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Rupert Brooke (b. 1887) died on April 23, 1915, two days before the start of the Battle of Gallipoli, and three weeks after his poem "The Soldier" was read from the pulpit of St Paul's Cathedral on Easter Sunday. Thus began the myth of a man whose poetry crystallizes the sentiments that drove so many to enlist and assured those who remained in England that their beloved sons had been absolved of their sins and made perfect by going to war. In Fatal Glamour, Paul Delany details the person behind the myth to show that Brooke was a conflicted, but magnetic figure. Strikingly beautiful and able to fascinate almost everyone who saw him - from Winston Churchill to Henry James - Brooke was sexually ambivalent and emotionally erratic. He had a series of turbulent affairs with women, but also a hidden gay life. He was attracted by the Fabian Society’s socialist idealism and Neo-Pagan innocence, but could be by turns nasty, misogynistic, and anti-Semitic. Brooke’s emotional troubles were acutely personal and also acutely typical of Edwardian young men formed by the public school system. Delany finds a thread of consistency in the character of someone who was so well able to move others, but so unable to know or to accept himself. A revealing biography of a singular personality, Fatal Glamour also uses Brooke’s life to shed light on why the First World War began and how it unfolded.
Poets, English --- Brooke, Rupert, --- Brouk, Roupert, --- Brooke, Rupert Chawner, --- Brooke, R. C. --- Brooke, Rupert C.,
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Originally published in 1969. In the seventeenth century neither the literary genre nor the term 'autobiography' existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as 'Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings.The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under tw
Autobiography. --- English literature --- History and criticism. --- Great Britain --- Intellectual life
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Criticism --- Criticism, Textual --- Interactive multimedia. --- Hypertext systems. --- Digital humanities. --- Humanities --- Hypertext --- Interactive multimedia --- Hypermedia systems --- Interactive media --- Computer software --- Textual criticism --- Editing --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Data processing. --- Data processing --- Information technology --- Technique --- Evaluation --- Use of --- Multi-media --- Epic poetry, Greek Criticism, Textual --- Criticism - Data processing --- Criticism, Textual - Data processing --- Hypertext systems
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