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"The Resonance of Unseen Things offers an ethnographic meditation on the "uncanny" persistence and cultural freight of conspiracy theory. The project is a reading of conspiracy theory as an index of a certain strain of late 20th-century American despondency and malaise, especially as understood by people experiencing downward social mobility. Written by a cultural anthropologist with a literary background, this deeply interdisciplinary book focuses on the enduring American preoccupation with captivity in a rapidly transforming world. Captivity is a trope that appears in both ordinary and fantastic iterations here, and Susan Lepselter shows how multiple troubled histories--of race, class, gender, and power--become compressed into stories of uncanny memory"--Publisher's description.
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In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work. It traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry.
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The Unconcept is the first genealogy of the concept of the Freudian uncanny, tracing the development, paradoxes and movements of this negative concept through various fields and disciplines from psychoanalysis, literary theory and philosophy to film studies, genre studies, sociology, religion, architecture theory, and contemporary art. Anneleen Masschelein explores the vagaries of this 'unconcept' in the twentieth century, beginning with Freud's seminal essay 'The Uncanny,' through a period of conceptual latency, leading to the first real conceptualizations in the 1970s and then on to the present dissemination of the uncanny to exotic fields such as hauntology, the study of ghosts, robotics and artificial intelligence. She unearths new material on the uncanny from the English, French and German traditions, and sheds light on the specific status of the concept in contemporary theory and practice in the humanities. This essential reference book for researchers and students of the uncanny is written in an accessible style. Through the lens of the uncanny, the familiar contours of the intellectual history of the twentieth century appear in a new and exciting light.
Aesthetics, Modern --- Fantastic, The. --- Uncanny, The (Psychoanalysis). --- 82:159.9 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Literatuur en psychologie. Literatuur en psychoanalyse --- Fantastic, The --- Uncanny, The (Psychoanalysis) --- Psychoanalysis --- Fantastic, The (Aesthetics) --- Aesthetics --- History
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Horror isn't what it used to be. Nor are its Gothic avatars. The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity.Re-examining key concepts such as the u
Gothic revival (Literature) --- Horror tales --- Literary movements --- Revival movements (Art) --- Romanticism --- History and criticism. --- Gothic horror. --- abjection. --- cultural production. --- cybergothic. --- death drive. --- fantasmagoria. --- sublime. --- terror. --- uncanny. --- video games.
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A field of theory and research is evolving around the question highlighted in the Uncanny Valley Hypothesis: How does high realism in anthropomorphic design influence human experience and behaviour? The Uncanny Valley Hypothesis posits that a very humanlike character or object (e.g., robot, prosthetic limb, doll) can evoke a negative affective (i.e., uncanny) state. Recent advances in robotic and computer-graphic technologies in simulating aspects of human appearance, behaviour and interaction have been accompanied, therefore, by theorising and research on the meaning and relevance of the Uncanny Valley Hypothesis for anthropomorphic design. Current understanding of the "uncanny" idea is still fragmentary and further original research is needed. However, the emerging picture indicates that the relationship between humanlike realism and subjective experience and behaviour may not be as straightforward as the Uncanny Valley Hypothesis suggests. This Research Topic brings together researchers from traditionally separate domains (including robotics, computer graphics, cognitive science, psychology and neuroscience) to provide a snapshot of current work in this field. A diversity of issues and questions are addressed in contributions that include original research, review, theory, and opinion papers.
Robotics --- Virtual humans (Artificial intelligence) --- Moral and ethical aspects. --- anthropomorphic design --- computer animation --- computer graphics --- virtual reality --- cognition --- affect --- robotics --- human likeness --- Uncanny Valley Hypothesis --- perception
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A talking body part, a character that is simultaneously alive and dead, a shape-changing setting, or time travel: although impossible in the real world, such narrative elements do appear in the storyworlds of novels, short stories, and plays. Impossibilities of narrator, character, time, and space are not only common in today's world of postmodernist literature but can also be found throughout the history of literature. Examples include the beast fable, the heroic epic, the romance, the eighteenth-century circulation novel, the Gothic novel, the ghost play, the fantasy narrative, and the science-fiction novel, among others.Unnatural Narrative looks at the startling and persistent presence of the impossible or "the unnatural" throughout British and American literary history. Layering the lenses of cognitive narratology, frame theory, and possible-worlds theory, Unnatural Narrative offers a rigorous and engaging new characterization of the unnatural and what it yields for individual readers as well as literary culture. Jan Alber demonstrates compelling interpretations of the unnatural in literature and shows the ways in which such unnatural phenomena become conventional in readers' minds, altogether expanding our sense of the imaginable and informing new structures and genres of narrative engagement.
Narration (Rhetoric) --- Uncanny, The (Psychoanalysis), in literature. --- Fiction --- Drama --- Postmodernism (Literature) --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Criticism --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and criticism. --- Uncanny, The (Psychoanalysis), in literature --- History and criticism --- Drama. --- Fiction. --- Postmodernism (Literature). --- Narration (Rhetoric).
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Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of »the uncanny« into their novelistic discourses. The two texts under scrutiny - Paul Auster's »City of Glass« and Toni Morrison's »Jazz« - show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences. Besprochen in: Kronoscope, 16 (2016), Raphaelle Beauregard
Postmodernism; The Uncanny; Timespace; New York City; Paul Auster; Toni Morrison; Literature; America; American Studies; British Studies; Cultural Studies; Space; Literary Studies --- America. --- American Studies. --- British Studies. --- Cultural Studies. --- Literary Studies. --- Literature. --- New York City. --- Paul Auster. --- Space. --- The Uncanny. --- Timespace. --- Toni Morrison.
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Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of »the uncanny« into their novelistic discourses. The two texts under scrutiny - Paul Auster's »City of Glass« and Toni Morrison's »Jazz« - show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences. Besprochen in: Kronoscope, 16 (2016), Raphaelle Beauregard
Postmodernism; The Uncanny; Timespace; New York City; Paul Auster; Toni Morrison; Literature; America; American Studies; British Studies; Cultural Studies; Space; Literary Studies; --- America. --- American Studies. --- British Studies. --- Cultural Studies. --- Literary Studies. --- Literature. --- New York City. --- Paul Auster. --- Space. --- The Uncanny. --- Timespace. --- Toni Morrison.
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