Listing 1 - 10 of 14 | << page >> |
Sort by
|
Choose an application
Under Ptolemy II Philadelphus, who ruled Egypt in the middle of the third century B.C.E., Alexandria became the brilliant multicultural capital of the Greek world. Theocritus's poem in praise of Philadelphus-at once a Greek king and an Egyptian pharaoh-is the only extended poetic tribute to this extraordinary ruler that survives. Combining the Greek text, an English translation, a full line-by-line commentary, and extensive introductory studies of the poem's historical and literary context, this volume also offers a wide-ranging and far-reaching consideration of the workings and representation of poetic patronage in the Ptolemaic age. In particular, the book explores the subtle and complex links among Theocritus's poem, modes of praise drawn from both Greek and Egyptian traditions, and the subsequent flowering of Latin poetry in the Augustan age. As the first detailed account of this important poem to show how Theocritus might have drawn on the pharaonic traditions of Egypt as well as earlier Greek poetry, this book affords unique insight into how praise poetry for Ptolemy and his wife may have helped to negotiate the adaptation of Greek culture that changed conditions of the new Hellenistic world. Invaluable for its clear translation and its commentary on genre, dialect, diction, and historical reference in relation to Theocritus's Encomium, the book is also significant for what it reveals about the poem's cultural and social contexts and about Theocritus' devices for addressing his several readerships. COVER IMAGE: The image on the front cover of this book is incorrectly identified on the jacket flap. The correct caption is: Gold Oktadrachm depicting Ptolemy II and Arsinoe (mid-third century BCE; by permission of the Museum of Fine Arts, Boston).
Ptolemy II Philadelphus, King of Egypt --- Theocritus --- Ptolemy --- Ptolemaeus --- Ptolemy II Philadelphus --- Poetry --- LITERARY CRITICISM / Ancient & Classical. --- alexandria. --- ancient egypt. --- ancient greece. --- aristophanes. --- arsinoe ii. --- art. --- augustan poetry. --- classical studies. --- clouds. --- egypt. --- encomium. --- genre studies. --- greek culture. --- greek poetry. --- greek world. --- hellenism. --- hellenistic poetry. --- hellenistic world. --- heracles. --- homeric hymn. --- hymn. --- king. --- latin poetry. --- literary criticism. --- monarchy. --- mythology. --- patronage. --- patrons. --- pharaoh. --- pharaonic traditions. --- philadelphus. --- pithom stele. --- poetic meter. --- poetic tribute. --- poetry. --- poets. --- praise. --- ptolemaic dynasty. --- ptolemy ii. --- reign. --- ruler. --- theocritus. --- third century. --- zeus.
Choose an application
Through a series of critical readings this book builds a picture of the Roman reaction to, and adoption of, the Greek poetry of the last three pre-Christian centuries. Although the poetry of the greatest figure of Greek poetry after Alexander, Callimachus of Cyrene, and his contemporaries stands at the heart of the book, the individual studies embrace the full scope of what remains of Hellenistic poetry, both high literary productions and the more marginal poetry, such as that in honour of the great goddess Isis. The singularity of the poetry of Catullus and Virgil, of Horace and the elegists, emerges as more rich and complex than has hitherto been appreciated. Individual studies concern the poets' declared attitudes to their own work, the figure of Dionysus/Bacchus and the poetry of world conquest, the creation of similes, and the conversion of Greek bucolic into Latin pastoral.
