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Whitman se feuillette et s'effeuille. Page à page, brin à brin. Celui dont on célèbre cette année le bicentenaire de la naissance lançait déjà au lecteur, au moment de disséminer sa semence poétique au vent d'une postérité fragile : « Ces feuilles, entre vos mains, vous les parcourez à votre propre péril, jamais vous ne les comprendrez. Voyez, je vous échappe déjà. » Rien ne sert, donc, de vouloir saisir la parole cosmique du poète-prophète d'une Amérique toujours à venir, ni de circonscrire les contradictions du « je » whitmanien, tout à la fois solaire et mélancolique, barbare et grec, à jamais excentrique et pourtant solitaire, lui-même absolument, bien que toujours un autre. Ce recueil fait le pari d'accueillir Whitman dans sa singulière pluralité, de le lire feuille à feuille, au risque du microscopique et à l'aune de sa démesure.
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The Coquette tells the much-publicized story of the seduction and death of Elizabeth Whitman, a poet from Hartford, Connecticut. Written as a series of letters--between the heroine and her friends and lovers--it describes her long, tortuous courtship by two men, neither of whom perfectly suits her. Eliza Wharton (as Whitman is called in the novel) wavers between Major Sanford, a charming but insincere man, and the Reverend Boyer, a bore who wants to marry her. When, in her mid-30s, Wharton finds herself suddenly abandoned when both men marry other women, she willfully enters into an adulterous
Women --- Whitman, Elizabeth, --- Wharton, Eliza,
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"Nathanson addresses with renewed insight a problem that has vexed Whitman scholars at least since James E. Miller, Jr.'s A Critical Guide to Leaves of Grass turned Whitman into a respectable academic subject; that is, the unusual status of Whitman's poetic voice. . . . The overall result is the finest articulation of Whitman's project in existence."-Donald Pease, Department of English, Dartmouth College "What enables Nathanson to perform a feat no other critic has accomplished depends as much on his awareness of a range of thinkers from Wittgenstein to J.L. Austin and Derrida as on his sense of the qualities of poetry: he gives the term presence a cultural as well as poetic significance which opens out to cultural history, and makes Whitman as much a representative presence in the culture as our unequalled poet. I see this as a central book about our literature." -Quentin Anderson, J.C. Levi Professor in the Humanities Emeritus, Columbia University
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"This book offers the most comprehensive and detailed reading to date of Song of Myself. One of the most distinguished critics in Whitman Studies, Ed Folsom, and one of the nation's most prominent writers and literary figures, Christopher Merrill, carry on a dialog with Whitman, and with each other, section by section, as they invite readers to enter into the conversation about how the poem develops, moves, improvises, and surprises. Instead of picking and choosing particular passages to support a reading of the poem, Folsom and Merrill take Whitman at his word and interact with "every atom" of his work. The book presents Whitman's final version of the poem, arranged in fifty-two sections; each section is followed by Folsom's detailed critical examination of the passage, and then Merrill offers a poet's perspective, suggesting broader contexts for thinking about both the passage in question and the entire poem"--
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Contains seventeen essays by pre-eminent scholars representing a variety of critical perspectives that focus on Walt Whitman's ""Leaves of Grass"". This book features contributors who treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, and nineteenth-century America.
Whitman, Walt, 1819-1892. Leaves of grass. --- English --- Languages & Literatures --- American Literature --- Whitman, Walt,
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"Dedicated to John B. Whitman, this collection of seventeen articles provides a forum for cutting-edge theoretical research on a wide range of linguistic phenomena in a wide variety of Asian languages, including Japanese, Korean, Chinese, Austronesian, Indo-Aryan, and Thai. Ranging from syntax and morphology to semantics, acquisition, processing and phonology, from synchronic and/or diachronic perspectives, this collection reflects the breadth of the honoree's research interests, which span multiple research subfields in numerous Asian languages"--
Whitman, John, --- Whitman, John Bradford, --- ジョン・ホイットマン, --- Jon Hoittoman, --- Hoittoman, Jon, --- Asia --- Languages.
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The correspondence of Hannah Whitman Heyde (1823-1908), younger sister of poet Walt Whitman, provides a rare glimpse into the life of a nineteenth-century woman. Married to well-known Vermont landscape artist Charles Louis Heyde (1820-1892), Hannah documented in letters to her mother, Louisa Van Velsor Whitman (1795-1873), and other family members, her lived experience of ongoing physical and emotional abuse at the hands of her husband. Hannah has long been characterized in biographical and scholarly studies of Whitman’s family as a neurotic and a hypochondriac—a narrative promulgated by Heyde himself—but Walt Whitman carefully preserved his sister’s letters, telling his literary biographer that his intention was to document her plight. Hannah’s complete letters, gathered here for the first time and painstakingly edited and annotated by Maire Mullins, provide an important counternarrative, allowing readers insight into the life of a real nineteenth-century woman, sister, and wife to famous men, who endured and eventually survived domestic violence.
Abused wives --- Heyde, Hannah Louisa Whitman, --- Heyde, Charles Louis, --- Whitman, Walt, --- Family. --- women writers, domestic violence, correspondence, letters, Hannah Whitman Heyde, Walt Whitman's sister, Walt Whitman, biography, memoir, nineteenth-century women, Charles Louis Heyde, emotional abuse, physical abuse.
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In 1879, when Walt Whitman was sixty, he made a trip to the West—first to Kansas to attend the quartercentennial celebration of Kansas settlement, then on to Denver and the Rockies. Biographers have only briefly reported this trip, if they have dealt with it at all; here for the first time is a thorough reconstruction of Whitman’s western experience. From his own extensive research in newspapers of the period, as well as from Whitman’s published daybooks and notebooks and his collected correspondence. Walter H. Eitner is able to piece together a well detailed itinerary, and to compare the record of the actual journey with Whitman’s imaginative account in Specimen Days.This study in part constitutes a criticism of the sections of Specimen Days dealing with the West by examining the ways in which Whitman reordered his experiences to have them support a bardic pose he wished to maintain. For the first time Whitman’s three journalist traveling companions—whom Whitman did not even mention in Specimen Days—are fully on record. This account also shows Whitman very much his own press agent, engaging in a wide range of selfpromoting activities such as writing his own interviews and sending back to the press in the East accounts of his whereabouts, his health, and his plans.
Whitman, Walt --- Mittlerer Westen --- History of the Americas
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Collage. --- Whitman, Walt, --- Technique. --- Notebooks, sketchbooks, etc. --- Manuscripts. --- Collages --- Art --- Found objects (Art) --- Handicraft --- Montage --- Whitman, Walt --- Technique --- Manuscripts
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As the first full treatment of Walt Whitman's French sources and his later impact on French writers, this book revises our image of the poet and challenges many critical assumptions.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Symbolism (Literary movement) --- French literature --- History and criticism. --- Whitman, Walt, --- Sources. --- Influence.
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