Erdrich from Love Medicine to The Painted Drum. Includes chronologies, genealogical charts, complete dictionary of characters, map and geographical details about settings, and a glossary of all the Ojibwe words and phrases used in the novels"--Provided by publisher.
Indians in literature --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Erdrich, Louise --- Erdrich, Karen Louise --- Characters --- Stories, plots, etc.
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This book raises the provocative issue of how Native languages and knowledges were historically excluded from the study of Native American literature and how their encoding in early Native American texts destabilized colonial processes. Cogently argued and well-researched, Tribal Theory in Native American Literature sets an agenda for indigenous literary criticism and invites scholars to confront the worlds behind the literatures that they analyze.
Indians in literature. --- Indian philosophy --- Knowledge, Theory of, in literature. --- American literature --- English literature --- Agrarians (Group of writers) --- Indians of North America --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Indian authors --- History and criticism --- Theory, etc. --- Philosophy
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Vizenor reveals in Native Liberty the political, poetic, visionary, and ironic insights of personal identity and narratives of cultural sovereignty. He examines singular acts of resistance, natural reason, literary practices, and other strategies of survivance that evade and subvert the terminal notions of tragedy and victimry.
Indians of North America --- Indians in literature. --- American literature --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Intellectual life. --- Ethnic identity. --- Indian authors --- History and criticism. --- Race identity
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Indians in literature. --- Indians of North America --- American literature --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- English literature --- Agrarians (Group of writers) --- Intellectual life. --- Indian authors --- History and criticism --- Theory, etc. --- Stegner, Wallace, --- Stegner, Wallace Earle, --- Criticism and interpretation. --- Stegner, Wallace
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Crime in literature. --- Indians in literature. --- American fiction --- Detective and mystery stories, American --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Indian authors --- History and criticism. --- Crime in literature --- Indians in literature --- American literature --- Indian authors&delete& --- History and criticism
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Indians in literature. --- Ghosts in literature. --- Ghosts --- Indians of North America --- Indian mythology --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Phantoms --- Specters --- Spectres --- Apparitions --- Religion. --- Religion and mythology --- Mythology
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Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Dine sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw upon long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.
Indians of North America --- Indian philosophy --- Vision in literature. --- Oral tradition in literature. --- Indians in literature. --- American literature --- Indians --- Philosophy, Indian --- Philosophy --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Intellectual life. --- Indian authors --- History and criticism.
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Intimate and illuminating conversations with one of America's foremost Native artists
Indians of North America --- Indians in literature. --- Indian authors --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Authors, Indian --- Authors --- Ethnic identity. --- Race identity --- Harjo, Joy
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Indians in literature. --- American literature --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Indian authors --- History and criticism. --- Southern States --- In literature. --- History and criticism --- Southern States in literature
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