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First book on documentary cinema's most innovative and influential director

Morris, Errol --- Criticism and interpretation. --- film --- filmgeschiedenis --- twintigste eeuw --- eenentwintigste eeuw --- filmregisseurs --- Verenigde Staten --- documentaire --- Morris Errol --- 791.471 MORRIS

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kunst --- twintigste eeuw --- eenentwintigste eeuw --- Solakov Nedko --- tekenkunst --- schilderkunst --- installaties --- fotografie --- Bulgarije --- 7.071 SOLAKOV --- Hedendaagse kunst --- Schilderkunst --- Schilderkunst; 20ste eeuw --- Performancekunst --- Kunst; 21ste eeuw --- Exhibitions

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Die Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare Öffentlichkeit ausliefern, gar das Gesicht verlieren. Das Buch dokumentiert künstlerische und andere Strategien, die Möglichkeiten aufzeigen, im unendlichen Buch der Gesichter zu erscheinen und sich dabei doch jeglicher Erfassung zu entziehen. Der Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu werden, bleibt dabei nicht bloß ein ästhetisches Unterfangen. Die Beiträge formulieren auch kämpferische wie ironische Ansagen gegen eine digitale Dynamik, die unseren Alltag längst erreicht hat. The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or - even less so - to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives.

Privacy in art --- Arts, Modern --- kunst --- big data --- 130.2 --- 7.01 --- identiteit --- archivering --- archieven --- kunsttheorie --- portret --- kunst en technologie --- internet --- sociale media --- nieuwe media --- eenentwintigste eeuw

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This reader is the first to bring together a selection of Mann's own interviews where he reflects on his film and television productions. The sixteen interviews provide historical context, interpretation and evaluation of the auteur's work. They encompass his entire career as a feature filmmaker and television producer/director as he and others reflect on his themes, working methods, artistic development and career achievements. The book aims to open up Mann's body of work, making it available for comparison with the work of his contemporaries, and to provide fresh insights into his film and television work. A substantive introductory essay, chronology and filmography provide additional bases for understanding the interviews, essays and work of this major filmmaker.Key Features* The first reader on Michael Mann *Includes three interviews originally published in French periodicals and translated for this volume *Open up Mann's body of work, making it available for comparison with the work of his contemporaries

film --- televisie --- Mann Michael --- Verenigde Staten --- twintigste eeuw --- 791.471 MANN --- filmregisseurs --- eenentwintigste eeuw --- Motion picture producers and directors --- Mann, Michael, --- Mann, Michael Kenneth

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Peter Doig's highly distinctive paintings have been exhibited in major museums and galleries wolrdwide to international acclaim. In each work, Doig seeks to create an atmosphere that will draw the viewer into an intense and beguiling perceptual experience. Derived from photographic sources or quasi-memories, to form grand and magical tableaux, his pictorial world has also been shaped bij the different places he has lived in. Born in Scotland, he was raised in Canada and spent two decades in London, before moving tot Trinidad, where he now lives and works. Accompanying a major retrospective exhibition, this lavishly illustrated book provides a comprehensive account of Doig's practice over two decades of extra-ordinary archievement. With an essay bij Richard Shiff, an introduction by Tate curator Judith Nesbitt and an illuminating conversation between Doig and his friend, the artist Chris Ofili, this is a thorough and up-to-date survey of one of the most influential painters at work today.

Doig, Peter --- kunst --- schilderkunst --- Doig Peter --- Groot-Brittannië --- eenentwintigste eeuw --- twintigste eeuw --- 75.071 DOIG --- Eu-enge 737.9 --- Hedendaagse kunst --- Schilderkunst --- Peter Doig --- Kunst --- Exhibitions --- departement Beeldende Kunst 08 --- tentoonstellingscatalogus --- hedendaagse schilderkunst