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A disciple of Classical sculpture in a time of pervasive abstract modernism, Lawrence M. Ludtke (1929-2007) of Houston imbued his creations with a sense of movement and realism through his attention to detail, anatomy, and proportion. As a skilled athlete who played professional baseball for the Brooklyn Dodgers organization, Ludtke brought to his art a fascination with musculature and motion that empowered him to capture the living essence of his subjects. As author Amy L. Bacon shows in this sensitive biography, Ludtke's gentle humanity and sensitivity shines throu
Bronze sculpture, American --- Sculptors --- Ludtke, Lawrence M.,
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Finding Lost Wax: The Disappearance and Recovery of an Ancient Casting Technique and the Experiments of Medardo Rosso , an edited volume by Sharon Hecker, is the first scholarly account of how lost wax casting was forgotten and rediscovered around the world thanks to transmission of know-how by Italian founders in the late nineteenth century. Against this backdrop, Medardo Rosso, an Italian sculptor living in Paris, overturned rules of the technique through creative approaches to serial reproduction. His unusual casts prefigured experiments in casting in the modern era. The volume includes art-historical essays by distinguished scholars on the revival of lost wax casting in different countries and a case study of Rosso's Bambino ebreo series, including scientific analysis and conservation studies.
Bronze sculpture --- Precision casting. --- Precision casting --- Technique. --- Rosso, Medardo, --- Criticism and interpretation.
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The 1990s have seen a growing interest in the role of local ecological knowledge in the context of sustainable development, and particularly in providing a set of responses to which populations may resort in times of political, economic and environmental instability. The period 1996-2003 in island southeast Asia represents a critical test case for understanding how this might work. The key issues explored in this book are the creation, erosion and transmission of ecological knowledge, and hybridization between traditional and scientifically-based knowledge, amongst populations facing enviro
Bronze sculpture --- Buddhist sculpture --- Ceremonial objects --- Cultural property --- Ethnological museums and collections --- Museum exhibits --- History. --- Repatriation
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This study exploits the clues offered by bronze royal statuary to carefully analyze this large subgroup by identifying 125 datable examples out of nearly 300. It also establishes a more precise understanding of the role of small royal bronze statuary through a focus on the popular kneeling pose.
Beeldhouwkunst [Egyptische ] --- Kings and rulers in art --- Koningen en heersers in de kunst --- Lichaamshouding in de kunst --- Position du corps dans l'art --- Posture in art --- Rois et souverains dans l'art --- Sculpture [Egyptian ] --- Sculpture égyptienne --- Bronze sculpture, Ancient --- Kings and rulers in art. --- Sculpture en bronze antique --- Bronze sculpture [Ancient ] --- Egypt --- Small sculpture, Egyptian --- Egyptian small sculpture --- Kings in art --- Ancient bronze sculpture --- Small sculpture, Egyptian. --- Posture in art.
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In his pioneering study, 'Men in Metal', Sven Saaler examines Japanese public statuary as a central site of historical memory from its beginnings in the Meiji period through the twenty-first century. Saaler shows how the elites of the modern Japanese nation-state went about constructing an iconography of national heroes to serve their agenda of instilling national (and nationalist) thinking into the masses. 0Based on a wide range of hitherto untapped primary sources, Saaler combines data-driven quantitative analysis and in-depth case studies to identify the categories and historical figures that dominated public space. Men in Metal also explores the agents behind this visualized form of the politics of memory and introduces historiographical controversies surrounding statue-building in modern Japan.
J3000 --- J6400 --- Japan: History -- historiography, theory, methodology and philosophy --- Japan: Art and antiquities -- sculpture --- Bronze sculpture, Japanese --- Portrait sculpture, Japanese --- Public sculpture --- Bronze sculpture --- Japan --- Civilization --- Bronze sculpture, Japanese. --- Japanese bronze sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān
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This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers' and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the 'Mongolian race' and, later, as examples of Oriental art. The statues escaped the bom
Buddhist sculpture --- Bronze sculpture --- Ceremonial objects --- Ethnological museums and collections --- Museum exhibits --- Cultural property --- History. --- Repatriation --- Putuo Shan Island (China) --- Antiquities.
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Bronze sculpture, American --- Basque Americans --- Sculpture --- Visual Arts --- Art, Architecture & Applied Arts --- Basques --- Ethnology --- American bronze sculpture --- Social life and customs --- Basterretxea Arzadun, Néstor, --- Criticism and interpretation. --- Basterretxea, Néstor, --- Arzadun, Néstor Basterretxea, --- Basterrechea, Néstor, --- Basterrechea Arzadun, Néstor, --- Basque Americans.
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"Due to their proximity, the interactions between Greece and the Near East were regular throughout antiquity, but the period of the 8th/7th centuries BCE is generally called the "Orientalizing Age" (from the Greek perspective) because of the marked influence that the Near East had on Greek thought, myth, and art during this time. Many of the mythological monsters we today think of as Greek had their origins to the east, including the griffin, a hybrid creature usually composed of the body, tail, and rear legs of a lion and the head, wings, and sometimes talons of an eagle. During this period, griffins were frequently included as protomes on Greek cauldrons, that is, an adornment featuring the head of a creature along the rim of the huge vessel. These griffin cauldrons have been discovered over much of the Mediterranean region, from Cyprus to Burgundy and the Loire valley of France, especially in sanctuaries of all sizes and elite tombs. Papalexandrou explores the 7th century as a time of wonder and radical innovation in the material and visual cultures of the Mediterranean with the griffin cauldrons as his case study, examining the possible reasons for their popularity, how and by whom they were used, their religious significance, and how they traveled across the region"--
Kettles --- Griffins in art. --- Pots --- Bronze bowls --- Art, Ancient --- Material culture --- Oriental influences. --- Mediterranean Region --- Antiquities. --- Greek Art, illusionism, preclassical antiquity, clasical antiquity, bronze sculpture, ancient mediterranean, hellenic, griffin, art history. --- Metal-work
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This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Bronzes, Medieval --- Bronzes, European --- Bronze sculpture, European --- Monuments --- Metal-work --- Bronze --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Copper alloys --- Tin alloys --- Metalwork --- Decoration and ornament --- Manufacturing processes --- Metals --- Historical monuments --- Architecture --- Sculpture --- Historic sites --- Memorials --- Public sculpture --- Statues --- European bronze sculpture --- European bronzes --- History --- Metallurgy --- Social aspects --- Coloring --- Art, Medieval --- History. --- Europe --- Social life and customs. --- Medieval art
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