Listing 1 - 10 of 14 | << page >> |
Sort by
|
Choose an application
Today culture is everywhere as maybe never before. We read culture reviews, watch culture shows, live in Cities of Culture, and witness the Cultural Olympiad. Government, museums and arts councils worry that we are not getting enough culture and shape policy around notions of art and culture for all. Access and inclusion are in. Difficulty and exclusivity out. In ""Being Cultured: in defence of discrimination"" Angus Kennedy asks if this explosion of culture, and the breaking down of distincti...
Popular culture --- Discrimination. --- Bias --- Interpersonal relations --- Minorities --- Toleration --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Social aspects. --- Philosophy and psychology of culture --- Politics --- politics --- cultuurbeleid --- cultuurparticipatie --- kunst en politiek
Choose an application
How is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is 'transferred' to international contexts - and how can it be reclaimed? This timely book tackles ongoing questions about how 'local' perspectives on contemporary art from the Middle East are defined and how these perspectives intersect with global art discourses. Inside, leading figures from the Middle Eastern art world, western art historians, art theorists and museum curators discuss the historical and cultural circumstances which have shaped contemporary art from the Middle East, reflecting on recent exhibitions and curatorial projects and revealing how artists have struggled with the label of 'Middle Eastern Artist'. Chapters reflect on the fundamental methodologies of art history and cultural studies - considering how relevant they are when studying contemporary art from the Middle East - and investigate the ways in which contemporary, so-called 'global', theories impact on the making of art in the region. Drawing on their unique expertise, the book's contributors offer completely new perspectives on the most recent cultural, intellectual and socio-political developments of contemporary art from the Middle East.
Art, Middle Eastern. --- Art, Middle Eastern --- Art, Middle Easter --- Middle Eastern art --- Modern art. --- Oriental art --- Art --- art appreciation --- globalization --- anno 2000-2099 --- Middle East --- Art, Modern. --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art, Modern --- kunst en politiek
Choose an application
Einde maart '98 vonden een colloquium en een studiedag plaats onder de titel 'Glokale kunst in Vlaanderen', een debat over kunst en globalisering. In dit dossier werden de bijdragen opgenomen van de vier internationale sprekers. Daarnaast werd aan de verschillende participanten (uit de kunstenwereld, de interculturele wereld en de ontwikkelingssamenwerking) gevraagd om hun visie op papier te zetten.
Art --- anno 1900-1999 --- Flanders --- 7.01 --- Kunst . Vlaanderen --- Multiculturele samenleving --- #abib:aleo --- Ontwikkelingssamenwerking --- kunst --- 700.7 --- cultuur --- kunst en beleid --- kunst en politiek --- globalisering --- twintigste eeuw --- 792.23 --- Vlaanderen --- podiumkunsten --- België --- noord-zuiddialoog --- ontwikkelingslanden --- sociologie, cultuur --- cultuur, politiek --- cultuur, beleid --- duurzame ontwikkeling --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- interculturele podiumkunsten --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- diversiteit --- multiculturaliteit
Choose an application
Pioneering study exploring a major filmmaker's creative vision of Germany's troubled national identity.
