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For more than twenty years, Roy Underhill has taught the techniques of traditional woodcraft with muscle-powered tools. With his four previous books and his popular PBS series, The Woodwright's Shop, now in its sixteenth season, Roy has inspired millions to take up chisel and plane. The master woodwright returns here with instructions for handcrafting an appealing selection of projects from the American woodworking tradition. The Woodwright's Apprentice begins with directions for building a workbench. Each successive project builds new skills for the apprentice woodworker--from frame construction to dovetailing, turning, steam-bending, and carving. Among the twenty items featured are an African chair, a telescoping music stand, a walking-stick chair, a fireplace bellows, and a revolving Windsor chair. Designed both for woodworking novices and for more seasoned woodworkers looking for enjoyable projects, the book includes step-by-step directions, complete with easy-to-follow photographs and measured drawings, and an illustrated glossary of tools and terms. All of the pieces presented here are based on projects featured in past and upcoming seasons of The Woodwright's Shop television show.
Cabinetwork. --- Furniture making. --- Woodwork --- History.
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Traditional wood composites are produced with synthetic, formaldehyde-based adhesives, commonly made from fossil-derived constituents, such as urea, phenol, melamine, etc. Along with their undisputable advantages, these adhesives are characterized by certain problems, connected with the emission of hazardous volatile organic compounds (VOCs), including free formaldehyde emission from the finished wood composites, which is carcinogenic to humans and harmful to the environment. The growing environmental concerns, connected with the adoption of circular economy principles, and the new, stricter legislative requirements for the emission of harmful VOCs, e.g., free formaldehyde, from wood composites, have posed new challenges to researchers and industrial practice, related to the development of sustainable, eco-friendly wood composites, optimization of the available lignocellulosic raw materials, and use of alternative resources.
Wood products. --- Furniture making. --- Furniture --- Furniture building --- Joinery --- Woodwork --- Timber products --- Forest products --- Building
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From the mid-eighteenth century on, cultural life in the northern valley of the St John River blended the traditions of Acadian and French Canadian settlers with those of American immigrants. In the southern valley, Mi'kmaq interacted with American newcomers and Loyalist settlers, while the later influx of Scottish and Irish immigrants introduced more layers of cultural traditions. Using an impressively diverse combination of artifacts, artwork, maps, and primary literature from over sixty museum collections and archives, Cook addresses the experiences of immigrants and artisans and their influence on the cultural boundaries along one of eastern North America's most important rivers. She moves beyond a mere catalogue of objects to provide an important comparative analysis of material heritage, showing how furniture embodied the lifestyles of differing groups of settlers.
Furniture --- Furniture making --- History. --- Saint John River Valley (Me. and N.B.)
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This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture, and other decorative art objects made wholly or partly of wood. It integrates theory with practice to show the principles which govern interaction between wooden objects, the environmental and conservation treatments and the factors which need to be taken into account to arrive at acceptable solutions to conservation problems.
Furniture --- Furniture making --- Furniture finishing --- Repairing. --- Conservation and restoration --- Repairing --- Conservation. Restoration --- furniture --- restoration [process] --- preserving --- restauratie (kunst) --- meubelkunst --- meubelen --- conservatie --- furniture design
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The study includes picture sources and written records to fully discuss the history of ecclesiastical interiors as well as the stylistic development of the furnishings in the early modern period. In addition, the study explores aspects relating to the social and economic history.
Church furniture --- Church decoration and ornament --- Christian art and symbolism --- Furniture, Baroque --- Carpenters --- Furniture making --- History. --- Furniture --- Furniture building --- Joinery --- Woodwork --- Building trades --- Woodworkers --- Baroque furniture --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Ecclesiastical furniture --- Furniture, Church --- Building --- Employees --- Styles --- Sakralmöbel --- applied arts --- Kunsthandwerk --- Barock --- church furnishings --- Baroque
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Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.
Hatoum, Mona --- Art --- Lebanon --- Great Britain --- video art --- Hatoum, Mona, --- Michael Archer, Guy Brett, Catherine de Zegher --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London. --- Installaties ; performances ; beeldhouwkunst ; Mona Hatoum --- performances --- Palestinië --- Said Edward --- lichamelijkheid --- ballingschap --- 7.071 HATOUM --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- performance art --- assemblages [sculpture] --- furniture making --- installations [visual works] --- Iconography --- Film --- photography [process] --- Photography --- art [fine art] --- anno 1900-1999 --- Performance art --- Installations (Art) --- Art de performance --- beeldhouwkunst --- Groot-Brittannië --- Hatoum Mona --- installaties --- kunst --- Manzoni Piero --- twintigste eeuw --- video --- videokunst --- 7.038 --- 7.07 --- 73.07 --- Intermedia --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London --- Videokunst --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ḥāṭūm, Muná, --- Criticism and interpretation. --- #breakthecanon --- Hatoum, Mona, - 1952 --- -Performance art --- Beeldhouwkunst --- Perfomances --- Kunst; 20ste eeuw --- Palestina --- -Hatoum, Mona --- -Installations (Art) --- art [discipline] --- Artists --- Book
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