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Architecture --- Eisenman, Peter --- anno 1970-1979 --- -Semiotics --- Peter Eisenman --- woningen --- architecten --- 72.071 --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Philosophy --- buitenlandse architecten --- Design and construction --- Semiotics. --- Philosophy. --- Eisenman, Peter, --- Semiotics --- Eisenman, Peter D., --- Aizenman, Pītā,
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Features a look at 7 of Hejduk's houses with numerous black and white plans along with text by him and statements of his from 1964 and 1979. Also includes a biography, selected bibliography, previous exhibitions, works, and awards and grants. A very good plus copy in French style wrappers that are lightly soiled, with some minor wear and slight bumping to the corners, and with a former owner's small artistic stamp on the first page
Architecte --- Hejduk, John --- Hejduk, John, --- 20e siècle --- architectuur --- twintigste eeuw --- Hejduk John --- John Hejduk --- woningontwerp --- woningen --- architecten --- Verenigde Staten --- 72.071 --- buitenlandse architecten --- Exhibitions --- 72.07 --- Architecten. Stedenbouwkundigen A - Z --- architecture [discipline] --- Architecture --- Woningbouw ; 2e helft 20e eeuw ; J. Hejduk$e trefwoord --- Hejduk, John 1929-2000 (°New York, New York, Verenigde Staten) --- Hejduk, J. --- Hejduk, John, - 1929-2000 - Exhibitions --- Hejduk, John, - 1929-2000
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Peter Eisenman --- Charles Guathmey --- Richard Meier --- Architecture, Domestic --- Architecture --- 72.03 --- Architecture, Modern --- 72.03 Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- History --- 72.038(73) --- Architectuur ; Verenigde Staten ; 20ste eeuw --- Eisenman, Peter °1932 (°Newark, New Jersey, Verenigde Staten) --- Graves, Michael 1934-2015 (°Indianapolis, Indiana, Verenigde Staten) --- Gwathmey, Charles 1938-2009 (°Charlotte, North Carolina, Verenigde Staten) --- Hejduk, John 1929-2000 (°New York, New York, Verenigde Staten) --- Meier, Richard °1934 (°Newark, New Jersey, Verenigde Staten) --- The New York Five --- House plans --- Architectuurgeschiedenis ; 1950 - 2000 ; Verenigde Staten --- 72.071 --- architecten --- architectuur --- architectuur 20e eeuw --- John Hejduk --- Michael Graves --- buitenlandse architecten --- Architecture, Modern. --- architects --- Meier, Richard --- Gwathmey, Charles --- Eisenman, Peter --- Graves, Michael --- Hejduk, John --- United States of America --- Architects --- Architectural drawing --- Houses
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Depictions of the Holocaust in history, literature, and film became a focus of intense academic debate in the 1980s and 1990s. Today, with the passing of the eyewitness generation and the rise of comparative genocide studies, the Holocaust's privileged place not only in scholarly discourse but across Western society has been called into question. Probing the Ethics of Holocaust Culture is a searching reappraisal of the debates and controversies that have shaped Holocaust studies over a quarter century. This landmark volume brings international scholars of the founding generation of Holocaust studies into conversation with a new generation of historians, artists, and writers who have challenged the limits of representation through their scholarly and cultural practices. Focusing on the public memorial cultures, testimonial narratives, and artifacts of cultural memory and history generated by Holocaust remembrance, the volume examines how Holocaust culture has become institutionalized, globalized, and variously contested. Organized around three interlocking themes-the stakes of narrative, the remediation of the archive, and the politics of exceptionality-the essays in this volume explore the complex ethics surrounding the discourses, artifacts, and institutions of Holocaust remembrance. From contrasting viewpoints and, in particular, from the multiple perspectives of genocide studies, the authors question if and why the Holocaust should remain the ultimate test case for ethics and a unique reference point for how we understand genocide and crimes against humanity.
Holocaust, Jewish (1939-1945) --- Holocaust memorials. --- Culture --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Memorials --- Moral and ethical aspects. --- Historiography. --- Public opinion. --- Study and teaching --- Social aspects
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Wolf D. Prix, Mitbegründer von Coop Himmelb(l)au, war mehr als 20 Jahre der Leiter des Studio Prix an der Universität für angewandte Kunst Wien. Seine architektonischen Visionen prägten das Studio, das von Anfang an für Radikalismus, hochkarätige Strategien und in die Realität übertragene und umgesetzte Utopien stand. Studio Prix war ein Kreativzentrum, das intensive Betreuung bot. Diese Publikation beinhaltet eine Auswahl von Projekten und Diplomarbeiten von Studierenden, sowie Ausführungen von internationalen Freunden wie den ArchitektenHitoshi Abe, Hernan Diaz Alonso, Klaus Bollinger, Chris Bangle, Aaron Betsky, Mario Coyula-Cowley, Gregor Eichinger, Peter Eisenman, Zaha Hadid, Catherine Ingraham, Bettina Götz, Lars Lerup, Greg Lynn, Thom Mayne, Eric Owen Moss, Peter Noever, Carl Pruscha, Hani Rashid, Michael Rotondi, Patrik Schumacher, Peter Sellars und Lebbeus Woods sowie von seinen AssistentInnen und Theoretikern wie Günther Feuerstein, Sanford Kwinter, Hans Ulrich Reck und Christian Reder. Wolf D. Prix, founder of Coop Himmelb(l)au was more than 20 years head of Studio Prix at the Angewandte in Vienna.His architectural visions shaped the studio with radical concepts, high profile strategies and right from the beginningenabled students to develop projects for the world of the future. Studio Prix was a creative cluster with intense teaching. This publication contains a selection of projects and diploma works of students as well as statements of international friends like Hitoshi Abe, Hernan Diaz Alonso, Klaus Bollinger, Chris Bangle, Aaron Betsky, Mario Coyula-Cowley, Gregor Eichinger, Peter Eisenman, Zaha Hadid, Catherine Ingraham, Bettina Götz, Lars Lerup, Greg Lynn, Thom Mayne, Eric Owen Moss, Peter Noever, Carl Pruscha, Hani Rashid, Michael Rotondi, Patrik Schumacher, Peter Sellars, Lebbeus Woods as well as teaching staff and theoreticians such as Günther Feuerstein, Sanford Kwinter, Hans Ulrich Reck and Christian Reder.
Architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Architecture, Primitive --- Prix, Wolf D., --- Universität für Angewandte Kunst Wien. --- 1900-2099 --- Austria --- IOA --- Universität für Angewandte Kunst Wien
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Die wichtigsten Texte zu OMA / Rem Koolhaas The activities of Rem Koolhaas and his staff were widely discussed even before the foundation of the Office for Metropolitan Architecture in 1975. Today, many contributions on the work of OMA can be found in the international architectural press, including Koolhaas' own writings. The book contains about 150 selected texts-interviews, feature articles, essays, lead articles, reviews, letters, introductions, appraisals, and competition reports that have been compiled for the first time. This compilation not only provides a fresh and critical view of the oeuvre of one the most important contemporary architects, but also represents an account of the debate on architectural and urban design in recent decades.
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