Motion pictures --- History. --- Fassbinder, Rainer Werner, --- Criticism and interpretation. --- Fassbinder, R. W. --- 791.471 FASSBINDER --- Duitsland --- fascisme --- Fassbinder Rainer Werner --- film --- film en politiek --- History, Identity, Subject / Thomas Elsaesser --- kunst en politiek --- nazisme --- History --- CINEMA --- FASSBINDER, RAINER WERNER (1945-1982) --- FASSBINDER (RAINER WERNER), 1945-1982 --- ALLEMAGNE --- HISTOIRE --- JEUNE CINEMA ALLEMAND
Choose an application
Inside the Invisible provides the first examination of the work of Turner Prize-winning Black British artist and curator Professor Lubaina Himid CBE. This comprehensive volume breaks new ground by theorizing her development of an alternative visual and textual language within which to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery. For Himid, the act of forgetting within official sites of memory is indivisible from the art of remembering within an African diasporic art historical tradition. She interrogates the widespread distortion and even wholesale erasure of Black bodies and souls subjected to dehumanizing stereotypes and grotesque caricatures within western imaginaries and dominant iconographic traditions over the centuries. Creating bodies of work in which she comes to grips with the physical and psychological realities of iconic and anonymous African diasporic individuals as living breathing human beings rather than as objectified types, she bears witness not only to tragedy but to triumph. A self-appointed researcher, historian, and storyteller as well as an artist, she succeeds in seeing "inside the invisible" regarding untold narratives of Black agency and artistry by mining national archives, listening to oral stories, acknowledging art-making traditions, and revisiting autobiographical testimonies.
Slavery in art --- African diaspora in art --- kunst --- feminisme --- 7.01 --- 7.03 --- 7.071 HIMID --- 75.071 HIMID --- racisme --- gender studies --- slavernij --- Afrika --- eenentwintigste eeuw --- twintigste eeuw --- postkolonialisme --- kolonialisme --- Groot-Brittannië --- kunst en politiek --- politiek --- Himid, Lubaina, --- Slavery in art. --- African diaspora in art. --- visualising --- black history --- contemporary --- art
Choose an application
In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America, and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization, and European colonization.
Iconography --- World history --- violence --- political art --- visual culture --- anno 1500-1799 --- Political violence --- Violence in art --- Violence --- Political crimes and offenses --- Terrorism --- Art --- Violence. --- Art. --- In art. --- Themes, motives --- Political aspects --- Thèmes, motifs. --- Aspect politique --- kunst en politiek --- Visual communication --- Themes, motives. --- Political aspects. --- Violence in art.
Choose an application
Sensing Earth states that our environmental issues are in the first place a matter of culture and aesthetics. Technology and science are not enough to solve these problems. Our globe is facing an escalation of ecological problems, with no quick solutions in sight. We seem to be caught in a spiral of health issues, burnout, sensory overload, depression, and somatic deprivation. Artists faced with these crises are looking for ways to articulate the ongoing emergencies and explore possible ways out. However, the arts and culture are caught in a double bind. Artists and cultural initiatives need circulation to let ideas intersect and create meaningful connections. However, this globalized system also contributes to the planet's ecological decline: by countless journeys from one biennale, international residency, touring exhibition and networking event to the next. After the Covid-19 pandemic 'business as usual' seems to prevail. Sensing Earth includes essays, interviews, poetry, manifestos, choreographic prompts, speculative fiction, and case studies operating at the intersection of art and activism, culture and nature. All texts explore what sensorial foundations are necessary to address systemic failures, and what routes to take for keeping us moving on this planet, physically, emotionally and intellectually.https://www.epo.be/nl/boeken/9789493246249/sensing-earth-