Greek poetry, Hellenistic --- Poésie grecque hellénistique --- Callimachus --- Appreciation --- Poésie grecque hellénistique --- Callimachus Cyrenaeus --- Callimaco --- Callimaque --- Kallimachus --- Kallimachos --- Kallimachos van Kyrene --- Arts and Humanities --- History --- Kallimakh --- Kālīmākhūs al-Qūrīnī --- Qūrīnī, Kālīmākhūs --- Calímaco --- Kallimach --- Καλλίμαχος
Choose an application
Through a series of innovative critical readings Richard Hunter builds a picture of how the ancients discussed the meaning of literary works and their importance in society. He pays particular attention to the interplay of criticism and creativity by not treating criticism in isolation from the works which the critics discussed. Attention is given both to the development of a history of criticism, as far as our sources allow, and to the constant recurrence of similar themes across the centuries. At the head of the book stands the contest of Aeschylus and Euripides in Aristophanes' Frogs which foreshadows more of the subsequent critical tradition than is often realised. Other chapters are devoted to ancient reflection on Greek and Roman comedy, to the Augustan critic Dionysius of Halicarnassus, to 'Longinus', On the Sublime, and to Plutarch. All Greek and Latin is translated.
Greek literature --- History and criticism. --- Appreciation. --- Appreciation --- History and criticism --- Arts and Humanities --- History
Choose an application
This 1983 book provides a serious modern literary treatment of perhaps the best known of all surviving works of ancient Greek fiction. Dr Hunter demonstrates the sophistication of this pastoral romance, a sophistication which he maintains has often been assumed but never properly discussed. Evidence for the identity of the author and the date of composition are also considered.
Love stories, Greek --- Daphnis (Greek mythology) in literature --- History and criticism --- Longus --- Daphnis (Greek mythology) in literature. --- History and criticism. --- Longus. --- 875-3 --- -875-3 Griekse literatuur: proza --- Griekse literatuur: proza --- Greek romance fiction --- Greek fiction --- Longos --- Daphnis (Mythologie grecque) dans la littérature --- 875-3 Griekse literatuur: proza --- Daphnis --- In literature. --- Love stories, Greek - History and criticism --- Longus. - Daphnis and Chloe --- Romance fiction, Greek --- Dafni --- Dafnis --- Dafno --- Daphnisz --- Δάφνις --- Дафнис --- Дафніс --- דפניס --- Daphnis (Greek mythology)--in literature. --- Romance-language fiction, Greek
Choose an application
This book selects central texts illustrating the literary reception of Hesiod's Works and Days in antiquity and considers how these moments were crucial in fashioning the idea of 'didactic literature'. A central chapter considers the development of ancient ideas about didactic poetry, relying not so much on explicit critical theory as on how Hesiod was read and used from the earliest period of reception onwards. Other chapters consider Hesiodic reception in the archaic poetry of Alcaeus and Simonides, in the classical prose of Plato, Xenophon and Isocrates, in the Aesopic tradition, and in the imperial prose of Dio Chrysostom and Lucian; there is also a groundbreaking study of Plutarch's extensive commentary on the Works and Days and an account of ancient ideas of Hesiod's linguistic style. This is a major and innovative contribution to the study of Hesiod's remarkable poem and to the Greek literary engagement with the past.
Greek literature --- History and criticism. --- Hesiod. --- Plutarch. --- Plutarco --- Plutarque --- Ploutarchos --- Ploetarchos --- Plutarch --- Plutarchus --- Plutarkh --- Plutarkhus --- Plutarchus, --- Plutarch, --- Blūtārkhūs --- Плутарх --- Плутах --- Plutarh --- פלוטארכוס --- پلوتارخ --- Πλούταρχος, --- Pseudo-Plutarch --- Plutarkhosz --- Plutarchus Chaeronensis --- Greek literature. --- LITERARY CRITICISM --- POETRY --- Rezeption. --- Poetry. --- Ancient, Classical & Medieval. --- Hesiodus, --- Works and days (Hesiod).
Choose an application
This book gathers together many of the principal essays of Richard Hunter, whose work has been fundamental in the modern re-evaluation of Greek literature after Alexander and its reception at Rome and elsewhere. At the heart of Hunter's work lies the high poetry of Ptolemaic Alexandria (Callimachus, Theocritus, and Apollonius of Rhodes) and the narrative literature of later antiquity ('the ancient novel'), but comedy, mime, didactic poetry and ancient literary criticism all fall within the scope of these studies. Principal recurrent themes are the uses and recreation of the past, the modes of poetic allusion, the moral purposes of literature, the intellectual context for ancient poetry, and the interaction of poetry and criticism. What emerges is not a literature shackled to the past and cowed by an 'anxiety of influence', but an energetic and constantly experimental engagement with both past and present.
