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In 1858, challenger Abraham Lincoln debated incumbent Stephen Douglas seven times in the race for a U.S. Senate seat from Illinois. More was at stake than slavery in those debates. In Lincoln's Tragic Pragmatism, John Burt contends that the very legitimacy of democratic governance was on the line. In a United States stubbornly divided over ethical issues, the overarching question posed by the Lincoln-Douglas debates has not lost its urgency: Can a liberal political system be used to mediate moral disputes? And if it cannot, is violence inevitable? As they campaigned against each other, both Lincoln and Douglas struggled with how to behave when an ethical conflict as profound as the one over slavery strained the commitment upon which democracy depends-namely, to rule by both consent and principle. This commitment is not easily met, because what conscience demands and what it is able to persuade others to consent to are not always the same. While Lincoln ultimately avoided a politics of morality detached from consent, and Douglas avoided a politics of expediency devoid of morality, neither found a way for liberalism to mediate the conflict of slavery. That some disputes seemed to lie beyond the horizon of deal-making and persuasion and could be settled only by violence revealed democracy's limitations. Burt argues that the unresolvable ironies at the center of liberal politics led Lincoln to discover liberalism's tragic dimension-and ultimately led to war. Burt's conclusions demand reevaluations of Lincoln and Douglas, the Civil War, and democracy itself.

Lincoln-Douglas Debates, Ill., 1858. --- Democracy --- Slavery --- Moral and ethical aspects --- History --- Lincoln, Abraham, --- Douglas, Stephen A. --- Political and social views. --- Ethics.

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"For the sake of contraption (like Frost) and of character (like Robinson), John Burt will do a great deal, and his scope and scansion require a great deal, for his theme is nothing less than the reinvention of heroism (King Mark, Mary of Nazareth, St. Francis, Paolo and Francesca, Ariadne) and the invention of a new heroics (Woodrow Wilson, Willard Gibbs). As attentive to ekphrasis as to the sonnet's narrow room, Burt feels what he knows, and he knows that we can learn from the past only by repeating it. A grand achievement!"--Richard Howard.Almost all these poems are narrative, telling stories that turn on some small but crucial shift of sensibility. One hears in them a speaking rather than a singing voice, a voice which, for all its formality and gravity, remains oral and sociable, a voice which tells things rather than spins charms. Their predominant mood is lucid asperity, sometimes breaking out into the angry Calvinism they always barely keep down, sometimes striving to achieve a humane skepticism that always just eludes them.The book consists of two sections, one concerned with the cruxes and contradictions of private feeling, the other with the unraveling of the public world. Each section centers on a long narrative poem that culminates the building tensions of the poems that precede it and makes possible the resolutions that follow them.Sonnet I from "St. Francis and the Wolf" Saved at last, not at the last of me, I knelt two-legged, made of guttural air A little yelp to sound like human prayer. The saints were cautious, understandably.I took the cup, and managed not to drool, But dreamed the wine was blood, as I'd been taught, And vainly curbed the vain bent of my thought. I knew myself an angel, felt a fool.Could God have erred in making teeth and maw? Then for his glory I will bite the lamb Whose terror he transmogrifies to awe That I may do his service as I am,Till as I am I leap the mortal gulf To rage in heaven, a perfected wolf.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

American poetry --- POETRY / American / General. --- Black Mountain school (Group of poets)

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Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.

American fiction --- Authors, American --- Short stories, American --- Bio-bibliography --- Biography --- Nouvelles américaines --- Roman américain --- Ecrivains américains --- History and criticism --- Dictionaries --- Histoire et critique --- Biobibliographie --- Biographie --- Dictionnaires anglais --- American short stories --- English --- Languages & Literatures --- American Literature --- American literature --- American authors --- Fiction --- anno 1900-1999 --- Short stories [American ] --- 20th century --- Authors [American ] --- Short stories, American. --- Short stories. --- American fiction. --- Biography.