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Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt.

Inscriptions. --- Lyric poetry --- European poetry --- Epigraphs (Inscriptions) --- Epigraphy --- Inscription --- Paleography --- Epigraphists --- History and criticism.

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Stowe, Harriet Beecher, --- Bicher-Stou, Khenriet, --- Stowe, H. B. --- Stou, Khenriet Bicher-, --- Stowe, Enriqueta B., --- Stowe, Harriet Elizabeth Beecher, --- Beecher, Harriet Elizabeth, --- Bicher-Stou, G. --- Bicher-Stou, Garriet, --- Stou, Garriet Bicher-, --- Bicher-Stou, Ḣarrii̐et, --- Bicher-Stou, Ḣ. --- Stou, Ḣarrii̐et Bicher-, --- Beecher-Stowe, Harriet, --- Ssu-tʻu-huo, --- Beecher-Stowe, H. --- Stowe, H. Beecher-, --- Bētser-Stoou, --- Crowfield, Christopher, --- Beecher, H. --- Sṭav, Hēriyaṭ Pīccar, --- Sṭo, Haryeṭ Bits'er, --- Bits'er Sṭo, Haryeṭ, --- ביטשער סאאו --- ביטשער־סטאו --- סטאו, הערריעט ביטשער --- סטאו, הערריעט ביטשער, --- סטו, ביצ׳ר, --- ハリエットビーチャーストウ, --- Beecher Stowe, Harriet --- Beecher Stowe, Henriette --- Beecher Stowe, H. --- Stowe, Harriet Beecher --- Stowe, Harriet Elizabeth --- Bicher-Stou, Khenriet --- Stou, Khenriet Bicher --- -Stowe, Enriqueta B. --- Stowe, Harriet Elizabeth Beecher --- Beecher, Harriet Elizabeth --- Bicher-Stou, Garriet --- Stou, Garriet Bicher --- -Bicher-Stou, Ḣarrii̐et --- Stou, Ḣarrii̐et Bicher --- -Beecher-Stowe, Harriet --- Ssu-tʻu-huo --- Stowe, H. Beecher --- -Bētser-Stoou --- Crowfield, Christopher --- Sṭav, Hēriyaṭ Pīccar --- Sṭo, Haryeṭ Bits'er --- Bits'er Sṭo, Haryeṭ --- Translations into Russian --- History and criticism. --- Influence. --- Appreciation --- Soviet Union --- Russia --- Intellectual life. --- Intellectual life --- American literature

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Largely forgotten during the last 20 years of his life, the Soviet filmmaker Dziga Vertov (1896-1954) has occupied a singular and often controversial position over the past sixty years as a founding figure of documentary, avant-garde, and political-propaganda film practice. Creator of "Man with a Movie Camera" (1929), perhaps the most celebrated non-fiction film ever made, Vertov is equally renowned as the most militant opponent of the canons of mainstream filmmaking in the history of cinema. This book, the first in a three-volume study, addresses Vertov's youth in the largely Jewish city of Bialystok, his education in Petrograd, his formative years of involvement in filmmaking, his experiences during the Russian Civil War, and his interests in music, poetry and technology.

Art --- Vertov, Dziga, --- Criticism and interpretation. --- Marxism. --- Soviet culture. --- avant-garde. --- cinema. --- communism. --- documentary. --- experimental art. --- media studies. --- propaganda. --- sound studies.

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