Greek literature, Hellenistic --- Greek poetry, Hellenistic --- Latin literature --- Latin drama --- Littérature grecque hellénistique --- Poésie grecque hellénistique --- Littérature latine --- Théâtre latin --- History and criticism. --- Sources --- Histoire et critique --- Late Antiquity). --- Literature (Greek. --- Littérature grecque hellénistique
Choose an application
The 'Symposium' is one of Plato's most sophisticated meditations on the practice of philosophy. This book introduces the context of Plato's work, surveys and explains the arguments, and considers why Plato has cast this work in a highly unusual narrative form.
Choose an application
Exploring both how Plato engaged with existing literary forms and how later literature then created 'classics' out of some of Plato's richest works, this book includes chapters on such subjects as rewritings of the Apology and re-imaginings of Socrates' defence, Plato's high style and the criticisms it attracted, and how Petronius and Apuleius threaded Plato into their wonderfully comic texts. The scene for these case studies is set through a thorough examination of how the tradition constructed the relationship between Plato and Homer, of how Plato adapted poetic forms of imagery to his philosophical project in the Republic, of shared techniques of representation between poet and philosopher and of foreshadowings of later modes of criticism in his Ion. This is a major contribution to Platonic studies, to the history of Platonic reception from the fourth century BC to the third century AD and to the literature of the Second Sophistic.
Greek literature --- History and criticism. --- Appreciation. --- Plato --- Platon --- Aflāṭūn --- Aplaton --- Bolatu --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Платон --- プラトン --- Criticism and interpretation. --- Influence. --- Plato. --- Littérature grecque --- Histoire et critique. --- Appréciation. --- Arts and Humanities --- History
Choose an application
The Catalogue of Women, ascribed to Hesiod, one of the greatest figures of early hexameter poetry, maps the Greek world, its evolution and its heroic myths through the mortal women who bore children to the gods. In this collection a team of international scholars offers an attempt to explore the poem's meaning, significance and reception. Individual chapters examine the organization and structure of the poem, its social and political context, its relation to other early epic and Hesiodic poetry, its place in the development of a pan-Hellenic consciousness, and attitudes to women. The wider influence of the Catalogue is considered in chapters on Pindar and the lyric tradition, on Hellenistic poetry, and on the poem's reception at Rome. This collection provides a significant approach to the study of the Catalogue.
Genealogy in literature --- Mythology, Greek, in literature --- Women and literature --- Women --- Women (in religion, folklore, etc.) --- Mythology --- Hesiod. --- Hesiodus --- Hesiod --- Gesiod --- Geziod --- Esiodo --- Hēsiodos --- Hezjod --- Hésiode --- Hesíodo --- Hesiyodos --- הסיודוס --- Ἡσίοδος --- Authorship. --- Characters --- Women. --- Mythology, Greek, in literature. --- Genealogy in literature. --- Mythology. --- Mythologie grecque dans la littérature --- Femmes et littérature --- Généalogie dans la littérature --- Femmes --- Mythologie --- Arts and Humanities --- History
Choose an application
Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.
Greek poetry, Hellenistic --- Influence (Literary, artistic, etc.) --- Creation (Literary, artistic, etc.) --- Poésie grecque hellénistique --- Influence littéraire, artistique, etc. --- Création (Arts) --- History and criticism. --- Histoire et critique --- History and criticism --- History --- Poésie grecque hellénistique --- Influence littéraire, artistique, etc. --- Création (Arts) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Greek poetry [Hellenistic ] --- To 500 --- Arts and Humanities --- Greek poetry, Hellenistic - History and criticism --- Influence (Literary, artistic, etc.) - History - To 500 --- Creation (Literary, artistic, etc.) - History - To 500 --- Antiquité
Listing 1 - 10 of 14 | << page >> |
Sort by
|