#KVHA:Algemene taalbeheersing; Nederlands --- #KVHA:Schrijfvaardigheid; Nederlands --- #KVHA:Grammatica --- #KVHA:Spelling --- #KVHA:Tekstsoorten --- Schrijven. --- Stilistics --- Dutch language --- Literary rhetorics --- teksten schrijven --- schriftelijke communicatie --- Nederlands --- Taalvaardigheid --- Schrijven --- Spelling --- Interpunctie --- Grammatica --- Taalgebruik --- Tekstsoort --- Philosophy and psychology of culture --- Nature protection --- kunst en politiek --- klimaatverandering --- Sociology of environment --- Maatschappijkritiek --- Globalisering --- Klimaatverandering --- Ecologie --- Ecologische voetafdruk --- Consumptiemaatschappij --- Kunst --- Internationale samenwerking --- Cultuurfilosofie --- Cultuursociologie
Choose an application
This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944-1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists' political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immedi
Political systems --- Art --- communism --- anno 1940-1949 --- anno 1950-1959 --- Italy --- Fossil hominids. --- Human evolution. --- Prehistoric peoples. --- Cavemen (Prehistoric peoples) --- Early man --- Man, Prehistoric --- Prehistoric archaeology --- Prehistoric human beings --- Prehistoric humans --- Prehistory --- Human beings --- Antiquities, Prehistoric --- Evolution (Biology) --- Physical anthropology --- Evolutionary psychology --- Fossil hominins --- Fossil man --- Hominids, Fossil --- Hominins, Fossil --- Human fossils --- Human remains (Archaeology) --- Primates, Fossil --- Paleoanthropology --- Origin --- Primitive societies --- kunst en politiek --- ART, ITALIAN --- ART --- ITALY --- POLITICAL SCIENCE
Choose an application
Anthropology and Art Practice takes an innovative look at new experimental work informed by the newly-reconfigured relationship between the arts and anthropology. This practice-based and visual work can be characterised as 'art-ethnography'. In engaging with the concerns of both fields, this cutting-edge study tackles current issues such as the role of the artist in collaborative work, and the political uses of documentary. The book focuses on key works from artists and anthropologists that engage with 'art-ethnography' and investigates the processes and strategies behind their creation and exhibition.The book highlights the work of a new generation of practitioners in this hybrid field, such as Anthony Luvera, Kathryn Ramey, Brad Butler and Karen Mizra, Kate Hennessy and Jennifer Deger, who work in a diverse range of media - including film, photography, sound and performance. Anthropology and Art Practice suggests a series of radical challenges to assumptions made on both sides of the art/anthropology divide and is intended to inspire further dialogue and provide essential reading for a wide range of students and practitioners.
kunstfilosofie --- culturele antropologie --- Ethnology. Cultural anthropology --- philosophy of art --- kunst --- art [fine art] --- social anthropology --- Art --- Art et anthropologie --- Art and anthropology. --- Critique et interprétation --- kunst en antropologie --- documentaire --- kunst en politiek --- film --- Luvera Anthony --- Ramey Kathryn --- Butler Brad --- Mizra Karen --- Hennessey Kate --- Deger Jennifer --- 791.41 --- #SBIB:39A5 --- #SBIB:316.7C200 --- Anthropology and art --- Anthropology --- Kunst, habitat, materiële cultuur en ontspanning --- Sociologie van de cultuuruitingen: algemeen --- Art and anthropology --- Critique et interprétation. --- Art et anthropologie. --- Anthropology. --- Human beings --- Primitive societies --- Social sciences --- ART --- Antropologi. --- Konst. --- SOCIAL SCIENCE --- Criticism & Theory. --- Cultural. --- Sociology --- General. --- art [discipline]
Choose an application
Sociology of cultural policy --- Photography --- anno 1900-1999 --- Belgium --- Communauté flamande --- Cultuurbeleid --- Politique culturelle --- Vlaamse Gemeenschap --- cultuurbeleid --- 1961 - 2005 --- Vlaanderen --- 601 Cultuurbeleid --- Wim De Pauw, Herman Selleslags & Johan Swinnen --- België --- cultuur --- twintigste eeuw --- kunst en politiek --- kunst en maatschappij --- fotografie --- documentaire --- documentaire fotografie --- Selleslags Herman --- reportagefotografie --- 77.071 SELLESLAGS --- 316 --- Cultuur --- Culturele sector --- Creatieve activiteiten --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- Flanders --- Public administration --- Martens, Luc --- Dewael, Patrick --- Mechelen, van, Frans --- Weckx, Hugo --- Anciaux, Bert --- Poma, Karel --- Backer-Van Ocken, De, Rika --- Grembergen, van, Paul --- Chabert, Jos --- 1961 - 2005. --- Vlaanderen.
Listing 1 - 10 of 14 | << page >> |
Sort by
|